Tag Archives: art

When it Rains Down in Africa…

Travelling by ferry with some of the participating artists on a cold and rainy day.

Travelling by ferry with some of the participating artists on a cold and rainy day.

Finally… I am making the time to share with you the fruits of my time in South Africa as an invited participant of the Global Nomadic Art Project 2016 South Africa. I had such a rich and productive time there, that I slightly shied away from writing about it – I just did not know where to start.

The GNAP ‘Stories of Rain’ Art Project was an incredible journey through South Africa’s landscapes, myths and lively land art scene. Very well organized and carefully planed, we were treated to so many different places, warm hospitality, creative time in nature and an exciting selection of fellow artists. I appreciated the constantly changing small groups in which we travelled. They enabled us to meet so many local and international artists, exchange ideas and create together in a very unique way. Thank you to the GNAP team for this very special platform and project and thank you to all the many South African organizers, especially Strijdom van der Merwe and Anni Snyman,  who made the South African leg of the journey such a memorable one!

I have decided to split all my artworks into smaller groups and introduce them to you in separate blog posts. Trying to keep each one short and sweet, but still let you in on my ideas and thoughts as much as possible.

During the ‚Stories of Rain’ Art Project I continued with my rainmaker project and research. Can we create rain through a conscious and intentional creative process? I have used the surrounding landscapes and materials to explore different ideas from creating clouds out of stones or mud, performing a cloud dance and working with the idea of female tears being conducive to calling the rain.

First I will share with you one of my more familiar looking rainmaker works:

The final Rainmaker Cloud, Porcupine Hills made with earth pigment

The final Rainmaker Cloud, Porcupine Hills made with earth pigment

In the following gallery I will share with you the story of how I created this artwork and rainmaker and show prove of the rain that followed. (Click to see larger versions of the images)

I loved the stay here! Thank you to our hosts Cha and Tony Davenport are such wonderful people and made us feel perfectly at home. The place is great – recommending it fully if you would like to break away from the city for a weekend or longer!

Porcupine Hills offers self-catering guest accommodation and boutique olive oil.  Close to Cape Town (100km) but a world away from city and suburban life.  This is the perfect place to escape into nature and spend time in a quiet, tranquil and beautiful space.

The underlying farm “Diepklowe” is a Private Nature Reserve within the van der Stel Cluster (four neighbouring conservation farms) and is designated as a Cape Nature Stewardship Programme area. It is a core member of the Groenlandberg Conservancy.

The farm was acquired in 2012 by Tony and Cha Davenport and their two sons, Justin and Tobin.

The Comfort of a Couch (Fun Art)

Finally I can move my work space out of our living room and into the new renovated garage / studio space.

Suddenly we have space in the living room and are now looking for a nice couch which can double up as a guest bed. Ideally a couch needs to look good, be practical and it definitely needs to be ultra comfortable…

This morning when I started working and was looking for some images, I came across a spontaneous and fun ‘preformed photography action’* I did some time ago in a holiday flat, and decided to turn the photographs into a GIF (moving image).

Couch Testing by Imke Rust

Couch Testing by Imke Rust

Wishing you all a wonderful and comfortable day!

* Sometimes it is difficult to perfectly describe my art. I hope this term comes close, but am not sure. Often I do a performance kind of work, but without an audience. I document it through photographs or video. Yet the action is the central part and the photography just a way to share it with you. So it is neither pure photography, nor a performance in its original definition.

Three Young Muses* Unveiled in Dnipro City

(*a woman, or a force personified as a woman, who is the source of inspiration)

Finally I am back in Germany and need to catch up on so much news to share with you! So, without further ado, I jump in with news from the Ukraine: On the 28th of September (while I was busy creating land art in South Africa) my public sculpture project  “Three Young Muses” has been unveiled in Dnipro City.

I was invited by the German Consulate of Donezk and Artsvit Gallery to create a public artwork as a gift to the city. It was a challenging project, due to several logistical, time, budget and planning constraints, but with such a great team working together it all was successfully completed in time for the German Weeks. The artwork was installed opposite of the Yavornytsky National Historical Museum.

Three Young Muses, Art project of Artsvit Gallery and German Consulate of Donezk. Artist: Imke Rust

Three Young Muses, Art project of Artsvit Gallery and German Consulate of Donezk. Artist: Imke Rust

The Three Young Muses have been installed here to create a direct visual and conceptual link to the ancient Baba figurines. They are three young, modern-day women who relax on the grass of the park and contemplate the future.

In dialog with the ancient Babas, these young Muses hope to inspire modern society to re-embrace the female wisdom and power in order to balance the male and female energies in society. They also remind us that our generations are responsible to consciously envision and co-create our future.

Unlike their ancient stone counterparts, the Three Young Muses are made out of ash wood. Their wooden nature is symbolic for life, growth and transformation. The wood’s vulnerability and semi-permanent nature also represents our fast-paced modern times and reminds us to live in the present moment, as reality changes faster than ever. By focussing on the Now we have the power to determine and shape the future according to our highest vision. If you would like to know more about my thoughts behind this work, I have added some at the bottom.

A short video documentation about the Three Young Muses Art Project
Video: Serge Ostrianyn, With the kind permission of Artsvit Gallery

I would like to thank the German consul Mr Mössinger and the team of the German Consulate of Donezk, Ms Iryna Polikarchuk, Director of the Artsvit Gallery and her team and the City of Dnipro for this opportunity. Also thank you to Bazarenko Yuriy (Architect), Serge Ostrianyn (Video), Vita Popova (Photos), Nikita Shalenny (Studio space) and Liosha (Assistance).

Some pictures (click on images to see a larger view):

More Info regarding the background of the Three Young Muses (if you are interested in the nitty-gritty details 😉 ):

Cooperation / Together we are stronger.

They are a small group of three women, named: Love, Hope and Gratitude. I believe that these three qualities are essential to our peaceful future.

The three women are also symbolic of the three backgrounds coming together in the creation of the sculpture through a German- Namibian artist creating in the Ukraine. Together we are stronger and the more we understand that there are no differences between people, no matter where they come from or who they are, the easier we can co-exist and co-create a better future for all. Each lady is symbolical for one of the three countries connected here: Ukraine, Germany and Namibia.

Three:

The third dimension – we do things in threes so they will manifest in our physical realm.

It’s roots stem from the meaning of multiplicity. Creative power; growth. Three is a moving forward of energy, overcoming duality, expression, manifestation and synthesis. Three is the first number to which the meaning “all” was given. It is The Triad, being the number of the whole as it contains the beginning, a middle and an end.

The power of three is universal. Body, mind and soul. Birth, life and death. Heaven, earth and hell. Three is a complete cycle unto itself. It is past, present, future.

There are three wishes, and in many fairytales there are three sisters…

Past, Present and Future

The Babas look towards the Three Young Muses and put their hope and expectations into the young generation, especially the women, to get engaged and empowered to change our destiny.

The viewer, when passing the Three Young Muses on the park walkway, will be located between the past (Babas) and the future (Three Young Muses), and will become the link, the present moment, which shapes our future. I hope that we learn from the past, but look towards the future.

Size and Material

The Three Young Muses are created only slightly larger than real-life women. I hope this invites people to engage on eye-level with the artwork and ideas behind it. Possibly to sit between or around these figures and get inspired…

I believe that unlike older, monumental public sculptures, which create a distance to the viewer, contemporary art should be more interactive and accessible. The size and the vulnerable material highlight these ideas.

When faced with the obvious ‘weakness’ of the material, the responsibility to treat these figures with respect and care now lies with each member of the public. It will be interesting to see, if and how people ‘accept this challenge’ of openly displayed vulnerability. Will they be treated according to our inherent deep-seated values towards women, art or public property? Can we trust each other with our vulnerability? Do we let ourselves be inspired by their openness, confidence and soft strength that these Muses display?

The choice of wood (symbolism of the Ash tree):

According to different sources that I found on the Internet, Ash wood is a symbol of healing and especially transformation and empowerment in matters of destiny.

It is also considered to be “the key to healing the loneliness of the human spirit, forming a link between the gods, humans, and the dead in the spirit world. Ash holds the key to Universal Truth and Cosmic Wisdom, and it takes on the important role as a Tree of Initiation.”

Relation to and inspiration by the stone Babas:

The specific form in which the Three Young Muses were conceptualised has been inspired by the Baba figures, of which I have read:

“A widespread form of sculptures were steles of a simplified anthropomorphic type that were formed of flat right-angled stone plates. Their lower part was not worked as it was meant to be dug into the ground, though they had carefully shaped shoulders and heads with well-carved facial characteristics.

…are Polovtsian (Cuman) stone babas. There are about two thousand of them left. They are usually found in groups of 2 – 3 statues on the highest parts of steppe – on the sanctuaries of the funeral cult of ancestors.  Polovtsian statues symbolized their ancestors and were not directly connected with the burial ritual.

… At the end of the century a visible simplification of form took place when the back of the statue was not decorated, also the details of haircuts and costumes were missing on the front side.

Source: http://artukraine.com.ua/eng/a/kamennye-baby-aktualnyy-vzglyad/#.V7Canq7GpHo )

View more images about the creation of my Three Young Muses at: http://artsvit.dp.ua/news/skulpturna-kompozicya-vd-mke-rust-v-dnpr/ 

 

Lucky Free Workshop Recipients

kadinskyquoteI am very happy to announce that we have two winners who will receive the 21 Secrets Color! Color! Color! Workshop package.

I made a list of all the old subscribers (who wanted to participate) and new subscribers. This morning I was happy to have Patrick Tagoe-Turkson, an artist from Ghana who currently is on the Global Nomadic Art Project with me in South Africa, to name me two lucky numbers, so that I have a totally impartial selection.

So, without further ado I can now announce the lucky two people who will hopefully soon spend their time emerged in colour and creativity and learning lots of new information and techniques.

The winners are Number 6 and 9, which translates to:

Drumroll….

Renate N. and Jackie B.

Congrats, I hope you will enjoy your workshop!

For everybody else, I am so sorry that you did not get the free workshop package, but you can still buy it by clicking on the 21 Secrets Image on the right-hand side column of this blog, or click here.

(The winners have been notified per email.)

Click on image to find out more or buy the workshop.

Click on image to find out more or buy the workshop.

It’s FREE… (and some insight into the life of an artist)

Yes, it’s free.

It seems these days one has to spell it out in capital letters or mention it over and over….

FREE… FREE… FREE…

…and then still somehow get misunderstood or frowned upon.

In my last blog I shared with you the 21 Secrets Color, Color, Color! Fall 2016 Workshop at which I am a teacher and offered you the chance to receive one of these workshop packages valued at US $98 for … FREE.

I can give away two workshop packages at my own discretion to whomever I like. And I decided to offer this to my valuable supporters who follow my blog. By the way, I could have also just decided to gift them to my two best artist buddies as birthday gifts. 😉

Reminder:

All you have to do, to stand a chance of receiving one of two FREE workshops, is to subscribe to my blog, or if you already are a subscriber, write a comment on my blog, stating that you are interested in the workshops. If you like more privacy, you can even send me an email, as long as you are a subscriber to my blog. Deadline is the 18th of September and I will announce the two winners here on my blog in the week thereafter.

Have a look at the official workshop page to see what is on offer! Just click on this picture:

21-SECRETS-2016-Color-medium

From the mixed reactions I got, I guess something was not clear.

Some told me: This sounds fantastic, but I cannot afford it.

Really? Which part is not affordable? The FREE part? Taking a chance on winning? Or can’t you afford to leave a comment on my blog, or subscribe to my blog (which is the one favour I am asking in return, in order to be considered for my free gift)?

Others told me something in the line of: Oh, you just want to promote yourself… I am not going to share this or support you.

Hmmm, now, let me put it to you like this: YES, I do want to promote myself. But actually this was more about offering you the opportunity to get a FREE inspirational workshop to learn new skills. Remember I could have just given it to my buddies, who would have loved such a gift.

KadinskyQuote

So just that you understand the thing of artists and promotion:

Unfortunately in this reality, artists have to do self-promotion in order to survive. We seldom have the luxury of a gallery or agent to do it for us. As an artist, I have my artwork, my experience and my knowledge to offer (and earn my money with). Most of that I generally offer for free most of the time. I generously share my artwork, creativity and experience and knowledge on various social media in order to inspire, uplift, entertain, delight or question. Everybody has access to it, without needing to pay or even say thank you.

And I am happy to share as much as I can, as generously as I can.

It might surprise you, but I, too, have to pay rent, buy food and pay for my medical aid, amongst others.

I can only pay my bills and make an honest living with the artworks I sell, or offering my expertise and experience. And in order to do that, I need people to know about my art and offerings. Ideally I need to have many people who know about my art… because not everyone either likes or buys an artwork or would participate in a workshop, or be willing to pay for my expertise.

That is the (sad?) reality of being an artist. We can only survive and keep on creating and sharing, if we put a lot of effort into promoting ourselves.

If more of the people, friends or blog or Facebook followers who enjoy my art and who find inspiration, solace or joy in what I have to offer, would tell their friends about it, then I could focus more on creating and sharing my art for free, than into promotion and marketing.

Instead I spend hours trying to make my offerings exciting and worthwhile AND then trying to promote my work as best I can.  I also take on opportunities where I can share my expertise in a workshop, get paid for it and have the possibility of earning a commission on any sales generated through my small community. I assume that is acceptable practice?

You might have also noticed, that I am always trying to offer some value in return. Like, hey, I am giving away stuff to the value of US $196 for free! All I am asking in return, is to follow my blog (so that you can receive more news and offerings from me and get to know me and my art better) and you can un-subscribe with one easy click at any time you like.

DSC03242

This is me, blatantly promoting my art through sharing my work, accumulated knowledge and experience 😉 while presenting my video lectures for the workshop.

OK, now that I have finished ranting, I hope you are still interested to find out more about the workshop. I did not want to drown you in information in my previous blog, so here is a bit more detailed information about what you can expect to learn, when you either are selected as one of the two lucky recipients of the workshop, or even are willing to invest the US $98 in yourself and buy the package.

Since you are a follower of my blog, you might be most interested what you will be learning from me specifically?

The title of the course, which I am presenting for the 21 Secrets Color, Color, Color! Workshop is:

Feeling Blue? Spiritual and symbolic influence of colour in your journal and life

And here is the short description, which I wrote about the contents of my course:

What colour is the rain?
Red is life. Or is it death?
Why are we drawn to one colour and hate the other?

I welcome you on a colourful journey to reconnect with the ancient wisdom and power of colour. Discover the magic, myths, symbolism and effects behind the individual colours, create your personal colour reference guide with the ‘Colour a Day’ exercise and gain a deeper understanding how you can select and use colours for specific intention and purpose in your journal and life.

I will also share with you how colour is understood and used in Feng-Shui and in the seven main Chakras (energy centres) of the body. For the workshop I have compiled a lot of written content, fun and interesting exercises and 3 videos, where I share many thought-provoking aspects about color.

This is only my part. And that is not all! By far!

There are 23 more amazing courses prepared by 23 wonderfully inspiring and creative artists from around the world.

Just as some examples: Tori Weyers will teach you to tango with colour (Color Tango: Make your Colors Dance) while Mystele Kirkeeng will take you on an exploration of the colour of skin (Flesh in Living Color), she says: “When you really, really explore skin tones with color media, it becomes increasingly apparent how ridiculous it is that we still attempt to label the races monochromatically.“

You can learn how to easily create watercolour sunsets with Lorraine Bell or test the benefits of a limited palette and how to use it to your advantage from Jeanne Oliver.

Connie Solera, the founder and director of this incredible 21 Secrets workshop series, will teach you how to boldly overcome the point where you are too scared to continue as you fear you are messing up your artwork, but know that it is not finished yet.

As you can see, there are many interesting, fun and stimulating courses for you to explore.

Untitled mixed media work by Imke Rust

Detail of Untitled mixed media work by Imke Rust

If you do not know me yet, here is a short description of who I am:

“Can we create rain through a creative process?” This question, together with my deep-seated curiosity, interest in shamanism and alternative worldviews and stubborn insistence that we can make the world a better place have guided my journey as a multi-passionate creative being. I love uncovering the deeper meanings and mysteries of life and figuring out how everything is connected.

I am a Namibian multi-media artist, rainmaker and curator. I grew up in the desert of Namibia and since 2010 I am splitting my time between my home country and Germany, between the desert and the forest. I have completed my Bachelors Degree in Visual Arts at the University of South Africa and have won Namibia’s most influential art competition, the Standard Bank Namibia Biennale, twice.

My artistic expression is versatile, with a strong attraction towards nature and land art. I also enjoy sharing the joy of creativity with others, through joined projects, workshops, interventions in public spaces and via my blog.

I am excited to welcome you on a joint exploration of the stories, symbolism and effects behind the colours we use to paint the stories of our lives.

(You can find similar course descriptions and artist introductions from all other 23 courses in this package in the link to the course.)

Curious?

Well, you know what to do. I hope.
If not, you are welcome to ask!

Click on the image to find out more or buy the workshop.

Click on the image to find out more or buy the workshop. As a teacher I am also an affiliate and I do get a commission if you buy the workshop if you used my link to get there. So please, treat yourself to a fun course and at the same time thank you for supporting me and my art!

21 Secrets – Color, Color, Color! Workshop Pre-sale and Give-Away (time sensitive)

21-SECRETS-2016-Color-artistblock-imke-rustI am thrilled to announce that I am one of the teachers presenting this year’s 21 Secrets – Color, Color, Color! art journaling workshop, which it is going on sale NOW.

Connie Solera from Dirty Footprints Studio, initiator and organizer of this successful workshop series says: “… because you can never have too much color – I went a little bonkers and invited 24 talented teachers instead of my usual 21 – all for the same low price!”

And this low price is: US $98!  — for a plethora of information (follow the link or see below, to find out about all the goodies which are included).
(for European people, that is about 87€ and for my Namibian folks: N$ 1320.)

To celebrate we’re having an Early Bird Sale now through Friday.

Enter discount code: COLOR and save $10.

Click here to get to the Early Bird Sale!

Click here to get to the Early Bird Sale!

AND…

You have a chance to receive one of two courses, which I am giving away for free to my valued supporters!!!

I love free goodies, especially when they are so valuable and exquisite and it is an even better feeling to be giving them away myself…

All you need to do, is to

  1. Subscribe to my blog – in the left hand column. If you already are a subscriber, please either comment below this blog or send me an email to tell me that you want to be included in the draw.
  1. Share this blog widely through your social media, such as Facebook, Twitter or Instagram. Tag me, so that I know #imkerust21secrets.

Signing up to my blog gets you one vote and sharing another, so if you spread the word your chances are increasing of being selected to receive one of the two workshops.

Recipients will be selected randomly by a third-party person and will be announced on my blog between the 19th and 23rd of September.

To make sure you do not miss out, even if you are not one of the recipients of the two free courses I am giving away, you can pre-order the course now and should you be selected, you have the option to cancel your pre-order (up till the 26th of September 2016) and receive a full refund. Or even better, just give away one of them as a gift to your best friend, so that you can do this course together!

I am an affiliate for the 21 Secrets course, so please use this link from my page to get to the 21 Secrets Course and purchase your workshop. That way you will support me and ensure that I can continue sharing my creativity with the world, as I will be earning a percentage of each sale generated through my page.

What is this 21 Secrets – Color, Color, Color! workshop?

In short, 21 SECRETS is a 150+ page downloadable eBook filled with 25+ hours of videos, full colored photos, templates, and clear instruction that will guide you through a colorful adventure with your art journal!

But what makes 21 SECRETS spectacular is that you receive all the content at once. We know you’re busy, so YOU get to pick and choose which workshops to do and when! Dive into your favorites first and never once feel rushed or falling behind — these workshops are YOURS TO KEEP baby!

Find out more about the teachers, short descriptions of each of the courses on offer and other information by clicking on the image below:

Click on the image to find out more...

Click on the image to find out more…

Do you have any questions? Please do not hesitate to ask – either by commenting below or sending me an email to: imke(a)imkerust.de   (please replace the (a) with an @ for sending your email)

Oh, and please do not forget to share this widely with your friends who might be interested too! Thank you!!!

21-SECRETS-2016-Color-medium

Longing to Belong

69 Strands of (be)Longing, Fake and natural hair, branch and wire. Artwork created by Imke Rust at the ILAM, May 2016

69 Strands of (be)Longing,
Fake and natural hair, branch and wire. Artwork created by Imke Rust at the ILAM, May 2016

In May I had been in Maastricht as an invited artist to the International Land Art Maastricht Symposium. I had shared some pictures from this wonderful event together with an invitation to come and see the results, but I have not had the time to tell you more about the artwork that I created there. So today I would like to share with you some thoughts and images, especially for those of you, who could not see the work in person.

Artists were asked to propose an artwork that they would create in the park of the Chateau Jerusalem. The theme of the symposium was ‘Connected’. We had five days to complete the work, which then was on exhibition for the following two weeks.

This is the concept, which I originally formulated for my plans:

“I am exploring the ‘Connected’ theme through a material that everybody connects to African women: long, black braided hair. Although they usually are made out of fake artificial material, they have come to represent a certain identity (African), but at the same time they are also an imitation of another identity (western, long, smooth hair). In so many ways they are connecting different worlds. To me they are also a strong metaphor for belonging and identity. Hair and braids can also be used as ropes to climb to another life (Rapunzel), and relate to the migration of refugees to Europe.

As a white African I am intrigued by working with this fake hair, as a form to express the duality and paradox of my own identity and belonging. The combination of synthetic and natural materials, illusions created and the process of braiding are additional aspects, which I want to explore.”

69 Strands of (be)Longing, Fake and natural hair, branch and wire. May 2016

69 Strands of (be)Longing,
Fake and natural hair, branch and wire. Artwork created by Imke Rust at the ILAM, May 2016

I had some vague ideas of how I wanted to proceed, but since I have not seen the park and have never worked in this material before, I decided to stay open and flexible and just trust the process.

When I arrived there and saw all the grand and impressive plans from the other artists, my heart sunk. Maybe my work was too timid, too small, too unspectacular? And what if it does not work out in any way I had imagined? I had no chance to try it out before, so either it worked or it would fail… What could I do, besides just start and hope for the best? I started and was flooded with even more doubts. Am I allowed, as a white woman to make art with this kind of hair, which usually is only used by black women? Could I even dream of braiding as neatly and perfectly as those hairdressers back home in Namibia do? Aren’t they the real artists who can make the most stunning patterns and styles for their customers? Who am I to now want to use this method and material to create my art?

Well, I had a lot of time to think, while I braided. And every time the doubts and insecurities became too strong, I heard the inner voice saying: Just trust the process.

I remembered that one of the reasons why I initially wanted to work with braiding, was the repetitive process itself. Somehow it is a process that is fairly easy, but demands just enough concentration and focus, that you have to stay in the here and now, but also leaves enough space for your mind to relax and wander off into thoughts that you usually are too busy for.

This work quickly became much more about that process and the inner dialogue that happened, than the final physical artwork. For five days I just sat there, under a beautiful tree, in the middle of the park and braided. I got to understand how this synthetic material reacted to humidity, dryness, wind and weather. How it sometimes could be so stubborn and putting up a real fight to get under control, and other times it just flowed through my fingers as if it was the most natural thing to happen. I became calm and looked forward to my work and every next strand.

My thoughts turned to my first memories of braiding. When I was a young girl, it was my father who braided my hair every day. And it was also he, who taught me how to braid. And I was so proud, that I even knew (from him) how to braid with more than 3 strands. While everybody looked at braiding as a typical female activity, I connected it to my father. And yet, it was my mother who had to go and buy the fake hair in Namibia (yes, these hairs were made in Namibia and sent all the way to Germany), so it was kind of a family effort that ensured I could sit in Maastricht in a park and braid ‘my’ hair.

Masculine and feminine… control and wildness… order and chaos… expectations and reality… appearance and authenticity… there were so many concepts that flowed into and through my being and into the braids (or did it flow out of them or the process?) while I was working.

With every next strand I had another chance of flowing. The focus changing and shifting… With every movement I moved on, the strand started, got longer and longer, and then, suddenly it reached the end.

I made a rough knot into the strand to keep it from coming undone and originally thought I will melt the ends to make a neat and proper ending. After a few strands with wild and chaotic knotted ends, I noticed the beauty, the wildness and the dynamic of these endings, the contrast to the neat braids… and decided to leave them just like that.

Through folding thin strands of hair over each other again and again… the central aspect became more obvious for me. With every movement there was a longing. A longing to come to the end, but also a longing for so much more… To belong, to understand, to control, to find the balance, to find a (my) place … to just be.

Where do I belong? To my home country, where I am too white in the eyes of many? Or to Germany, where I appear (on the first outer impression) to rather belong, but where I am a stranger? Do I ‘belong’ to be more controlled, or more wild? To fit better into the pattern of society or do my ends just come loose anyway?

Click on the images below to see a larger view and read about some further details.

Braiding, braiding, braiding… in 5 days I managed to braid 69 long strands. I managed to contain my sadness in these braids, to reassess the world and my ideas about it and to learn that I can and should just trust the process. The process of an artwork, but also the process of life…

Life is like these strands. Every day you begin with a new one, a new chance. You do your best to get as far as possible. But in the end it does not matter how far you come and how many days you get. What matters is your experience and your insights, your joy, but also your struggles and what you have learned through them.

Trust the process…

Here is a video taking you around the final artwork. In the photos one aspect gets lost, and that is how alive this work seems. How it dances and moves in the wind. The video gives you a small impression of that.

 

Invitation to Maastricht Exhibition Opening

Greetings from Holland!

I have been invited to participate in the International Land Art Maastricht 2016 Symposium along with 13 other artists from the Euregio.

For one week we are creating land art works in the park of the Chateau Jerusalem in Maastricht and we are having a lot of fun.

On Saturday (14th of May, 16:00) everybody is invited to view the results of this symposium at the official opening of the exhibition. If you are nearby I would love to see you and show you the works that have been created. More information in the flyer below. (Click on image to see a larger version).

Invitation ILAM 2016

Invitation ILAM 2016

And here you can see some images of the symposium and work in progress: (Please click on the images to see a larger view and descriptions)

Impressions from my visit to Dnipropetrovsk

The poster announcing our event.

The poster announcing our event.

Dnipropetrovsk. I practiced very long and often to say it correctly and still I stumble over it. Since November last year, when Artsvit Gallery‘s curator, Ms Iryna Polikarchuk, approached me with the idea to visit this beautiful city and share my art and curatorial approach with them, Dnipropetrovsk has been a phrase set on repeat in my head.

Lots of planning and ideas were sent between us, until I finally could board the plane and fly to the Ukraine again, on the invitation of the Artsvit Gallery and the German Consulate in Donesk, who are currently located in Dnipropetrovsk. On the first evening I was joined by a wonderful and inspirational colleagues Ms Sabina Shikilinskaya (Azerbaijan) and Nikita Shalenny (Ukraine) for an introduction on our art and curatorial practice and public discussion afterwards. Additionally the visiting artists each had one evening to give an in-depth presentation about our art. All three events were received by much public interest and a packed audience.

During the days we also had a full program, organized by the gallery. Another main part of my visit was to meet with the German General Consul, Mr Mössinger and representatives of the city and gallery, to finalize details for a public installation of my art planned to be installed in a park in Dnipropetrovsk later this year. I am very exited about these plans, but will share more with you about this, closer to the time.

Following is a selection of impressions from my visit. I hope you enjoy them. (Click on the images to see a larger view and description.)

 

Playing with my Heart

It is International Women’s Day and to celebrate this I have created my very first ever animated GIF and will share it with you today.

A GIF is a graphic format, which I would explain as a kind of moving picture. These formats seem to become ever more popular on the internet and I can understand why. Instead of having just one image, you have kind of a moving gesture, usually composed of a few still images.

And so, without further ado, here it is:

Playing with my Heart

Playing with my Heart, an animated GIF by Imke Rust

I hope you enjoy it!