Tag Archives: drawing

Ich höre den Schakal – Two Person Exhibition in Dachau 4 July

Katrin Schürmann and Imke Rust
will be exhibiting
at the Galerie der KVD in Dachau.
Opening on the 4th of July @ 19h30

Save the date! And please share with your friends in the area!


Hope to see you there! 😃 Ich freue mich euch dort zu sehen!

About the exhibition: (für den deutschen Text, bitte runter – scrollen)

Katrin Schürmann (1944) and me (1975) have a very interesting connection: we both grew up on the same farm in Namibia and we went to the same school in Swakopmund. We both are artists and both are now living in Germany.

Having met in 2017 at my exhibition in Munich we have kept in contact via email and exchanged memories and thoughts about the farm and our connection. Katrin Schürmann soon invited me to join her in an exhibition exploring this unique connection that we have.

After her studies Katrin Schürmann left Namibia to work in Germany and stayed ever since. In 1984 her mother sold their family farm Otukarru to my parents. So, just like Katrin, I spent a big part of my youth on the farm. Since my family is still farming there, I am also visiting as often as I can.

How do two artists of different generations relate to the same piece of land? How do the perspectives differ because of time,  memory and physical and emotional distance? Where do the perceptions differ? Where are they similar. How do the artists each deal not only with their personal histories, but also the colonial history? Especially in the current times, when it is important to critically question the history of land ownership in Namibia.

Both artists feel a strong connection to nature and Namibia’s vast spaces, the desert and the bush. Katrin works with abstract minimalism. Her monotypes and installations reflect the the barrenness of the land.

I am showing mixed media works, drawings and video works, which are mostly abstract figurative and explore my direct relation to the farm which I still call home. I am questioning the idealisation of and my ambivalent feeling towards the farm life. Current happenings, such as the drought, poaching incidents and the political call for land expropriation of white farmers, affect me directly and are expressed in my works.

Imke Rust ‘Rinderpest’ Mixed Media on paper, 68 x 82cm

Deutsch:

Wer entsinnt sich nicht an den Satz, der am Anfang des Romans von Tanya Blixen und einem sehr erfolgreichen Film steht: „Ich hatte eine Farm in Afrika“. Diese Aussage trifft auch auf die beiden Ausstellerinnen zu. Er prägte ihre Jugend.

Es ist nicht nur die Kindheit in Afrika, die Katrin Schürmann (1944) und Imke Rust (1975) verbindet – sie wuchsen auf derselben Farm in Namibia auf, gingen zur selben Schule in einem 300 Kilometer entfernten Dorf an der Küste, mitten in der Wüste. Dies alles stellte sich heraus, als sich die beiden Frauen zum ersten Mal trafen anlässlich einer Ausstellung von Imke Rust 2017 in der Pasinger Fabrik in München. Die beiden gehören verschiedenen Generationen an, die eine lebt heutzutage in Berlin, die andere in München.

Gemeinsam ist den beiden Künstlerinnen sicherlich die Liebe zur Natur, zu den endlosen Weiten der afrikanischen Savanne und der Wüste. Dieses drückt sich in der Arbeiten von Katrin Schürmann eher in minimalistischen, reduzierten Abstraktionen aus. Die Kargheit des Landes spiegelt sich in einfachen und direkten Darstellungen (Monotypien und Installationen) wider.

Ganz anders sind die Arbeiten von Imke Rust einzuordnen. Die gebürtige Namibierin, die erst vor kurzem nach Deutschland kam, weist auf politische Entwicklungen hin, bringt eine zwiespältige Reflektion zum Ausdruck, denn beide Künstlerinnen müssen sich heutzutage fragen, unter welchen Umständen diese Farm zur Kolonialzeit in Deutschen Besitz kam.

Imke Rust ist regelmäßig in ihrer Heimat und auf der elterlichen Farm. Somit ist sie immer wieder mit den aktuellen Geschehnissen dort konfrontiert. Ob Trockenheit, Wilderei oder die Forderungen nach Landenteignungen weißer Farmer – vieles berührt sie direkt und spiegelt sich in ihren Werken wieder

Imke Rust zeigt Arbeiten die auf der elterlichen Farm in Namibia entstanden sind oder in direkter Beziehung dazu stehen. Sie arbeitet multimedial und vorzugsweise direkt in der Natur, welches sie in Fotografien, Zeichnungen und Videoarbeiten dokumentiert und zeigt.

Für die geplante Ausstellung befassen sich beide Künstlerinnen mit ihrer Beziehung zu dem Land Namibia, aber auch dem Stückchen Land auf dem beide aufgewachsen sind und das für sie lange ihr Zuhause war. Wie sehen sie ihre persönliche Beziehung zu dem Land und seiner Geschichte? Welche Ähnlichkeiten und Unterschiede gibt es in der Wahrnehmung? Gerade in der jetzigen Zeit, wo Deutschland von den Herero zur Verantwortung für ihre koloniale Geschichte gezogen wird, ist eine kritische und persönliche Hinterfragung was es denn bedeutet „eine Farm in Afrika gehabt zu haben?“ spannend und wesentlich.

Mehr Information zu / More information about Katrin Schürmann:  http://www.katrinschuermann.de

Katrin Schürmann Monotypes 100 x 70cm

 

 

Studio Sale Windhoek

Dear Namibian friends, collectors and art lovers,

This is your chance to own that special artwork of mine.

I will be holding a studio sale this weekend at my Windhoek studio!! I am sorry it is at such short notice, but hope you can make it anyway.

If you are interested in my art, this will be a good opportunity to buy some of my (mostly) older works for good prices. There are big and small works, on paper, on canvas, on board… something for every taste and price. You might even find that last minute Christmas present for yourself or someone special.

I will be moving out of my Windhoek home/studio. By buying some of my art you will help me raise to raise some funds for the move and lighten the load of art that needs to be moved and stored 🙂

There will also be some art books, catalogues and magazines for sale.

When: Saturday and Sunday 15th and 16th of December, 2pm to 6pm
Where: My studio in Klein Windhoek (please contact me to get the address)

Please RSVP if you are interested to come. If you cannot make it on those two afternoons, contact me to see if we can arrange another time during the week or later.

You can reach me on my Namibian cell number: 081 703 1312

Please share this invitation with your friends – I have lost many of my Namibian contacts and would appreciate your help.

I am looking forward to hopefully seeing you again!

Thank you and kind regards
Imke

Here are some of the available works, but there are many more….

A short story about an abandoned cat

My artwork on a lamp pole in Neu-Friedrichsthal

Once upon a time, in August 2015 to be exact, I created a cat, placed a golden crown on her head and abandoned it at the entrance of our village…

Okay, actually I glued it to a concrete pole and hoped it will happily greet any visitors to our little village. Unfortunately it was a very wet August and the so the glue did not stick too well to the pole and the cat, as cats are known to not particularly like wet weather, disappeared very soon.

For a long time, that was the end of the short story about the abandoned cat.

Until recently.

Recently, at the open studio days, we met some kind people who live just down the road from us. Strangely we have not met them before. Possibly because they only live here on the weekends. Anyway, these kind people invited us over to their place soon after for an evening around the fire. It turns out they moved here shortly after we did. That evening they showed us around their house and the renovations they have undertaken.

While inspecting the beautiful house I suddenly had a weird feeling, so I turned around and looked straight into the eyes of a cat. A crowned cat. Lovingly placed among family photographs on the wall.

What a delight to see that my cat is well and ‘alive’ and has found herself a warm and cosy home where she is loved and admired.

When I asked them about the cat, they said, they found it lying on the ground and they were so happy to see some cool art in this area. They thought, if such art can be found here, there surely must be living some nice people too.

And that was the short story about an abandoned and found cat. With a golden crown.

View with street and cyclist

And, if you want to know how cool our down-street neighbours are, have a look at this music video, which was filmed in their garden (and they are among the crowd). Perfectly chilled summer vibes from Meggy & Tigerskin – Bygone Eras:

Exhibiting at Roots & Wings (Windhoek)

I am excited to be participating in this upcoming group exhibition, together with many other interesting artists! Curated by Frieda Lühl.

Roots & Wings

Come to the opening on the 10th of November (6pm) at the Project Room, to see how different artists have interpreted this theme. Or, if you cannot make it to the opening, the exhibition will be on view till the 25th of November. It is not long, so do not miss it!

Address: 32 Jenner Street, Windhoek West, Namibia.
Opening hours for the duration of the exhibition:
Tuesday to Friday: 9am – 1pm, Saturday 10am – 1pm
Enquiries: info@frieda.co.za

Unfortunately I will not be present at the opening, but I hope many of you can make it!

 

Thou Shall Not Make Elephants from Mosquitoes

… or so they say. At least in German. You might have guessed that it means you should not make out a problem worse than it is or something like that. Which I am not going to do…

But seriously, the mosquitoes in Germany are huge and evil. Unlike the African mosquitoes, which I am used to, they are not deterred by wearing long clothes. They sting right through your pants or shirt. They arrive in huge swarms. And their stings lure my immune system into a huge battle, showing off giganormous red spots and itching like hell.

So during our holiday we encountered beautiful beaches just like in this photo, hanging in our rented bungalow. We had a really good time and weather just like in the picture.

Cheap calendar print of beach scene in our holiday appartment

Cheap calendar print of beach scene in our holiday appartment

Still, this photo alone does not sum our memories of this holiday, as one important aspect is missing. Killer-mosquitoes en masse. At some stage I actually think the sky turned dark from them flying by.

… and I caught myself wondering if it were not actually much more pleasant to see a herd of elephants calmly passing by, instead of these blood-sucking beasts. I cursed myself for having forgot my natural mossi repellent and being too health conscious as to buy the chemical version in the pharmacy. I also remembered the time when I turned into a serial killer (of mosquitoes) and made some art about it.

Pencil study of dead mosquitoes

Pencil study of dead mosquitoes

All over the ages people have left signs for fellow travellers, so that they could find the best spots or be warned of danger. I decided to follow suit and leave my warning on the wall for the next visitors to be better prepared for the inevitable.

The rebel in me also decided to not to listen to the Germans and indeed make elephants out of mosquitoes.

Detail of my Hotel-Deco-Busting Intervention Nr 16.

Detail of my Hotel-Deco-Busting Intervention Nr 16.

2015 Hotel Deco Busting:

Wie man aus Mücken Elefanten macht.

(How to make elephants out of mosquitoes.)

Intervention Against Tasteless Wall Decorations in Hotels and Holiday Apartments.(Part 16)
Intervention gegen geschmacklose Wanddekoration in Hotelzimmern und Ferienwohnungen.(Teil 16)

Since 2010 I have secretly been slightly altering tasteless or boring hotel or holiday apartment art whenever I had the chance to.

Wie man aus Mücken Elefanten macht Deco print with my Hotel-Deco-Busting Intervention

Wie man aus Mücken Elefanten macht
Deco print with my Hotel-Deco-Busting Intervention.
Ball-point pen and eraser on found calendar page

Detail

Detail of elephant mosqitoes

Before and After Picture of my Hotel-Deco-Busting Intervention Nr 16

Before and After Picture of my Hotel-Deco-Busting Intervention Nr 16

If you enjoyed this, you can view more Hotel Deco Busting Interventions Hotel Deco Busting Interventions by Imke Rust.

 

Facing the Creative Mess

I have not been feeling well these past days. But I tried to paint anyhow - it was a long, painful and frustrating process, cause nothing wanted to go the way I hoped... actually I do not even know what I really want to express with my art anymore... I feel lost. Although I enjoy her (the painting) I could happily do without the struggle.

‘Born of Frustration’ Mixed Media on Watercolour paper, 200g/m2, 32x24cm. I have not been feeling well these past days. But I tried to paint anyhow – it was a long, painful and frustrating process, cause nothing wanted to go the way I hoped… actually I do not even know what I really want to express with my art anymore… I feel lost. Although I enjoy her (the painting) I could happily do without the struggle.

I went a whole month without writing a blog. I miss sharing my thoughts with you, but it felt as if my thoughts and feelings were on a roller-coaster ride (and still are). I just could not focus on any single thing and write about it.

On the positive side it also means that I have been working more on my art and facing all the gremlins that come with that. You know, stuff like fear of failure, insecurity, questioning the sense of it all and wondering if what I do really makes a difference to the world?

“Anyone can slay a dragon, she told me, but try waking up every morning & loving the world all over again. That’s what takes a real hero.”

(Brian Andreas of Story People)

I often return to this piece of wisdom when I get fearful of life. And in my personal way it means facing an empty piece of paper or canvas all over again, not knowing the outcome and not knowing if it will make any difference to the world. Or if it will touch anybody in a meaningful way? Will it nourish my soul? And will it support my survival financially. Will I mess it up? Will my insecurities get the better of me and let me abandon it?

Creating art is messy. Not only in a paint-splatter way.

It messes with your soul in a weird way. I cannot tell you all the emotions that I am going through when I create art. It teaches me that I never really can control the outcome, that I need to trust the process and myself and it teaches me, that often what seems like destruction or failure is the biggest blessing to the creative process. All difficult lessons and challenges for me, but I am trying to bravely ‘face the dragon’ every day, even when I feel lost and unsure of which direction to take.

It is strange how my passion for making art can also be so uncomfortable, challenging and forcing me to face my deepest fears and insecurities. But, oh the bliss, of finishing an artwork and thinking: wow, I struggled through that and something beautiful came out of it!

Today I thought of giving you a glimpse into my studio, so that you can see what I am up to and why I have been so quiet.

I also would like to show you the wonderful packaging that my Teabag Totems now come in and the perfect frame, which I found for them. You can buy any of these existing unique little artworks as shown here or I can create one with your favourite or totem animal. If you missed reading about my Teabag Totems and want to find out more, click here. (Cost: €20 plus postage).

Please click on the images to get a larger view.

I just love these frames and how the Teabag Totems look in them! So I have decided that I will offer the option to buy the frame with the artwork. Just ask me about it.

It feels vulnerable to share with you my working space and creative mess, but hey, this is me and how I work and I know that every now and then everything gets cleared and tidied up again. 🙂

View of my working space and creative mess...

View of my working space and creative mess…

And here some views of the artworks which are partly in progress or just finished or waiting to be decided upon. When I am not 100% happy with a work, I love to see it regularly until I either change something again, or I start accepting (and loving) it for what it is.

Small drawings on watercolour paper

Small drawings on watercolour paper

The larger drawing below, started of as a black ink drawing and I expected it to stay that way. Instead it surprised me with this outcome. I love the feeling of lightness and softness, despite the tension and a bit of dreamy sadness that I feel in the figure.

Mixed media on paper and board

Mixed media on paper and board

And hey, look who appeared again! The kudu…

This painting started of with a female figure in black and white, then the kudu appeared and stole her show, so she got painted over. I am not sure if this will be the final version though…

Acrylic on canvas (detail)

Acrylic on canvas (detail)

Ok, that’s it for today. Now I have to start cleaning up the mess, because this weekend I am celebrating my 40th birthday with a few friends and need the space. Currently I am working from our living room until we get the out-building turned into a non-leaking, warm and light space – hopefully in the next few months.

Teabag Totems

I love the alchemy, which happens when you take something insignificant and useless which is about to be discarded and turn it into something special and exquisite.

For a long time I have been saving my used teabags, as they are very helpful when you want to light a fire. Now it has become winter and we will not make a fire outside for a while, and my husband urged me to rather get rid of the teabags we are now using…

He is right. But I cannot help it, that once I get pressurised into discarding something, my mind will switch into alarm mode to check if there are not any other ways to recycle or reuse it.

And so the Teabag Totems were born. A series of animal portraits painted onto used teabags.

It is not so easy to paint such tiny portraits on crumbled teabags, but it is lots of fun and I enjoy the different animal characters surfacing in the portraits. Everybody who has held one of these Teabag Totems in their hands loves them.

Their fragility, the softness of the teabag and their unique personality turn these tiny works of art into something truly precious and special.

If you are interested to have your favourite animal or totem animal painted on a teabag and delivered to you or a friend, then just contact me in the contact form below. You can also select one of the finished little teabag artworks shown below. The portraits are painted with high-quality gouache paint and fineliner onto 6 x 4cm used teabags.

The price for a unique Teabag Totem animal portrait is 30€ (excl. postage). It comes in a see-through plastic box, which is also suited as a temporary display stand. After I received your order, I will send you an invoice. Only once I have received your payment, your Teabag Totem will be sent to you.

(Please click on the images to see a larger view.)

View more Teabag Totems by clicking here.

And here is my framing suggestion:

Contact form for ordering your own unique Teabag Totem, painted by Imke Rust: