Do you also have the feeling that your life has become so busy, that you have no time for all the stuff you want to do? Or to read all the blogs you are subscribed to?
The first quarter of the year is almost passed and somehow I have neglected my blog. Well, many things are happening and keeping me busy – which is mostly good news. Another reason is that with so many things, which are happening on all fronts (personal, family, political, career etc), I am left with so many impressions, thoughts, ideas, questions… It feels as if I have so much to say and to share, and yet I do not know where to start. It feels as if I would need another lifetime to sort all ideas and find the right way to share them. Or a personal assistant… Or a way to magically write down all that is in my mind within a few hours.
So I am trying to navigate these times, which feel chaotic and alive, terrifying and promising at the same time, as best and honestly as I can. To live each moment more consciously and deliberately waiting to find clarity, allowing life to unfold its plan at its own pace. I am considering writing shorter, but more frequent blogs… let’s see if that is a better way to deal with my and your busy life and still stay in touch.
A quick update:
My exhibition in Munich has just finished. It was very well visited and the highlight was, that a friend has organised for me to fly to Munich and talk about my art to interested guests in a guided tour of my exhibition. I really enjoy that direct contact with the people who are interested my art. Most of my art is filled with layers of meaning and thoughts, and people have commented how enriching they find to look at the art, and then additionally hear me talk about it.
Here are a few impressions from the exhibition and the guided tour (Click on the images for a larger view and description):
In front of the work ‘The Horse is a Problem. The Horse Must Go.’
Being introduced by Carola von Maltzahn
Talking about the artworks ‘Götterdämmerung’ (above left), Promises of Death (below left) and Digging up Old Bones (right).
3 works from the Farm Life series.
Land Art works from ‘An Infinite Scream’
Power Play (Brothers & Sistahs)
Exhibition View
The event has been organized by Carola von Maltzahn from http://www.vonmaltzahn.net/ and Christian Bräuer from Art Dine & Table – Die Kunstpatrouille (www.christian-braeuer.de) Photos: Carola von Maltzahn.
I had another exhibition opening in March, at the Museum auf der Hardt, Wuppertal.
The exhibition and screening of the documentary film about my land art project ‘An Infinite Scream’ was part of a Symposium organized by the Vereinte Evangelische Mission.
Here are some images from the exhibition, opening and film screening. Photos by Ramona Hedtmann, VEM and myself.
What Will be Left (Tourist Map with all currently awarded Exclusive Prospecting licenses cut out)
Dorob (NOT)4Sale
Concession Areas (Top and middle) and ‘Repeating the Same Mistakes (Modern Maharero)’
Archival photograph from colonial times
Repeating the Same Mistakes (Modern Maharero) – an artwork commenting on selling off land and rights for immideatey gain and power.
Introduction by Ms Julia Besten and Mr Uli Baege from VEM
Speaking about my art
Guests getting ready for the screening of the documentary film ‘An Infinite Scream’
Talking to guests
Exhibition view
Art works from my Land Art project ‘An Infinite Scream’
the official photo with my artwork
The symposium included presentations and discussions, and I was very happy and honoured to meet the main speaker, Mr Henning Melber (right)
Only shortly before the event, I realised that I have a much deeper connection to this museum and place than I could have imagined. My Great-Great-Grandfather Eduard Dannert and Great-Grandfather August Kuhlmann were both missionaries in Namibia and were sent by this very same institution to Africa. Needless to say, the museum and archives have lots of information, documentation and objects from these ancestors of mine, like for instance the sewing machine of my Great-Grandmother… and this sewing machine, together with a letter which August Kuhlmann wrote to General von Trotha trying to convince him to treat the Herero people more humanly were exhibited in the same space, next to my political works. What an honour and humbling experience.
Life… This is the sewing machine of my great-grandmother, Elizabeth Kuhlmann. It has been donated to the Museum auf der Hardt in Wuppertal some years ago by a distant relative/aunt. NOW I am going to exhibit in exactly this museum, with my artwork in the same room as my great-grandmother’s sewing machine. Such an unexpected surprise! And weird coincidence to find this connection in Wuppertal.
I have spent 2 days in the archives of the ‘Vereinte Evangelishe Mission’ who have a vast amount of old documents from the missionary activities in Namibia (amongst others). I could page through hundreds of letters and reports written by my great-great-grandfather, my grand-father and some from their wifes. So interesting and informative. I have been so grateful for the people who have already researched and typed some of the information, as the old German lettering and handwriting is damn difficult to decipher. Seeing history through the eyes of my own ancestors is so helpful and interesting, giving a very personal account of how they saw the world and how and why they acted the way they did. I feel blessed to have so much information about my ancestors, not only within the family, but also, additionally in well-organized and accessible archives. And I could see that my ancestors already questioned what was happening and tried to get involved as best they can, given their circumstances. Missionary August Kuhlmann (my great-grandfather) wrote several letters to von Trotha and von Lindequist, pleading and arguing for a more humane and fair treatment of the Herero people. This photo is from one such letter displayed in the museum currently.
My ancestors who first came to southwest Africa in 1874. Missionary Dannert and his wife Auguste (Dahl) and a daughter. The curator Museum auf der Hardt has decided to add some links from the archives related to my ancestors to the exhibition. Like this photo. I notice the love of cats goes back a few generations.
If you happen to be in Wuppertal, you are welcome to view the exhibition. It is still on till the 4th of April. More information, directions and opening times: http://www.vemission.org/museumarchive.html
I am so excited that spring seems to have finally arrived! After so much political art and talk, I felt like painting something light and colourful, to welcome spring.
PRESSEMITTEILUNG / PRESS RELEASE
(For information in German, please scroll down)
If you are in Munich, you soon have a chance to view a large series of my work under the title: The Horse is a Problem. The Horse Must Go. It will be exhibited in the Pasinger Fabrik, as part of a large event organized by the German- Namibian Association (DNG). They will also show their documentative traveling exhibition about the work they are doing and landscape photography by Helmuth Gries. The program entails even more, such as a podiumdiscussion with the Namibian Ambassador to Germany and Namibian movie nights. The exhibition will be opened on the 9th of February and will run till the 26th of March.
If you would like more information in English, please contact me.
Dokumentation – Fotografie – Malerei – Objekte
10.02. – 26.03.2017
Vernissage: 09.02.2017, 19.00 Uhr
Eröffnung durch den Botschafter der Republik Namibia Andreas Guibeb
10.02.2017 19.00 Uhr Podiumsdiskussion mit dem Botschafter der Republik Namibia Andreas Guibeb und Andreas Herbig, Vertreter der Deutsch-Namibischen Gesellschaft
26.03.2017, 18.00 Uhr Kuratorenführung mit Andreas Herbig, Vertreter der Deutsch-Namibischen Gesellschaft
Imke Rust: The Horse is a Problem. The Horse Must Go.
Imke Rusts Arbeiten zeigen kein gewöhnliches Namibiabild. Die gebürtige deutsch-Namibierin drückt durch ihre vielseitige und eigenwillige Bildsprache ihre eigene komplexe Beziehung zu ihrem Heimatland aus. Sie kratzt an der oberflächlichen ‚Postkarten’ Wahrnehmung und hinterfragt und kommentiert auf ihre individuelle Weise die Vergangenheit und Gegenwart Namibias. In ihren Arbeiten sind das Persönliche, das Politische und Existentielle untrennbar miteinander verknüpft. So unterschiedlich wie ihre Beobachtungen ist auch ihre Ausdrucksweise: mal leicht, mal kräftig. Humorvoll und dann wieder aufschreckend ernst führt sie uns durch ihre Welt.
Die Land Art und multimediale Künstlerin Imke Rust pendelt seit sechs Jahren zwischen ihrer Heimat Namibia und Deutschland, zwischen Wüste und Wald. An der Universität von Südafrika absolvierte sie ihr BA-Degree in Visual Art und ist zweimalige Gewinnerin des wichtigsten Kunstpreises Namibias, der Standard Bank Namibia Biennale. In zahlreichen Solo- und Gruppenausstellungen wurden ihre Arbeiten weltweit ausgestellt. Über ein Stipendium des Deutschen Akademischen Austauschdienstes (DAAD) kam sie 2006 das erste Mal nach Berlin.
Namibia und Deutschland – Aktuelle Aspekte einer besonderen Beziehung
Namibia – ein Land, das nicht nur auf Grund seiner atemberaubenden Landschaften und Tierwelt, sondern auch wegen seiner politischen Stabilität ein sehr beliebtes Reiseziel der Deutschen ist. Seit der Unabhängigkeit im März 1990 festigen Beschlüsse des Deutschen Bundestages das Sonderverhältnis beider Länder. Die bilateralen Beziehungen werden an Beispielen aus Politik, Gesellschaft, Wissenschaft, Kultur und Tourismus in dieser Ausstellung veranschaulicht.
Die Wanderausstellung ist ein Projekt der Deutsch-Namibischen Gesellschaft (DNG), die auf eine fast 40-jährige Arbeit im Zusammenspiel Namibias und Deutschland zurück blicken kann. Die DNG unterstützt Projekte in Namibia und fördert den Jugend- und Kulturaustausch.
In der gezeigten Wanderausstellung werden das Land Namibia und seine engen vielfältigen Beziehungen zu Deutschland gezeigt.
Der Betrachter erfährt in der Ausstellung Wissenswertes über die Geographie, die faszinierende Geologie, Flora und Fauna, die Bevölkerung, die Gesellschaft und die aktuellen politischen Gegebenheiten. In einem kleinen historischen Teil wird der Werdegang vom deutschen Schutzgebiet zum heutigen Staat Namibia gezeigt, in dem Deutsch unter anderen immer noch eine anerkannte Sprache ist. http://www.dngev.de
Namibia – Fotografien von Helmut Gries
Helmut Gries, geb. 1955 in Deutschland und Fotograf vor allem für Naturbilder, hat vor 20 Jahren Namibia für sich entdeckt und für die Ausstellung in der Pasinger Fabrik eine Auswahl mit unterschiedlichsten Aspekten des Landes zusammengestellt.
Fasziniert von Land, Leuten und Natur bereist er den „Diamanten Afrikas“ inzwischen regelmäßig. Auf 36 Reisen hat er inzwischen mehr als 100.000 km mit dem Auto zurückgelegt, viele Flugkilometer in entlegene Regionen mit Kleinflugzeugen absolviert, die zentrale Bergwelt auf dem Rücken eines Dromedars erkundet und die wasserreichen Gebiete entlang der Grenzen zu Angola und Botswana in Booten durchstreift. Ausgedehnte Wanderungen haben ihn mehrfach in den Fish River Canyon und in die Weiten der Wüste Namib geführt, die er 2015 zu Fuß vom Sossusvlei bis zum Atlantischen Ozean durchquert hat.
Sein Fotoarchiv über Landschaften, Tiere und Menschen umfasst Zehntausende von Aufnahmen. Die Motive lichtet er mit digitalen Spiegelreflexkameras von Nikon und Objektiven von Nikon und Sigma mit Brennweiten zwischen 10 mm und 600 mm ab. Seine eindrucksvollen Fotografien werden neben einem seit 2001 jährlich erscheinenden Fotokalender, in Magazinen und Reisekatalogen sowie auf Postkarten und Websites veröffentlicht. Inzwischen sind auch zwei Bildbände über den Süden und den Norden Namibias erschienen. Im Rahmen seiner Aktivitäten in der Deutsch-Namibischen Gesellschaft e.V. stellt Helmut Gries das faszinierende Land im Südwesten Afrikas regelmäßig in Audiovisionsshows vor.
Weitere Informationen:
Thomas Linsmayer
Ausstellungsleitung/Verwaltung
Pasinger Fabrik Kultur- und Bürgerzentrum GmbH
Eine Einrichtung der Landeshauptstadt München
August-Exter-Straße 1
D 81245 München
Tel +49 (0)89 829290 -13
Fax +49 (0)89 829290 -99
t.linsmayer@pasinger-fabrik.com
Still image of ‘Toxic Water’ video artwork by Imke Rust
How awesome is that? My video work has been selected for the Geumgang Nature Art Biennale 2016 (Video exhibition)!
I am so excited that ‘Toxic Water’ is currently shown in the Republik of Korea till the end of November 2016. If you happen to be around that part of the world, go and have a look!
My apologies for the having been pretty quiet in the past few months and now sending you some updates in a shorter time. I have planned another über-exciting one for Monday, so please bear with me. Things have been hectic and difficult on many fronts, but much has also led up to all the exciting prospects happening in my career at the moment.
I am so grateful for your continued interest and support and did not want you to miss out on this news. 🙂
Geumgang Nature Art Biennale – Invitation
Here are some behind-the-scenes images from the making of the video art work. Please click on the images to see a larger version:
(This post is in German. It announces our exhibition opening on the 28th of May, in Berlin. If you are interested to attend and would like more information in English, please leave a comment or contact me via email. Thank you!)
Begrüßung: Petra Schröck / Jürgen Becker, Deutsch-Namibische Gesellschaft Grußwort: S. E. Andreas B. D. Guibeb, Botschafter der Republik Namibia Musik: Elemotho & Samuel Batola (Namibia)
Die Künstlerin Imke Rust wird anwesend sein.
Die BrotfabrikGalerie präsentiert in Kooperation mit der Deutsch-Namibischen Gesellschaft zwei Künstlerinnen aus Namibia, die sich in unterschiedlicher künstlerischer Weise mit der Wüste Namib und dem Trockenfluss Kuiseb auseinandersetzen.
Die Designerin und Fotografin Xenia Ivanoff-Erb wurde in Südafrika als Tochter einer Deutschen und eines russischen Don-Kosaken, Victor Ivanoff (Künstler, Karikaturist und Sänger), geboren und wuchs in einem von der Kunst geprägten Umfeld auf. Seit 2012 in Swakopmund/Namibia, hinterlässt sie im künstlerischen Leben des Landes zunehmend ihre eigenen, vor allem fotografischen Spuren, ob in Zeitschriften oder Ausstellungen. Als ihr letzter Erfolg gilt die Foto-Schau „Namibia Inspirations“, mit der sie zum Jahreswechsel 2015 / 2016 ein breites Publikum begeisterte.
„KUISEB Namibia“ ist ihre erste Werkschau in Deutschland. Sie gab der Ausstellung ihren Namen und schreibt dazu: „Etwas versteckt, verborgen in unserem ‘Hinterhof‘, dem großen Sandkasten Namib, liegt ein grüner, baumumsäumter Streifen, der Trockenfluss Kuiseb. Eine faszinierende Vielfalt an großartigen Landschaftsformen und eine besondere Tierwelt bieten dem interessierten Naturfreund besondere Anregung. Doch kommen wir auch beinahe bei jedem unserer Sonntags-Ausflüge in Berührung mit den Nachfahren eines tausende Jahre alten Nomaden-Stammes. Kaum eine Stunde im Auto von Swakopmund entfernt führen heute einige hundert Leute vom alten Volk der Topnaar-Nama ein relativ einfaches, bescheiden-glückliches Leben.“
Die namibische Künstlerin Imke Rust wuchs in Swakopmund an der Küste Namibias auf und verbrachte dort einen großen Teil ihres Lebens. Dadurch entwickelte sie eine besondere Beziehung und Faszination zur Wüste Namib, in der auch der Kuiseb als Trockenfluss liegt. Vor allem die Widersprüchlichkeiten des Landes und der Wüste haben Imke Rust schon seit ihrer Jugend beschäftigt. Ihre Malereien zeigen kein gewöhnliches Wüstenbild. Vielmehr drückt sie mit ihrer eigenwilligen Bildsprache, Farbgebung und Technik eine Vielfalt an inneren Eindrücken und Gefühlen darüber aus, was Wüste für sie bedeutet.
Beim ersten Eindruck einer Wüste denkt man schnell, hier sei ja nichts außer Sand. Nach genauerem Hinschauen entdeckt man vieles mehr: Leben, Schönheit, Mythen. Aber auch den wundersamen Tanz mit dem Tod. Imke Rust gibt einen Einblick in die Abgründe der Wüste und die der menschlichen Seele. Ihre Bilder laden dazu ein, die tieferen und größeren Zusammenhänge, die in den Sedimentlagen unter der Oberfläche versteckt sind, in unser Bewusstsein zu bringen.
„Durch Gier und Machtanspruch spielt der Mensch in dem sehr sensiblen Ökosystem Wüste eine schwerwiegende und oft besorgniserregende Rolle. Aber auch wenn wir mit allen Mitteln versuchen, die Wüste zu beherrschen, stoßen wir dabei immer wieder auf unsere eigenen Grenzen. Wir werden uns unserer Schattenseiten, unserer Vergänglichkeit bewusst – spüren, dass wir nur ein weiteres, kleines Korn in einer großen Wüste sind.“ (Imke Rust)
Das Ausstellungsprojekt wird von der Senatskanzlei Berlin im Rahmen der Städtepartnerschaft Berlin-Windhoek gefördert.
***
Ich freue mich darauf, euch persönlich begrüssen zu dürfen! Und JA, meine Bilder können bei dieser Gelegenheit gekauft werden!
Diese Einladung darf gerne weitergeleitet und geteilt werden. Xenia und ich freuen uns über viele interessierte Besucher.
Text zu den Arbeiten von Imke Rust, die in dieser Ausstellung gezeigt werden. (Bitte auf das Bild klicken um eine größere Darstellung zu sehen)
Weitere Information auf den Internet-Seiten der Brotfabrik http://www.brotfabrik-berlin.de und der Deutsch-Namibischen Gesellschaft www.dngev.de . Und vielleicht möchte auch jemand auf die Ankündigung der Ausstellung durch das Süd-Afrika Magazin im Internet schauen: http://www.sued-afrika.de/
I have been invited to participate in the International Land Art Maastricht 2016 Symposium along with 13 other artists from the Euregio.
For one week we are creating land art works in the park of the Chateau Jerusalem in Maastricht and we are having a lot of fun.
On Saturday (14th of May, 16:00) everybody is invited to view the results of this symposium at the official opening of the exhibition. If you are nearby I would love to see you and show you the works that have been created. More information in the flyer below. (Click on image to see a larger version).
Invitation ILAM 2016
And here you can see some images of the symposium and work in progress: (Please click on the images to see a larger view and descriptions)
Hair everywhere….
Braiding my african fake hair and my own dyed hair together
Working in the green park, mediative braiding…
My work in progress
Imke Rust: work in progress
Detail view
Uta and Marjo in the bushes
artists at work
Break
Natahsa at work
Uta viewing my work
View…
Urban at work
Barbara at work
Carla at work
Taking a break
artists at work
It has been raining and Barbara has become an african look-alike
Dinner – yummy
After the work…
Uta fishing in the lake
Emmy, Sjoerd at the presentations
Uta presenting her work
Mirijam and me at the presentations
Mirijam, Natasha, Emmy and Barbara at the presentations
Blue Sphere 2, carefully allowed installation in the branches between two trees in the forest, by Imke Rust
Creation is about allowing
– not about going out and doing.
Recently I found this quote and it made me stop in my tracks. Coming from a society and background where doing is considered the highest virtue, this thought seemed so out-of-place and plain presumptuous. Yet, I could not dismiss it, as it also stirred something deep inside of me.
For one, I realised some time ago, that doing is not always the answer. I have written about this idea before HERE.
But even more importantly I was struck by the ‘allowing’ part. When we grow up, our life is filled and directed with an endless list of do’s and don’ts… In my younger years, I was convinced if I just learn this list and follow it to perfection, I would be happy, and so would be everybody around me. Because I was doing things right… Later in life, I realised that this list became more and more complicated and it was not always possible to separate clearly between the do’s and don’ts. This realisation was confusing and also depressing, because my neatly arranged roadmap to life seemed to be crumbling and I had nothing to hold on to anymore that would guide me along.
Allowing…
Wow, what a big concept.
In life. In creativity. In love. In believes.
What would happen if we allowed more and were less constricted by the do’s and don’ts?
Allowing… the creative process of the universe, of life, to happen, without the need to control it.
It is a difficult concept to grasp (at least for me). And I guess I will be allowing myself to ponder on this much more. And allowing the creative process more and more, instead of trying to go out and ‘doing’.
And as if the universe wanted to let me know that it was serious about this, it send some sunshine on Saturday and nudged me to go out and explore a new part of the forest. Allowing myself a break, with no responsibilities or work to do. I was so deeply touched by the spirit of the forest, the cold, fresh air, nature’s first slow attempts at spring coming, the sunlight playing hide and seek and the majesty of the trees…
I took some pictures. And when I arrived home and downloaded them onto the computer, I realised that without any intention or doing on my part, a special moment was created and captured. Yes, it is just the flare of sunlight hitting my camera, but it is also magical. As if a sphere of blue light has been installed perfectly between the trees… and documented.
If you just allow yourself to imagine that this was a carefully created art installation.
Blue Sphere 1 & 2, carefully allowed installation in the branches between two trees in the forest, by Imke Rust
Here are some upcoming events, where you can see or experience my art:
One of my artworks (Happy Mongoose, 2015, Mixed Media on Canvas, 112 x 145cm) has been selected for the Art Inside Project and exhibition at the National Art Gallery of Namibia. You are welcome to the opening this week Thursday! If you cannot make it then, the exhibition runs till the 23rd of April 2016.
Happy Mongoose
OPENING DATE 24 March 2016 OPENING TIME 18:00 VIEWING 24 March – 23 April 2016 VENUE NAGN
Press information about the project and exhibition from the National Art Gallery of Namibia:
“The project Art Inside, which was first launched in 2014, is a nationwide art awareness project aimed at Namibian Government. The initiative aims at acquiring original Namibian visual art for installation in all Ministries and semi-government premises. By installing the artworks, the project aims to celebrate visual art as an important mode of creative communication, and to foster an appreciation for visual art as inherent part of government’s working environment.
In the previous editions Namibian artists from all Regions have responded positively by submitting inspiring art and craftwork of an exceptional quality for this project. From these, the best pieces were first exhibited at the NAGN and then purchased for the Government of Namibia Art Collection.
The Art inside 2016 exhibition will run from 24th March to 23rd April 2016 at the National Gallery of Namibia.”
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And save the date if you are in Germany and interested to participate in a special Land Art Workshop which I am offering in conjunction with the Fair Camp Berlin program:
Wann: So. 24. April 2016, ca. 13 bis 18 Uhr inkl. Mittagessen, Wo: bei Oranienburg
Die FÜLLE in Dir: Raus in die Natur! Rein in die Seele. Sehnen sie sich auch nach neuem Ausdruck, Natur und kreativem Schaffen? Der Frühling ist die perfekte Zeit auch unsere Seele aufblühen zu lassen und neue Impulse in unser Leben zu bringen. Lust auf etwas Neues und eine Auszeit vom Alltag? Dann lade ich sie herzlich ein, gemeinsam mit mir die Fülle, ihre Kreativität und die Natur neu zu entdecken. Wir kreieren, gestalten und experimentieren mit und in der Natur und lernen dabei unsere eigene innere Fülle und die der Natur bewusster zu erleben und auszudrücken.
Sie brauchen keine Vorkenntnisse, nur Offenheit, Freude an der Natur und Lust sich auszuprobieren. Als deutsch-namibische multimediale Künstlerin und Regenmacherin freue mich darauf, sie dabei zu begleiten und inspirieren zu dürfen. Imke Rust
Dieser Workshop ist der Arbeit in und mit der Natur gewidmet. Aber vor allem soll er die spielerische Kreativität, den persönlichen Ausdruck und die Freude am Schaffensprozess anregen. Wir werden die meiste Zeit draußen im Wald verbringen. Falls das Wetter nicht mitspielt, arbeiten wir mit Naturmaterialien im Atelier. Alles ist in kurzer Laufentfernung.
Bei Ankunft gibt es ein Mittagsmahl, eine Spende von Wünsch Dir Mahl. Wasser, Saft und Kekse für zwischendurch stehen bereit.
And I realise that I have been neglecting this blog a bit, with the last post being almost a month back… my apologies to all of you.
I just came back from my second visit to Kharkiv/Kharkow in the eastern Ukraine. The first time I came here in June, on a research and introductory visit for a project initiated by partners Osteuropa gGmbH. Together with the wonderful Tatyana Tumasyan and her dedicated staff at the Municipal Gallery of Kharkiv we planned and curated an exhibition, to be opened in September. The exhibition’s opening and the German-Ukrainian cooperation marked the start of the German Weeks in the Ukraine.
The exhibition ‘Understanding – Понимание’ featured installations and performances in public spaces. Eight young, but well-known Kharkiv artists were selected by us to present new works for this exhibition. They are Gamlet Zinkovsky, Konstantin Zorkin, Uliana Alimova, Boba Group, Vladislav Krasnoshchok, Oksana Solop, Vitaly Kokhan and Daria Rakova. The Municipal Gallery did an incredible job at preparing the show and I was very happy and grateful to be able to be present at the opening on the 24th of September.
Here are some pictures of the exhibition (please click on the images to see the full view and read my descriptions):
Exhibition Poster This exhibition has been curated by the Charkiv Municipal Gallery in cooperation with Namibian-German artist-curator Imke Rust. Here are some views of the opening tour and artworks. 25 September 2015 about “Understanding” The question of understanding, or rather – the absence of understanding, has become an acute social problem of modern Ukraine. The loss of empathy and real communication in human relations becomes more and more apparent. Therefor the artist’s role as mediator is necessary. Art has to be taken out into the streets more, in order to directly inspire and stimulate a dialog. Otherwise the important messages of the artists might drown in the cacophony of the city. In this project different voices of young Charkiv artists are carefully placed into the multi-layered cityscape to provoke dialog and accentuate specific themes. Art is an exceptional way of communication; it encourages a dialogue not only between the artist and the audience, but also between different people of society. This dialog can also grow beyond the borders of the city and country, as art has the potential to overcome language barriers and facilitate vital understanding between people and nations. If the artists act as the voice of society, then art can become an interpreter of our thoughts and ideas.
Tatyana opening the exhibition
Vitaliy Kokhan’s performance, releasing fish which can usually only be afforded by the rich into the public pond.
Boba Group performance- They set up a small stall on a public square, similar to what political parties do to inform people about their intentions and gain voters. Just that this is called the ‘fishy party’ which hands out freshly grilled sardines to the public for free. Something’s fishy in the politics…
Boba Group performance- They set up a small stall on a public square, similar to what political parties do to inform people about their intentions and gain voters. Just that this is called the ‘fishy party’ which hands out freshly grilled sardines to the public for free. Something’s fishy in the politics…
Dasha Rakova explaining her work, made by different objects owned by different people, and each tells a story that helps to better understand the person
Konstantin Zorkin’s work about understanding
Oksana Solop’s work
Vladyslav Krasnoshchok: old photographs being reworked and printed on large canvases, displayed on old buildings.
Ukrainian art critic and PhD student in Art History, Vincent and me
Touring the artworks. This mural painting is by artist Gamlet Zinkovsky
Gallery staff enjoying a pizza after a successful opeing.
And a short video of the Boba-Group performance:
Besides the exhibition, I was also invited to present a workshop for a group of 12 young curators, who were selected from all over the Ukraine.
Honestly, when I was first asked to do this, I wanted to say NO. Although I have been working as a curator in the National Art Gallery of Namibia, have curated a few independent exhibitions and art projects and have experience in large international bi-lateral projects like the p.art.ners berlin-windhoek ‘Shared Experiences’ Artistic and Cultural Exchange project between Namibia and Germany, I did not feel that I was really qualified to be in this world-class company of other ‘real’ full-time curators. I wondered what I could possibly teach these young curators, which the other presenters would not be able to do better, as they work with the subject every day.
Then I thought, if I am invited for this, there must be something valuable and special which I can add to this workshop. The organisers believed in me and trusted that I am exactly the right person for this. They would not have approached me if it was otherwise. And I realised that yes, I always believed that I have so much to share that would be helpful and inspirational to others, and now I have the chance to do it. We all have a specific combination of superpowers that make us who we are and let us live our life’s purpose. And I have unique experiences, views and ideas that are worth sharing with others (and so have each of you, by the way).
So I chose to share my personal experiences related to the challenges as an artist in Namibia and in the world and the solutions and alternatives that I have found for myself. I shared what worked for me and why, and what did not. Suddenly I realised that even my frustrations and failures had value in guiding me in a perfect way on my journey and by sharing these (and how I have been able to overcome them, or move on from them) I can really help others.
Getting ready for my lecture
Very interesting experience to present a lecture with a synchronised translation in the conference room of the German consulate.
The participants and me after a completed workshop.
From the feedback and the many ‘thank you’s’, which I got, I am deeply honoured and can say with gratitude that my aim to inspire and enrich these young curators was successful. Here are messages I received from two of the participants, which so much warmed my heart:
“Thank you to incredible Imke Rust for the fact that no matter what the circumstances, not taking into account any impossibility, seeking the most noble and most necessary to improve this planet. For her contagious faith in something that everyone is able to change the world for the better. For her projects, for her unique experience and most importantly, for her desire to share this experience.” Владислава Ильинская
Dear Imke, thank you so much for the workshop you did in Kharkiv! It was really inspiring and motivating. You have a very particular charm and energy, that there are no doubts that you can make it rain. 🙂 Thank you a lot and wish you all the best in your projects! Olena Kasperovych/ Kharkiv, Ukraine
(They were both translated from Ukrainian to English via the Google translator.)
Even though I had a positive feeling about the workshop, I cannot tell you how much it means to me to get personal feedback and assurance like this! Because unfortunately, no matter how much I have achieved or how confident I appear to be, I often feel so insecure and am worrying if what I am doing is good enough… (Note to self: give more positive feedback to others when it is merited. Not only will it be appreciated, but very often it helps that person to overcome their insecurities and doubts a little bit more. And I guess we all have some of those.)
While the participants could hopefully take many lessons home, I can say for sure that I did too.
I learned that
it is important to share ones experiences in a way which inspires others.
we need to trust in our unique strengths and talents and use them like superpowers.
We need to stay true to ourselves.
It is a beautiful gift to be able to understand each other (even if that means you need a translator)
Little by little all our actions can and do add up, so make even the smallest one count.
there are so many young, engaged people out there who are ready to change the world.
Even if outer circumstances differ, usually the patterns of the problems we are facing seem to be very similar. After all we are all human and struggle with similar issues.
my name looks like this in Ukrainian letters: Имке Руст
Besides the workshop and exhibition, I also have been interviewed for an hour by the Ukrainian National television, as well as giving two interviews for local magazines, about my art and I presented an open public lecture at the gallery… Working hard and loving it! The TV interview was really surreal and I am very curious to see the show and I will forever wonder how much got lost or changed in translation? But I do believe the essence will always seep through if we share and receive with an open heart.
I am grateful for having had this opportunity, for meeting so many new and special people and artists, for getting to know a new country and culture, for being able to inspire others and be a blessing in their lives, for realising that it is indeed possible for me to travel with hand-baggage only and how empowering it can be to face and overcome my own fears (like being alone in a foreign country of which I do not understand the language).
I realised that I enjoy sharing my ideas and knowledge in order to help, enrich and inspire others, so I hope that life will present me with many more similar opportunities.
My very special thanks goes to Nastia, who is the kindest, hardworking and committed young curator of the Municipal Gallery of Kharkiv, who also has been my very capable Ukrainian voice (translator) most of the time.
And here are some Kharkiv impressions:
Nastia (left) with her sister
The Municipal Gallery
Departure from the Charkiv Airport
I hope you enjoyed this summary and pictures of my trip to the Ukraine.
Two of my paintings will be on show in Swakopmund at the Fine Art Gallery from the 14th of February till the 14th of March 2015, along with works by other well-known Namibian artists, such as Barbara Böhlke, Nicky Marais, Barbara Pirron,Gerdis Stadtherr und Chris Snyman.
The exhibition, entitled ‘Body & Soul’ will be opened on Saturday 14th of February between 10:00 – 12:30.
I would like to invite all my Namibian friends and fans to come and see the exhibition during this time. This is one of the rare opportunities to view and to purchase my art in Namibia.
Here is a photo of me with one of my paintings which will be on show. This is the first public appearance of this shy lady. Don’t miss it!
Title of the artwork: Pink Girl, Medium: Acrylic on board, Size: 120 x 85cm, Block framed
Fine Art Gallery
34 Sam Nujoma Ave, Swakopmund (Email: info@art-in-namibia.com)
Opening times:
Tuesday – Friday: 10.00 – 12.00 and 16.00 – 18.00
Saturday – Sunday: 10.00 – 12.30 or by appointment
Gallery Press Release:
Valentine´s Day at Fine Art Gallery
Fine Art Gallery wants to celebrate this year´s Valentine with a special theme exhibition “ Body & Soul “ and invites all art lovers for to a champagne launch on 14th February between 10:00 – 12:30.
Many well-known and established Namibian artists have followed the call of the gallery and show their definition on the subject. “Body & Soul” shows body part naked, body language details but also the soul of an individual, his dreams, moods, fears and hopes. Among the works on display are works by Barbara Böhlke, Nicky Marais, Barbara Pirron, Imke Rust, Gerdis Stadtherr and Chris Snyman. Some new talented artists of the “New Signatures “ group are also exhibiting their works.
A versatile exhibition full of desire, sensuality and passion, in short, an explosion of expressive colours and images in oil, acrylic, mixed media and simple, touching sketches. The exhibition will be on show until 14th March 2015 in the gallery.
The drawing in favour of the Desert Lion Fund will also take place at the champagne launch.
How did you make this? Where do you get all your ideas? Why are you working with salt? And what is a Tokoloshe Trap?
Did you ever wonder about these things when you see my art? Well, this time you are lucky and soon you will get some answers.
Documenting SubRosa IRust (c)
We have made a documentary film about my latest land art project ‘…and I sensed and infinite scream passing through the Namib’. It gives you a great behind-the-scene glimpse into the project and an insight how I work and think.
You can join me in the exciting journey from the making of the artworks, the thoughts behind them, the challenges along the way and finally the exhibition. It is a personal portrait as much as a film about the art and its role in society.
Until we can finally publicly release the film, you can already view the trailer and check out the film’s webpage. It will give you a taste of what to expect in the full documentary once it is released. Do not forget to sign up for the blog to find out when and where it will be screened. (I will also keep you updated here.)
A great thank you, to filmmaker and my partner Steffen Holzkamp for the excellent work and the super-cool film. I am really looking forward to sharing the full film with everybody soon.
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PRESSEMITTEILUNG: BrotfabrikGalerie // Ausstellung
