Tag Archives: namibia

Exhibiting at Roots & Wings (Windhoek)

I am excited to be participating in this upcoming group exhibition, together with many other interesting artists! Curated by Frieda Lühl.

Roots & Wings

Come to the opening on the 10th of November (6pm) at the Project Room, to see how different artists have interpreted this theme. Or, if you cannot make it to the opening, the exhibition will be on view till the 25th of November. It is not long, so do not miss it!

Address: 32 Jenner Street, Windhoek West, Namibia.
Opening hours for the duration of the exhibition:
Tuesday to Friday: 9am – 1pm, Saturday 10am – 1pm
Enquiries: info@frieda.co.za

Unfortunately I will not be present at the opening, but I hope many of you can make it!

 

Wuppertal, Munich and Travelling Back in Time

Do you also have the feeling that your life has become so busy, that you have no time for all the stuff you want to do? Or to read all the blogs you are subscribed to?

The first quarter of the year is almost passed and somehow I have neglected my blog. Well, many things are happening and keeping me busy – which is mostly good news. Another reason is that with so many things, which are happening on all fronts (personal, family, political, career etc), I am left with so many impressions, thoughts, ideas, questions… It feels as if I have so much to say and to share, and yet I do not know where to start. It feels as if I would need another lifetime to sort all ideas and find the right way to share them. Or a personal assistant… Or a way to magically write down all that is in my mind within a few hours.

So I am trying to navigate these times, which feel chaotic and alive, terrifying and promising at the same time, as best and honestly as I can. To live each moment more consciously and deliberately waiting to find clarity, allowing life to unfold its plan at its own pace. I am considering writing shorter, but more frequent blogs… let’s see if that is a better way to deal with my and your busy life and still stay in touch.

A quick update:

My exhibition in Munich has just finished. It was very well visited and the highlight was, that a friend has organised for me to fly to Munich and talk about my art to interested guests in a guided tour of my exhibition. I really enjoy that direct contact with the people who are interested my art. Most of my art is filled with layers of meaning and thoughts, and people have commented how enriching they find to look at the art, and then additionally hear me talk about it.

Here are a few impressions from the exhibition and the guided tour (Click on the images for a larger view and description):

The event has been organized by Carola von Maltzahn from http://www.vonmaltzahn.net/ and Christian Bräuer from Art Dine & Table – Die Kunstpatrouille (www.christian-braeuer.de) Photos: Carola von Maltzahn.

I had another exhibition opening in March, at the Museum auf der Hardt, Wuppertal.

The exhibition and screening of the documentary film about my land art project ‘An Infinite Scream’ was part of a Symposium organized by the Vereinte Evangelische Mission.

Here are some images from the exhibition, opening and film screening. Photos by Ramona Hedtmann, VEM and myself.

Only shortly before the event, I realised that I have a much deeper connection to this museum and place than I could have imagined. My Great-Great-Grandfather Eduard Dannert and Great-Grandfather August Kuhlmann were both missionaries in Namibia and were sent by this very same institution to Africa. Needless to say, the museum and archives have lots of information, documentation and objects from these ancestors of mine, like for instance the sewing machine of my Great-Grandmother… and this sewing machine, together with a letter which August Kuhlmann wrote to General von Trotha trying to convince him to treat the Herero people more humanly were exhibited in the same space, next to my political works. What an honour and humbling experience.

If you happen to be in Wuppertal, you are welcome to view the exhibition. It is still on till the 4th of April. More information, directions and opening times: http://www.vemission.org/museumarchive.html

I am so excited that spring seems to have finally arrived! After so much political art and talk, I felt like painting something light and colourful, to welcome spring.

Upcoming Exhibition in Munich

PRESSEMITTEILUNG / PRESS RELEASE
(For information in German, please scroll down)

If you are in Munich, you soon have a chance to view a large series of my work under the title: The Horse is a Problem. The Horse Must Go. It will be exhibited in the Pasinger Fabrik, as part of a large event organized by the German- Namibian Association (DNG). They will also show their documentative traveling exhibition about the work they are doing and landscape photography by Helmuth Gries. The program entails even more, such as a podiumdiscussion with the Namibian Ambassador to Germany and Namibian movie nights. The exhibition will be opened on the 9th of February and will run till the 26th of March.

If you would like more information in English, please contact me.

Event poster. Artwork by Imke Rust

Event poster. Artwork by Imke Rust

Pressemitteilung in Deutsch:

Namibia

Dokumentation – Fotografie – Malerei – Objekte
10.02. – 26.03.2017

Vernissage: 09.02.2017, 19.00 Uhr
Eröffnung durch den Botschafter der Republik Namibia Andreas Guibeb

10.02.2017 19.00 Uhr Podiumsdiskussion mit dem Botschafter der Republik Namibia Andreas Guibeb und Andreas Herbig, Vertreter der Deutsch-Namibischen Gesellschaft

26.03.2017, 18.00 Uhr Kuratorenführung mit  Andreas Herbig, Vertreter der Deutsch-Namibischen Gesellschaft

Namibianisches Filmprogramm siehe Flyer

Galerie, tägl. außer Mo. 16.00-20.00 Uhr, Eintritt 4,–/2,– €

 Imke Rust: The Horse is a Problem. The Horse Must Go.

Imke Rusts Arbeiten zeigen kein gewöhnliches Namibiabild. Die gebürtige deutsch-Namibierin drückt durch ihre vielseitige und eigenwillige Bildsprache ihre eigene komplexe Beziehung zu ihrem Heimatland aus. Sie kratzt an der oberflächlichen ‚Postkarten’ Wahrnehmung und hinterfragt und kommentiert auf ihre individuelle Weise die Vergangenheit und Gegenwart Namibias. In ihren Arbeiten sind das Persönliche, das Politische und Existentielle untrennbar miteinander verknüpft. So unterschiedlich wie ihre Beobachtungen ist auch ihre Ausdrucksweise: mal leicht, mal kräftig. Humorvoll und dann wieder aufschreckend ernst führt sie uns durch ihre Welt.

Die Land Art und multimediale Künstlerin Imke Rust pendelt seit sechs Jahren zwischen ihrer Heimat Namibia und Deutschland, zwischen Wüste und Wald. An der Universität von Südafrika absolvierte sie ihr BA-Degree in Visual Art und ist zweimalige Gewinnerin des wichtigsten Kunstpreises Namibias, der Standard Bank Namibia Biennale. In zahlreichen Solo- und Gruppenausstellungen wurden ihre Arbeiten weltweit ausgestellt. Über ein Stipendium des Deutschen Akademischen Austauschdienstes (DAAD) kam sie 2006 das erste Mal nach Berlin.

Namibia und Deutschland – Aktuelle Aspekte einer besonderen Beziehung

Namibia – ein Land, das nicht nur auf Grund seiner atemberaubenden Landschaften und Tierwelt, sondern auch wegen seiner politischen Stabilität ein sehr beliebtes Reiseziel der Deutschen ist. Seit der Unabhängigkeit im März 1990 festigen Beschlüsse des Deutschen Bundestages das Sonderverhältnis beider Länder. Die bilateralen Beziehungen werden an Beispielen aus Politik, Gesellschaft, Wissenschaft, Kultur und Tourismus in dieser Ausstellung veranschaulicht.
Die Wanderausstellung ist ein Projekt der Deutsch-Namibischen Gesellschaft (DNG), die auf eine fast 40-jährige Arbeit im Zusammenspiel Namibias und Deutschland zurück blicken kann. Die DNG unterstützt Projekte in Namibia und fördert den Jugend- und Kulturaustausch.
In der gezeigten Wanderausstellung werden das Land Namibia und seine engen vielfältigen Beziehungen zu Deutschland gezeigt.
Der Betrachter erfährt in der Ausstellung Wissenswertes über die Geographie, die faszinierende Geologie, Flora und Fauna, die Bevölkerung, die Gesellschaft und die aktuellen politischen Gegebenheiten. In einem kleinen historischen Teil wird der Werdegang vom deutschen Schutzgebiet zum heutigen Staat Namibia gezeigt, in dem Deutsch unter anderen immer noch eine anerkannte Sprache ist.
http://www.dngev.de

Namibia – Fotografien von Helmut Gries

Helmut Gries, geb. 1955 in Deutschland und Fotograf vor allem für Naturbilder,  hat  vor 20 Jahren Namibia für sich entdeckt und für die Ausstellung in der Pasinger Fabrik eine Auswahl mit unterschiedlichsten Aspekten des Landes zusammengestellt.

Fasziniert von Land, Leuten und Natur bereist er den „Diamanten Afrikas“ inzwischen regelmäßig. Auf 36 Reisen hat er inzwischen mehr als 100.000 km mit dem Auto zurückgelegt, viele Flugkilometer in entlegene Regionen mit Kleinflugzeugen absolviert, die zentrale Bergwelt auf dem Rücken eines Dromedars erkundet und die wasserreichen Gebiete entlang der Grenzen zu Angola und Botswana in Booten durchstreift. Ausgedehnte Wanderungen haben ihn mehrfach in den Fish River Canyon und in die Weiten der Wüste Namib geführt, die er 2015 zu Fuß vom Sossusvlei bis zum Atlantischen Ozean durchquert hat.

Sein Fotoarchiv über Landschaften, Tiere und Menschen umfasst Zehntausende von Aufnahmen. Die Motive lichtet er mit digitalen Spiegelreflexkameras von Nikon und Objektiven von Nikon und Sigma mit Brennweiten zwischen 10 mm und 600 mm ab. Seine eindrucksvollen Fotografien werden neben einem seit 2001 jährlich erscheinenden Fotokalender, in Magazinen und Reisekatalogen sowie auf Postkarten und Websites veröffentlicht. Inzwischen sind auch zwei Bildbände über den Süden und den Norden Namibias erschienen. Im Rahmen seiner Aktivitäten in der Deutsch-Namibischen Gesellschaft e.V. stellt Helmut Gries das faszinierende Land im Südwesten Afrikas regelmäßig in Audiovisionsshows vor.

http://www.namibia-kalender.de
http://www.namibiorama.de

Weitere Informationen:
Thomas Linsmayer
Ausstellungsleitung/Verwaltung

Pasinger Fabrik Kultur- und Bürgerzentrum GmbH
Eine Einrichtung der Landeshauptstadt München
August-Exter-Straße 1
D 81245 München
Tel +49 (0)89 829290 -13
Fax +49 (0)89 829290 -99
t.linsmayer@pasinger-fabrik.com

Click here to see or download the event flyer with all information.

Longing to Belong

69 Strands of (be)Longing, Fake and natural hair, branch and wire. Artwork created by Imke Rust at the ILAM, May 2016

69 Strands of (be)Longing,
Fake and natural hair, branch and wire. Artwork created by Imke Rust at the ILAM, May 2016

In May I had been in Maastricht as an invited artist to the International Land Art Maastricht Symposium. I had shared some pictures from this wonderful event together with an invitation to come and see the results, but I have not had the time to tell you more about the artwork that I created there. So today I would like to share with you some thoughts and images, especially for those of you, who could not see the work in person.

Artists were asked to propose an artwork that they would create in the park of the Chateau Jerusalem. The theme of the symposium was ‘Connected’. We had five days to complete the work, which then was on exhibition for the following two weeks.

This is the concept, which I originally formulated for my plans:

“I am exploring the ‘Connected’ theme through a material that everybody connects to African women: long, black braided hair. Although they usually are made out of fake artificial material, they have come to represent a certain identity (African), but at the same time they are also an imitation of another identity (western, long, smooth hair). In so many ways they are connecting different worlds. To me they are also a strong metaphor for belonging and identity. Hair and braids can also be used as ropes to climb to another life (Rapunzel), and relate to the migration of refugees to Europe.

As a white African I am intrigued by working with this fake hair, as a form to express the duality and paradox of my own identity and belonging. The combination of synthetic and natural materials, illusions created and the process of braiding are additional aspects, which I want to explore.”

69 Strands of (be)Longing, Fake and natural hair, branch and wire. May 2016

69 Strands of (be)Longing,
Fake and natural hair, branch and wire. Artwork created by Imke Rust at the ILAM, May 2016

I had some vague ideas of how I wanted to proceed, but since I have not seen the park and have never worked in this material before, I decided to stay open and flexible and just trust the process.

When I arrived there and saw all the grand and impressive plans from the other artists, my heart sunk. Maybe my work was too timid, too small, too unspectacular? And what if it does not work out in any way I had imagined? I had no chance to try it out before, so either it worked or it would fail… What could I do, besides just start and hope for the best? I started and was flooded with even more doubts. Am I allowed, as a white woman to make art with this kind of hair, which usually is only used by black women? Could I even dream of braiding as neatly and perfectly as those hairdressers back home in Namibia do? Aren’t they the real artists who can make the most stunning patterns and styles for their customers? Who am I to now want to use this method and material to create my art?

Well, I had a lot of time to think, while I braided. And every time the doubts and insecurities became too strong, I heard the inner voice saying: Just trust the process.

I remembered that one of the reasons why I initially wanted to work with braiding, was the repetitive process itself. Somehow it is a process that is fairly easy, but demands just enough concentration and focus, that you have to stay in the here and now, but also leaves enough space for your mind to relax and wander off into thoughts that you usually are too busy for.

This work quickly became much more about that process and the inner dialogue that happened, than the final physical artwork. For five days I just sat there, under a beautiful tree, in the middle of the park and braided. I got to understand how this synthetic material reacted to humidity, dryness, wind and weather. How it sometimes could be so stubborn and putting up a real fight to get under control, and other times it just flowed through my fingers as if it was the most natural thing to happen. I became calm and looked forward to my work and every next strand.

My thoughts turned to my first memories of braiding. When I was a young girl, it was my father who braided my hair every day. And it was also he, who taught me how to braid. And I was so proud, that I even knew (from him) how to braid with more than 3 strands. While everybody looked at braiding as a typical female activity, I connected it to my father. And yet, it was my mother who had to go and buy the fake hair in Namibia (yes, these hairs were made in Namibia and sent all the way to Germany), so it was kind of a family effort that ensured I could sit in Maastricht in a park and braid ‘my’ hair.

Masculine and feminine… control and wildness… order and chaos… expectations and reality… appearance and authenticity… there were so many concepts that flowed into and through my being and into the braids (or did it flow out of them or the process?) while I was working.

With every next strand I had another chance of flowing. The focus changing and shifting… With every movement I moved on, the strand started, got longer and longer, and then, suddenly it reached the end.

I made a rough knot into the strand to keep it from coming undone and originally thought I will melt the ends to make a neat and proper ending. After a few strands with wild and chaotic knotted ends, I noticed the beauty, the wildness and the dynamic of these endings, the contrast to the neat braids… and decided to leave them just like that.

Through folding thin strands of hair over each other again and again… the central aspect became more obvious for me. With every movement there was a longing. A longing to come to the end, but also a longing for so much more… To belong, to understand, to control, to find the balance, to find a (my) place … to just be.

Where do I belong? To my home country, where I am too white in the eyes of many? Or to Germany, where I appear (on the first outer impression) to rather belong, but where I am a stranger? Do I ‘belong’ to be more controlled, or more wild? To fit better into the pattern of society or do my ends just come loose anyway?

Click on the images below to see a larger view and read about some further details.

Braiding, braiding, braiding… in 5 days I managed to braid 69 long strands. I managed to contain my sadness in these braids, to reassess the world and my ideas about it and to learn that I can and should just trust the process. The process of an artwork, but also the process of life…

Life is like these strands. Every day you begin with a new one, a new chance. You do your best to get as far as possible. But in the end it does not matter how far you come and how many days you get. What matters is your experience and your insights, your joy, but also your struggles and what you have learned through them.

Trust the process…

Here is a video taking you around the final artwork. In the photos one aspect gets lost, and that is how alive this work seems. How it dances and moves in the wind. The video gives you a small impression of that.

 

KUISEB Namibia – Exhibition in Berlin

(This post is in German. It announces our exhibition opening on the 28th of May, in Berlin. If you are interested to attend and would like more information in English, please leave a comment or contact me via email. Thank you!)

Kuiseb_AusstellungPRESSEMITTEILUNG: BrotfabrikGalerie // Ausstellung

KUISEB Namibia

Xenia Ivanoff-Erb, Fotografie
Imke Rust, Malerei
28. Mai – 3. Juli 2016

Eröffnung: Samstag, den 28. Mai 2016, um 17:00 Uhr

BrotfabrikGalerie,
Caligariplatz, 13086 Berlin-Weißensee

Begrüßung: Petra Schröck / Jürgen Becker, Deutsch-Namibische Gesellschaft
Grußwort: S. E. Andreas B. D. Guibeb, Botschafter der Republik Namibia
Musik: Elemotho & Samuel Batola (Namibia)

Die Künstlerin Imke Rust wird anwesend sein.

Die BrotfabrikGalerie präsentiert in Kooperation mit der Deutsch-Namibischen Gesellschaft zwei Künstlerinnen aus Namibia, die sich in unterschiedlicher künstlerischer Weise mit der Wüste Namib und dem Trockenfluss Kuiseb auseinandersetzen.

Die Designerin und Fotografin Xenia Ivanoff-Erb wurde in Südafrika als Tochter einer Deutschen und eines russischen Don-Kosaken, Victor Ivanoff (Künstler, Karikaturist und Sänger), geboren und wuchs in einem von der Kunst geprägten Umfeld auf. Seit 2012 in Swakopmund/Namibia, hinterlässt sie im künstlerischen Leben des Landes zunehmend ihre eigenen, vor allem fotografischen Spuren, ob in Zeitschriften oder Ausstellungen. Als ihr letzter Erfolg gilt die Foto-Schau „Namibia Inspirations“, mit der sie zum Jahreswechsel 2015 / 2016 ein breites Publikum begeisterte.

„KUISEB Namibia“ ist ihre erste Werkschau in Deutschland. Sie gab der Ausstellung ihren Namen und schreibt dazu: „Etwas versteckt, verborgen in unserem ‘Hinterhof‘, dem großen Sandkasten Namib, liegt ein grüner, baumumsäumter Streifen, der Trockenfluss Kuiseb. Eine faszinierende Vielfalt an großartigen Landschaftsformen und eine besondere Tierwelt bieten dem interessierten Naturfreund besondere Anregung. Doch kommen wir auch beinahe bei jedem unserer Sonntags-Ausflüge in Berührung mit den Nachfahren eines tausende Jahre alten Nomaden-Stammes. Kaum eine Stunde im Auto von Swakopmund entfernt führen heute einige hundert Leute vom alten Volk der Topnaar-Nama ein relativ einfaches, bescheiden-glückliches Leben.“

Die namibische Künstlerin Imke Rust wuchs in Swakopmund an der Küste Namibias auf und verbrachte dort einen großen Teil ihres Lebens. Dadurch entwickelte sie eine besondere Beziehung und Faszination zur Wüste Namib, in der auch der Kuiseb als Trockenfluss liegt. Vor allem die Widersprüchlichkeiten des Landes und der Wüste haben Imke Rust schon seit ihrer Jugend beschäftigt. Ihre Malereien zeigen kein gewöhnliches Wüstenbild. Vielmehr drückt sie mit ihrer eigenwilligen Bildsprache, Farbgebung und Technik eine Vielfalt an inneren Eindrücken und Gefühlen darüber aus, was Wüste für sie bedeutet.

Beim ersten Eindruck einer Wüste denkt man schnell, hier sei ja nichts außer Sand. Nach genauerem Hinschauen entdeckt man vieles mehr: Leben, Schönheit, Mythen. Aber auch den wundersamen Tanz mit dem Tod. Imke Rust gibt einen Einblick in die Abgründe der Wüste und die der menschlichen Seele. Ihre Bilder laden dazu ein, die tieferen und größeren Zusammenhänge, die in den Sedimentlagen unter der Oberfläche versteckt sind, in unser Bewusstsein zu bringen.

„Durch Gier und Machtanspruch spielt der Mensch in dem sehr sensiblen Ökosystem Wüste eine schwerwiegende und oft besorgniserregende Rolle. Aber auch wenn wir mit allen Mitteln versuchen, die Wüste zu beherrschen, stoßen wir dabei immer wieder auf unsere eigenen Grenzen. Wir werden uns unserer Schattenseiten, unserer Vergänglichkeit bewusst – spüren, dass wir nur ein weiteres, kleines Korn in einer großen Wüste sind.“ (Imke Rust)

Das Ausstellungsprojekt wird von der Senatskanzlei Berlin im Rahmen der Städtepartnerschaft Berlin-Windhoek gefördert.

***

Ich freue mich darauf, euch persönlich begrüssen zu dürfen! Und JA, meine Bilder können bei dieser Gelegenheit gekauft werden!

Diese Einladung darf gerne weitergeleitet und geteilt werden. Xenia und ich freuen uns über viele interessierte Besucher.

Text zu den Arbeiten von Imke Rust, die in dieser Ausstellung gezeigt werden.

Text zu den Arbeiten von Imke Rust, die in dieser Ausstellung gezeigt werden. (Bitte auf das Bild klicken um eine größere Darstellung zu sehen)

Weitere Information auf den Internet-Seiten der Brotfabrik http://www.brotfabrik-berlin.de und der Deutsch-Namibischen Gesellschaft www.dngev.de . Und vielleicht möchte auch jemand auf die Ankündigung der Ausstellung durch das Süd-Afrika Magazin im Internet schauen:  http://www.sued-afrika.de/

Impressions from my visit to Dnipropetrovsk

The poster announcing our event.

The poster announcing our event.

Dnipropetrovsk. I practiced very long and often to say it correctly and still I stumble over it. Since November last year, when Artsvit Gallery‘s curator, Ms Iryna Polikarchuk, approached me with the idea to visit this beautiful city and share my art and curatorial approach with them, Dnipropetrovsk has been a phrase set on repeat in my head.

Lots of planning and ideas were sent between us, until I finally could board the plane and fly to the Ukraine again, on the invitation of the Artsvit Gallery and the German Consulate in Donesk, who are currently located in Dnipropetrovsk. On the first evening I was joined by a wonderful and inspirational colleagues Ms Sabina Shikilinskaya (Azerbaijan) and Nikita Shalenny (Ukraine) for an introduction on our art and curatorial practice and public discussion afterwards. Additionally the visiting artists each had one evening to give an in-depth presentation about our art. All three events were received by much public interest and a packed audience.

During the days we also had a full program, organized by the gallery. Another main part of my visit was to meet with the German General Consul, Mr Mössinger and representatives of the city and gallery, to finalize details for a public installation of my art planned to be installed in a park in Dnipropetrovsk later this year. I am very exited about these plans, but will share more with you about this, closer to the time.

Following is a selection of impressions from my visit. I hope you enjoy them. (Click on the images to see a larger view and description.)

 

Calling the Spirit of Rain and Water

DSC01521In my research about rain making I found several interesting stories of how magic drawings on rocks would attract rain. Some of which suggested that you have to find ways to draw the water spirit’s attention and curiosity. Like this story, which made me smile every time I thought of it.

The antelope, who only arrives after it has rained, is presumed to be linked to the water spirit and its favourite animal. The water spirit likes a good party, and will presumably like to attend with their friend, or… favourite animal. So, if the rainmaker draws images of the antelope and dancing people on the cave walls and pretends that there is a good party happening (for instance through dancing, singing and holding a ceremony) she/he will attract the water spirit’s attention and interest to join. But who likes to go to a party where you do not know anybody? Right, so the water spirit, who can turn itself into rain, would like to have its favourite animal friend there too. But the antelope only comes when there is water, so being a good friend, the water spirit will let it rain.

Like, hey, if I’ll buy you a beer, will you join me at this party?

And voila – the rainmaker has made it rain.

So last Saturday we visited the farm and I decided to hold a small party, well – make some rain…

The more the merrier

I chose a nice visible spot, a straight cliff face on the top of a small koppie (hill) and asked my father, brother and husband to join me in creating a rainmaker. This is a part in my different experiments, which I always wanted to try: working together with more people instead of just creating on my own.

I believe that working together does create a more focussed and stronger energy. I guess that is also why it already says in the bible, if two or more people come together and pray, the prayer will definitely be heard.

(Please click on the images to see the full view, thank you.)

 

I stuck to my typical cloud and rain drawings, because I believe that the rain or water spirit will recognise itself and will become curious. And that

like attracts like…

Each of us drew a raining cloud with chalk on the cliff-face, my brother even drew a puddle of water where the rain collected on the ground. The cloud drawings were nicely visible towards the east, where the water spirit usually resides (where the rain usually comes from.) We all had fun drawing and imagining how we are making rain.

Shortly after we started, I remembered to take a picture of the area and blue sky, and was surprised to already see the very first faint rain clouds on the distant horizon.

If you look closely you see the very first small clouds appearing on the horizon

If you look closely you see the very first small clouds appearing on the horizon

 

Offerings – a sign of your abundance

Lastly, I wanted to implement another ‘new’ aspect into this rainmaker. The idea of making an offering… We sprinkled the rock and rain drawings with actual water. I have always thought that adding water to my rainmaker experiments would be another magnet in the sense of ‘like attracts like’, but I realised that there might be another aspect that I have overlooked.

If we are willing to offer a small bit of what we are asking for as a gift or offering in return, we are signalling that we are part of the natural flow. We will not unnecessarily hoard or obstruct the flow of the goodness which we are inviting to us. We believe that there is more of what we have just given away, we believe in our own abundance and the abundance of the water, instead of fearfully holding on to the feeling of lack and scarceness.

 

While we were busy with this, we definitely already attracted the attention of some baboons who were curious of what kind of party is happening…

Baboons are curious and try to figure out what is happening on our side...

Baboons are curious and try to figure out what is happening on our side…

Gratitude expressed

Just before we left the site, I decided to once again express my gratitude, by writing a thank you note on a piece of bone, leaving it at the foot of the koppie for the rain, once it arrives.

A little thank you note for the rain and water spirits...

A little thank you note for the rain and water spirits…

All done we left and it was amazing to watch how the clouds suddenly appeared from all directions, as if somebody had shouted:

Here is a party and there is free beer for everybody!

Anyway, I was slightly peeved that it did not rain that day, although so many clouds came up so fast…

But I also remembered that we must continue to believe in the manifestation for it to become real, no matter what. I have to give thanks again and again, and acknowledge my faith that our prayers will be heard.

I do not know if it is from pure stubbornness or something else, I have long ago started to tell myself if a wish is not immediately granted, it is just because the universe is busy preparing something bigger, better and more awesome than I could even wish for… after all, something that grand takes a bit more time.

And so it was.

Two days later, on our departure to Germany, we received the excited news from the farm that it was raining. The rivers were flowing and everybody was excited that suddenly there was so much rain after such a long drought. And in the coming days Facebook (the modern bush drum) was filled with images and videos of the massive rain received all over the country.

I am grateful and happy.

Rain on the farm and flowing rivers on 18 January 2016 – Photos kindly supplied by Amanda Koekemoer ©