Tag Archives: namibia

Calling the Spirit of Rain and Water

DSC01521In my research about rain making I found several interesting stories of how magic drawings on rocks would attract rain. Some of which suggested that you have to find ways to draw the water spirit’s attention and curiosity. Like this story, which made me smile every time I thought of it.

The antelope, who only arrives after it has rained, is presumed to be linked to the water spirit and its favourite animal. The water spirit likes a good party, and will presumably like to attend with their friend, or… favourite animal. So, if the rainmaker draws images of the antelope and dancing people on the cave walls and pretends that there is a good party happening (for instance through dancing, singing and holding a ceremony) she/he will attract the water spirit’s attention and interest to join. But who likes to go to a party where you do not know anybody? Right, so the water spirit, who can turn itself into rain, would like to have its favourite animal friend there too. But the antelope only comes when there is water, so being a good friend, the water spirit will let it rain.

Like, hey, if I’ll buy you a beer, will you join me at this party?

And voila – the rainmaker has made it rain.

So last Saturday we visited the farm and I decided to hold a small party, well – make some rain…

The more the merrier

I chose a nice visible spot, a straight cliff face on the top of a small koppie (hill) and asked my father, brother and husband to join me in creating a rainmaker. This is a part in my different experiments, which I always wanted to try: working together with more people instead of just creating on my own.

I believe that working together does create a more focussed and stronger energy. I guess that is also why it already says in the bible, if two or more people come together and pray, the prayer will definitely be heard.

(Please click on the images to see the full view, thank you.)

 

I stuck to my typical cloud and rain drawings, because I believe that the rain or water spirit will recognise itself and will become curious. And that

like attracts like…

Each of us drew a raining cloud with chalk on the cliff-face, my brother even drew a puddle of water where the rain collected on the ground. The cloud drawings were nicely visible towards the east, where the water spirit usually resides (where the rain usually comes from.) We all had fun drawing and imagining how we are making rain.

Shortly after we started, I remembered to take a picture of the area and blue sky, and was surprised to already see the very first faint rain clouds on the distant horizon.

If you look closely you see the very first small clouds appearing on the horizon

If you look closely you see the very first small clouds appearing on the horizon

 

Offerings – a sign of your abundance

Lastly, I wanted to implement another ‘new’ aspect into this rainmaker. The idea of making an offering… We sprinkled the rock and rain drawings with actual water. I have always thought that adding water to my rainmaker experiments would be another magnet in the sense of ‘like attracts like’, but I realised that there might be another aspect that I have overlooked.

If we are willing to offer a small bit of what we are asking for as a gift or offering in return, we are signalling that we are part of the natural flow. We will not unnecessarily hoard or obstruct the flow of the goodness which we are inviting to us. We believe that there is more of what we have just given away, we believe in our own abundance and the abundance of the water, instead of fearfully holding on to the feeling of lack and scarceness.

 

While we were busy with this, we definitely already attracted the attention of some baboons who were curious of what kind of party is happening…

Baboons are curious and try to figure out what is happening on our side...

Baboons are curious and try to figure out what is happening on our side…

Gratitude expressed

Just before we left the site, I decided to once again express my gratitude, by writing a thank you note on a piece of bone, leaving it at the foot of the koppie for the rain, once it arrives.

A little thank you note for the rain and water spirits...

A little thank you note for the rain and water spirits…

All done we left and it was amazing to watch how the clouds suddenly appeared from all directions, as if somebody had shouted:

Here is a party and there is free beer for everybody!

Anyway, I was slightly peeved that it did not rain that day, although so many clouds came up so fast…

But I also remembered that we must continue to believe in the manifestation for it to become real, no matter what. I have to give thanks again and again, and acknowledge my faith that our prayers will be heard.

I do not know if it is from pure stubbornness or something else, I have long ago started to tell myself if a wish is not immediately granted, it is just because the universe is busy preparing something bigger, better and more awesome than I could even wish for… after all, something that grand takes a bit more time.

And so it was.

Two days later, on our departure to Germany, we received the excited news from the farm that it was raining. The rivers were flowing and everybody was excited that suddenly there was so much rain after such a long drought. And in the coming days Facebook (the modern bush drum) was filled with images and videos of the massive rain received all over the country.

I am grateful and happy.

Rain on the farm and flowing rivers on 18 January 2016 – Photos kindly supplied by Amanda Koekemoer ©

Heute im Deutschen Hörfunk in Namibia…

Once again apologies to my English followers, as I am now posting an interview in German, which we had today in the German Radio in Namibia.

Heute waren Steffen und ich beim Deutschen Hörfunk der Namibian Broadcasting Cooperation (NBC) und wurden im Auftakt zu der Namibia Premiere unseres Filmes von Ralf Boll interviewt.

Wer es ‚live’ verpasst hat, kann sich hier das Interview noch einmal anhören. Es gibt eine kurze Filmkritik und dann ein recht launiges Gespräch mit dem super Moderator Ralf Boll.

Um das Interview zu hören, bitte einfach oben Start drücken.

Der Film wird morgen am 14ten Januar im Goethe Institut in Windhoek gezeigt. Wir freuen uns, wenn die Einblicke in unser Leben und Schaffen euch neugierig machen. Lasst euch diese (einzige) Filmvorführung in Namibia nicht entgehen.

Ralf Boll, Steffen Holzkamp und Imke Rust im Studio 5 der NBC, Deutscher Hörfunk Namibia. (13 Januar 2016)

Ralf Boll, Steffen Holzkamp und Imke Rust im Studio 5 der NBC, Deutscher Hörfunk Namibia. (13 Januar 2016)

Film Revue: An Infinite Scream

Source: Film Revue: An Infinite Scream

(Sorry to all English subscribers, today I reblog an Afrikaans review about our film which will be screened tomorrow, 14th January, at the Goethe Institut in Windhoek @ 19h15)

En nou vir die van julle wat Afrikaans praat, ‘n Film Revue in Afrikaans van die wonderlike Daniël Bezuidenhout a.k.a Thulana wat met haar woorde en taal kan toor.

Lees gerus ook ‘n bietjie van haar ander blog posts, so mooi geskryf met ‘n wonderlike sin vir humor en interessante stories oor haar lewe in Ghana.

Dankie Daniël!

“Elkeen van ons wat soos ‘n volstruis met sy kop in die sand staan, en vertrou die regering sal na al jou belange omsien, moet ‘n slag staan en wonder hoe goed dit uitgewerk het vir die Boesmans.

 

In ‘n aangrypende artistiese dokumentêr, “An Infinite Scream”, kry die Imke Rust jou kop uit die sand. …lees meer hier

Finally! A new year, a new blog post and an important event to announce!

Firstly I wish you all a very happy, adventurous, creative, healthy and awesome 2016!

I hope this will be the year where you make your dreams come true, create the reality that you want to see and find joy and gratitude in your everyday life. That is my motto, not only for the New Year, but for every new day. And added to that, I want to push myself every day to creatively and fearlessly express who I am. How about you? What are your visions and desires for 2016?

I have been quiet on the blog for some time… I am spending time at home in Namibia, with my family, meeting friends, relaxing and creating. Basically replenishing my soul and soaking up the sunshine, warmth and familiarity of home.

Clarissa, my cat, inspecting the last painting I have done in 2015 - an impression of a wild mongoose who visits us daily.

Clarissa, my cat, inspecting the last painting I have done in 2015 – an impression of a wild mongoose who visits us daily.

Home. Returning to Namibia after almost two years of absence has stirred my mind and body in interesting ways. I realise that finally our house in Germany feels more like a home to me, while Namibia and my family home here, where I have spend so many years of my life, has moved into an uneasy place of feeling powerfully familiar and at the same time somewhat distanced. Things have changed, things have stayed the same. I have changed and grown. I am curious to see how my life and I will evolve in the future.

You can view some of my everyday impressions from Namibia on my instagram account: https://www.instagram.com/imkerust/

And as promised an event announcement:

Finally we will be presenting ‘An Infinite Scream’ – my husband, Steffen Holzkamp’s documentary film about my land art project – in Namibia! On home turf so to say.

It took some time before Namibians can finally see the film and obviously I am curious and nervous as to how it will be received. So I (and Steffen) hope that if you are in Windhoek on the 14th of January you will join us at 19h15 at the Goethe Institut. (it is FREE!!!)

By the way, Namibia only had a Goethe Centre up till now, but since 2016 everybody is very excited to have it turned into a Goethe Institut. We feel very honoured that one of the first official events in the new Institut will the Namibian Premiere of our film.

Why would you see the film? Well, if you are interested in nature, environment, the desert, Namibia and/or the arts, or if you simply like me or what I am doing, then this film offers you a unique and thought-provoking view. Some serious and some fun.

It is more than a documentary.

It is an artist portrait and a project portrait. It is a reflection on what individuals can do to make the world a slightly better place. It is a beautiful mix of art, nature, society and action…

Most people only ever see the final exhibition and have no idea how it came about. If you have ever wondered how artists think, why and how they create and all the things that happen behind the scene, before you get to sip your wine at the exhibition opening, this film will give you a lot of insight into my personal way of creating.

I know I might be biased in more than one way, but I do think there is a certain magic happening when you have a very talented filmmaker and musician, who happens to know you well enough to perfectly reflect your ideas and works through his film.

This film was not planned to be a film. When I started out with my work, I simply thought it would be awesome to have the making of the individual pieces documented and fortunately Steffen was happy to do that for me. Only later, when the exhibition finally happened, after the original venue had suddenly rejected it, Steffen had the idea to turn all his filmed material into a documentary… and spend about a year on this labour of love. Thank you so much, Steffen, for all your hard work and dedication, for your beautiful pictures, music and your vision to pull this all together.

So if you are curious, we warmly invite you to come and see it.

It is not only free of charge, but you also get the chance to meet up with us and ask us questions afterwards 🙂

We are looking forward to meeting you there.

Please also feel free to share this information and invite your friends along. After all, the more the merrier.

Namibia Premiere: An Infinite Scream (Poster)

Namibia Premiere: An Infinite Scream (Poster)

Concerned about the ever-increasing uranium mining in Namibia a local artist sets out to give the Namib Desert a voice: An Infinite Scream

The Goethe Institut proudly presents the Namibian Premiere of a documentary film about Imke Rust’s land art by Steffen Holzkamp.

Date: 14th of January 2016
Time: 19h15 (Duration: 45min)
Venue: Goethe Institut, 1-5 Fidel Castro Street
Free Entry
Artist and filmmaker are present.

Trailer and more info at: https://aninfinitescream.wordpress.com/

 

How did the dog get onto the beach?

I painted it there…

There is a dog on the beach... (Hotel Deco Busting by Imke Rust)

There is a dog on the beach… (Hotel Deco Busting by Imke Rust)

Intervention Against Tasteless Wall Decorations in Hotels and Holiday Apartments. (Part 18)
Intervention gegen geschmacklose Wanddekoration in Hotelzimmern und Ferienwohnungen. (Teil 18)

Since 2010 I have secretly been slightly altering tasteless or boring hotel or holiday apartment art whenever I had the chance to.

This is another intervention from our seaside holiday’s in August this year. The holiday flat we stayed in had numerous wall decorations all in the form of calendar images framed in cheap frames. So I just had to give them all a face-lift and add some originality and life. Now the flat has 6 original art intervention works by me. It must be a really worthwhile holiday art experience 😉 …

Once again I forgot to take a proper ‘before’ photo, so you will see I have already started on this one:

There is a dog on the beach... Before(almost) and After pic (Hotel Deco Busting by Imke Rust)

There is a dog on the beach… Before(almost) and After pic (Hotel Deco Busting by Imke Rust)

And here two more pics:

If you enjoyed this, you can view more Hotel Deco Busting Interventions Hotel Deco Busting Interventions by Imke Rust.

Rainmakeress

Rainmakeress by Imke Rust Graphite & Acrylic on paper, 105 x 120cm

Rainmakeress by Imke Rust, Graphite & Acrylic on paper, 105 x 120cm

Rainmakeress

Woman is water. Woman is moon.
Woman is flow. Woman is life.
Woman is earth. She is the giver of birth.

                                              She is the rain.

Some time ago, while thinking about one of my favourite subjects (how we can manifest rain) I scribbled down the above thoughts. That led to the large drawing (at the top) of a woman becoming rain.

I do believe that we must find the rain within us. I do believe that we are one with everything around us, the rocks, the animals, the people, the clouds, the invisible waves of sound, light and information, the ocean, the air and everything else. Whatever is out there, is a mirror of what is inside myself and we do attract into our lives, that, which we put our awareness on and what we feed with energy. Because it is all there. And all is One. And that One is God.

So, if that is true, then it follows that similar to being able to attract like-minded people, we can attract (or manifest) like-minded energy and ‘states of being’. To understand this better, lets take an example, lets say I want more kindness in my life. Then I just need to focus my attention on that part in me, which is kind and choose to be more kind in my everyday life. Suddenly I will notice more people around me being kind. They probably have always been kind, but I did not consciously realise or notice it. Also, I will most likely avoid people who are not kind. And my kindness will very likely inspire somebody else to be kind in return.

Similarly, it should be possible to place our awareness on the qualities of rain and what comes with it and then attract it into our lives. If we have a drought, we can ask ourselves, which parts of us have we let dry up? Did we let our passion, our flow, our life become dry and stale? Are we contracting ourselves out of a fear of lack? Have we lost touch with our moistness, our fertility and our giving part? Have we somehow stopped the cycle of water, by damming up our feelings?

If we can find where we are lacking within our own spirits, then we can start rectifying our energy and thoughts. We can focus our awareness on those things which matter and which are favourable to attracting rain. What is rain for you?

I associate it with joy, with lightness, with wetness, abundance, creativity, life, freshness, growth, water and so much more. So when trying to evoke rain, I focus my attention on these things. I imagine how I feel when it is raining, I try to taste, smell, feel and hear that sensation of rain. Can you imagine it? Can you feel the feelings that you have when it is raining? Try and stick with those feelings for some moments. And then, in my case, with my associations of rain, I try to consciously incorporate those things more into my life, or send a silent thought of gratitude and appreciation to these things when I notice them.

Practically it means, when I wash my hands (for instance), I am consciously enjoying the water and in my mind saying thank you for having this water and how much I appreciate it. And I try to fill my life and heart with more joy (do something fun), with freshness (place a fresh flower in my space), life (go out and enjoy the plants, animals or people whom I meet) and creativity (the best of all, create something new, an artwork or a meal)… I do something fresh and exciting. If my life has become stale, I try to find ways of being and feeling more alive – like getting up from the computer and dance.

You can try this yourself. Maybe you do not immediately succeed in creating real rain, but I do believe that you will immediately feel better and changing the atmosphere will sooner or later lead to the ideal conditions for rain to come.

Recently I had a friend visiting me from Namibia and I could try out another idea which I had, based on the idea that we are all rainmakers. Also that especially as woman, we embody the fertility and giving part, which I associate with rain. Combined with freshness, creativity and some real water I simplified this idea so that it can be better understood. I painted a dark rain cloud on the body of my friend and then splashed it with water, so that it will drip down and draw the colour with it, creating a visual idea of rain. I had so much fun with that last part, that I forgot to take photos, and only in the end, when you could not see the ‘rain’ that well anymore, I took a photo. I do think the action is more important than the ‘prove’ so I hope you enjoy the ‘before and after’ images anyhow.

Rainmakeress: Cloud painting on body and adding water to let it 'rain' (Imke Rust)

Rainmakeress: Cloud painting on body and adding water to let it ‘rain’ (Imke Rust in cooperation with Wiebke Volkmann)

What are your believes about rain? Do you maybe live in a country, where you would much rather see more sun and less rain? You could apply the same ideas to create a more sunny life for yourself.

Have you ever tried making rain? Or done a rain dance? Prayed for rain?
What were/are your experiences?

Berlin Premiere of ‘An Infinite Scream’

We are very excited to announce the Berlin Premiere of the German version of our

documentary film ‘An Infinite Scream’ at the

BrotfabrikKino in Berlin

on Saturday, May 30th (2015)

We hope we can welcome many of you for the very first public screening and a discussion with Steffen Holzkamp (director and producer) and myself, the artist. This is an exciting and intimate look behind the scene of my art making, my intentions behind it and the challenges and opportunities of the art scene in Namibia.

Please feel free to share this event widely with your friends! Thank you.

EinladungEinBild

   Die Deutsch-Namibische Gesellschaft e. V. und der Glashaus e. V.

laden Sie herzlich ein zur

Berlin-Premiere des Dokumentarfilms AN INFINITE SCREAM (Deutsche Fassung)
 
am Samstag, dem 30. Mai 2015

Beginn: 18:00 Uhr
Ort: BrotfabrikKino, Caligariplatz 1, 13086 Berlin-Weißensee
(Tram M2, M13, 12; s. „Service“ unter http://www.brotfabrik-berlin.de)

Programm:

18:00 – 18:45 Uhr        “An Infinite Scream”
18:45 – 19:00 Uhr        Gespräch mit dem Filmemacher Steffen Holzkamp und der Künstlerin Imke Rust
19:00 – 19:40 Uhr        weiteres Filmmaterial zum Thema

Synopsis:

In der prallen Wüstensonne über 1000 Weißdornen zu Kreisen legen? Schwarze Müllsackrosen in die Sanddünen pflanzen? Oder eine halbe Tonne Salz  zu einer begehbaren Skulptur formen?

Die Landart Installationen der Namibischen Künstlerin Imke Rust folgen einem immanenten Anliegen: Der Sorge über den zunehmenden Uranabbau in Namibia und der Verschandelung der Wüste. Ihre Kunstwerke sorgen für Aufmerksamkeit, verstehen sich aber auch als ein symbolischer Schutz für das geschundene Land.

Kann Kunst etwas bewirken? Was kann ich tun? Mit diesen Fragen beschäftigt sich Imke Rust auf eindringliche Weise.

In 2012 in Namibia und Berlin gedreht, spiegelt der Film die  teils meditative Stimmung der Entstehung von Rust’s Landart. Ruhige Einstellungen bei der Installation der „Salt Circles“ oder reportagige Handkamera bei der Videoperformance „The Scream“ auf der Seebrücke am Atlankik: Schnitt und Montage folgen dem Tempo der Kunst.

Die Absage der gebuchten Rust-Ausstellung seitens der Kunstvereinigung bringt dem Film eine dramaturgische Wendung und verlagert den Schwerpunkt hin zu einer gesellschaftlichen und medialen Kontroverse über die „Freiheit der Kunst“ in Namibia.

So organisiert sich die bekannte Künstlerin mit Hilfe durch ein Netzwerk von Unterstützern ihre Ausstellung einfach selbst.

Starke Bilder an atemberaubenden Orten, sowie Illustrationen und Musik verdichten den Film zu einem eindrucksvollen Statement für Courage und Eigeninitiative im eher konservativen Namibia.

Die Filmarbeit in Namibia wurde teilweise vom National Arts Council of Namibia unterstützt.

Trailer und weitere Informationen zum Film: https://aninfinitescream.wordpress.com
 

Das Kino hat 60 Plätze.

Vorverkauf oder Reservierung über Tel.: 030/471 40 41 oder per E-Mail: karten@brotfabrik-berlin.de werden empfohlen.

Der Eintritt beträgt 7,50 Euro (normal) und 6 Euro (ermäßigt).

Etwaige Fragen richten Sie bitte an: imkerust(a)iway.na

 
logo_brotfabrikNEU

Logo DNG (neu)

The Ghost of the White Lady

2015 Hotel Deco Busting

Intervention Against Tasteless Wall Decorations in Hotels and Holiday Apartments. (Part 11)
Intervention gegen geschmacklose Wanddekoration in Hotelzimmern und Ferienwohnungen. (Teil 11)

(Since 2010 I have secretly been slightly altering tasteless or boring hotel or holiday apartment art whenever I had the chance to.)

It is that time of the year again, when my husband and I travel to Frankfurt for the LEA (Live Entertainment Awards) and as usual we stayed in the Marriot Hotel.

They have upgraded all of their rooms 2 years ago and fitted them with new decorations. I must admit, the new canvas prints of colourful digital collages of Frankfurt buildings are pleasant to look at. They look much more modern and add a pleasant colour highlight to the rooms. Certainly the best hotel art I have seen in a long time. (And ok, I must admit, I do not often stay in hotels, especially not in upper-class hotels, so there sure is more good art out there somewhere.)

At least since my public confession many of my regular followers know about my passion for improving hotel and guesthouse décor. I just cannot help myself and there is always ‘room for improvement’.

Hotel room and digital canvas print as found

Hotel room and digital canvas print as found

So, although I do appreciate the tasty art in this hotel room, there was something bothering me, about Frankfurt, the hotel and the art. The inner city is dominated by imposing skyscrapers and concrete, the hotel is decorated in a very masculine, dark style and the art represents this materialistic, powerful, male atmosphere. It’s a man’s world. I missed the humanity and the female touch or balance of yin energy.

A close-up view (or the BEFORE picture)

A close-up view (or the BEFORE picture)

As usual I let myself be inspired by what I find and then determine the best approach then and there. It did not take long and I knew I just had to add some positive Yin energy to the artwork. Also something that puts people in the foreground and add something personal, to draw attention to the individuality and humanness of the guest who stays in this multi-storey hotel.

I am not sure where she came from, but without a doubt I knew clearly that the White Lady of the Brandberg wanted to make her appearance here. Like a ghost she wanted to travel the world and inspire the modern-time city dweller.

For those of you, who do not know her, let me introduce her to you. She is most widely known as a cave dweller, a rock-painting situated at the Brandberg in the Namib desert, Namibia. Her age is not known, but she is ancient, and probably has been drawn by the forefathers of the San people. She is striking, mostly for her different appearance in relation to the other drawings. She wears strange clothes, is elegant and looks powerful. She dominates the scene.

The White Lady in new surroundings...

The White Lady in new surroundings…

She is called the ‘White Lady’ because of her white garment. Some people claim she is not female but male, but it is difficult to know for sure. Some people also assume that she was a stranger to the land and that she was honoured like a goddess or queen. There is even talk about her not being from this world. It is said that her strange headdress and suit could resemble that of an astronaut, complete with helmet and all. And if I look at her, I can very well imagine that to be true. She is also holding a strange object in her hand, I always think that it is a wine glass, but who knows, maybe it is some gadget to control her spaceship?

She definitely is full of self-confidence. She is powerful; she even has her own bow and arrow, in a time when hunting used to be the men’s job. She is a traveller. A stranger who is welcomed and honoured… She is African – at least that is where she was last seen. She is proud, elegant, and beautiful and knows where she is going. And she enjoys life… if it is indeed a wine glass in her hand. 😉

So she, or her ghost, wanted to come to Frankfurt and inspire people here too.

Inspire us to honour the female role in the world more.

To put humanity back in the forefront.

To remind us to honour and welcome strangers in our society, especially when they possibly have fled from war-torn countries.

To remind women of their strengths and the important role we need to play in this world.

To remind us of old traditions, rituals and art which honoured our spirits and the connection to nature.

The White Lady in Frankfurt (or the AFTER picture)

The White Lady in Frankfurt (or the AFTER picture) – Acrylic on found printed canvas.

She did not come alone. She brought three female friends with her. Friendship is important and together we are more powerful and have much more fun.

More white ladies...

More white ladies…

I hope you, and the guests who will stay in this room, enjoy their presence and the fact that you/they are viewing a very unique, personalized artwork.

The room and unique, personalized art work.

The room and unique, personalized art work.

Many people have asked me how come I have all the right materials on hand to do such things. Well, I am an artist by profession, so I usually travel with some basic art making tools. I cannot plan in advance, since I usually do not know what kind of artwork I will find in the hotel, but part of my creativity is to make a plan and use what is available. Also, usually I do not have much time, so I have to work spontaneously and use what I have. I do get creative. Once I was faced with an artwork behind glass and none of my pens were permanent or working on glass and I only brought watercolours, so I had to borrow a scissor from the hotel staff and used their in-house magazine for images, begged for some double-sided tape from the people laying out the red carpet in the hall and created a collage on top of the glass. Have a look at that here.

If you want to see other similar projects, just click HERE.

Feeling the Drought in Me

'I am Desert' by Imke Rust

‘I am Desert I’ by Imke Rust (Photography, Digital print on Alu-Dibond)

There is a blurring, hot tension in the air. Even though I am not there, I am so familiar with this situation that my body physically reacts to it every time I think about it or remember the many years of experiencing this same intense and ominous collective fear of an upcoming drought.

I feel how this fear increases with every day in which the sun burns from the bluest skies with no cloud in sight. I feel the heat and the dust and the lack.

The lack of everything…

lack of aliveness and lack of hope.

I can taste the dryness.

But mostly I feel the silent terror and doom hanging in the air like an invisible monster.

I have experienced the impact of a serious drought. And I have experienced the fear oozing out of every wretched discussion, which repeatedly circled around the drought and the rain like a starving dog tied to a tree sniffing some fresh meat in the distance.

The elderly compared and remembered the many droughts they have experienced and seemed to revel in reciting their horrors. The younger, who could not rely on memories that much, were more likely to speculate according to the weather forecasts, the dreaded El-Niño phenomena or any other scientific statistics or findings. I remember these discussions as mostly negative, fearful and resigned, sometimes angry and usually interrupted only with long heavy pauses, knowing glances and deep sighs. For one or other reason, everybody seemed to know that we would be doomed with another great drought, as if by stating the worst that can happen, we are bracing ourselves for it. The few hopeful voices in between quickly got lost or talked into submission.

This fear and the helplessness have crept into my bones. As a child I listened to all these discussions in the hope that somewhere some one would have a solution or know for sure what is going to happen. Will it rain?

Hoping to find somebody who could say: it is going to be okay, even if it doesn’t. Even as a child I knew, that no matter what people said, the rains are not always forthcoming, that is just part of living in a desert country. So I hoped to find some way of creating hope and faith that the natural order of things are okay…

The older I became, the more resigned I became. I had accumulated more experience with dry years, with droughts and the impact it had on our life.

Yes, I fear the droughts. Deeply. But I came to fear one thing even more: the continuous doom saying and negative speculating that happens throughout the year, but increasingly in the rainy-season, when this seems to be the only topic on everybody’s minds. And the feeling of helplessness.

Sure, when the rains come and when they are good, we all are grateful for a moment, only to easily and quickly forget our moaning and return to life as we know and want it.

When the rains do not come, or let us wait too long, we are spiralling down into an ever darker abyss of fear, lack and death. I came to think of this as natural, but when I became more aware of physically experiencing the discomfort of cringing cells in my body whenever I think about this, I started to question what is happening. Even more so, when I realised that even far away from home, in Germany, I am not immune to this.

What is natural is that we are living in a very dry country – in Namibia, named after one of the oldest deserts, with unpredictable and variable rainfall. What (according to me) is not natural is how we deal with it.

I understand the fear, because I feel it too. But I refuse to believe that this deep fear and immense sense of being helpless at the hands of the weather is necessary, natural or useful. I also feel that the relentless doom-mongering and negativity is the worst way of expressing this fear or avoiding the situation.

This constant distress is killing our souls and we have let the drought creep into our hearts and veins.

I started thinking about the ancient San people in Namibia and then also about so many different ancient cultures, maybe the most well-known being the American Indians. All people throughout history were exposed to the unpredictability of the weather and to extreme conditions, droughts, floods, raging storms and endless freezing winters. Maybe it is idealistic of me to assume that the people long ago had a better relationship to the woes of the climate and nature, but from the stories that we have from that time, I am sure they knew something, which we have lost.

I guess the core difference is that they lived with deep respect and reverence towards nature and understood the importance of a healthy give-and-take relationship with everything around them. They understood themselves as a small part or children of this much larger Mother Earth.

We on the other hand have come to view ourselves as masters of the earth. We believe it is our birth-right to exploit any natural resources, to take without giving and separate and put us above the rest of nature.

We have made man the centre of the universe and profit our highest and only purpose.

Every time a drought looms, we are uncomfortably reminded, that we are not the masters of this universe. Our presumed intelligence, scientific and technological advancements and our arrogance all are futile, when the environment stops supporting us. When earth stops to produce new resources. When earth dries up and shrivels under our endless and greedy exploitation.

We are at the mercy of a benevolent environment and we are part of everything that happens. The old people understood that, we don’t.

With every drought we get angrier and more fearful. People like farmers who live closer to nature feel it first and the most intense, while others can ignore it for longer, as they have already distanced themselves so much from nature. Their money can still buy food, when the animals and plants on the farm already starve, but eventually their money also will have nothing left to buy.

What if we all would be willing and open to rethink the possibility living more in tune with nature again? Before nature forces us to. What if we would stop investing our energy in complaining and doomsaying and instead find better ways of prepare and deal with reality?

'I am desert II' by Imke Rust

‘I am desert’ by Imke Rust
Photography, Digital print on Alu-Dibond

I refuse to believe that we are separate or above nature. And I refuse to believe that we are powerless. Not only should we honour and respect mother earth, but we should accept the responsibility that comes with it. If we understand that we are but a small part of the whole, yet we are an important and powerful part.

If we would see us as the hand of a person, we would understand that the hand is subjected to what the body does, but at the same time, it also has an important purpose and function. It is powerful in its own right, but not of its own. It needs the body. And the body needs the hand. The hand cannot complain that it is starving, if it refuses to act in its power and pick the fruit and bring it to the mouth.

My research and exploration into old rainmaking traditions have shown me, that we have the answers and the power of our destiny within us. Yes, there are forces larger than us, but we are part of those, and thus we also can have an impact.

Rainmaking has become synonymous to me with actively co-creating our reality, to become conscious of our part in this grand oneness and act accordingly.

We can choose how we want to act out this role. We might not be able to change Namibia into a rainforest, but we can learn to accept that we are living in an arid country, we can take responsibility for living within the means of what is available and the courage to act as blessings to our surroundings.

We can honour and respect what we have, and express our joy and gratitude in a thousand ways.

We can use our power to change our ways and find ways to better serve our earth-body.

Yes, I believe we can make rain and we should!

Is it easy? No, but it is definitely more constructive and fun, than being prophets of misfortune and disaster and clinging to our fears.

Do you fear being at the receiving end of the weather and climate around you? In what ways do you deal with that fear? And what is your solution? Do you save water? Have you ever performed a raindance? Or have you consciously prayed for rain? I would love to hear your thoughts and ideas!

If you want to read more about my thoughts and actions on rainmaking, please click HERE to see a list of all blog posts on this subject.

( I started writing this as a short introduction to one of my rainmaking experiments which I wanted to share with you, but then it turned out to be a loooooong introduction and I decided to rather let you digest this first, and share the experiment with you in the next post.)

Exhibiting in Swakopmund

Two of my paintings will be on show in Swakopmund at the Fine Art Gallery from the 14th of February till the 14th of March 2015, along with works by other well-known Namibian artists, such as Barbara Böhlke, Nicky Marais, Barbara Pirron,Gerdis Stadtherr und Chris Snyman.

The exhibition, entitled ‘Body & Soul’ will be opened on Saturday 14th of February between 10:00 – 12:30.

I would like to invite all my Namibian friends and fans to come and see the exhibition during this time. This is one of the rare opportunities to view and to purchase my art in Namibia.

Here is a photo of me with one of my paintings which will be on show. This is the first public appearance of this shy lady. Don’t miss it!

Me, shortly after completion of the painting: Title: Pink Girl Medium: Acrylic on board,  Size: 120 x 85cm Block framed

Title of the artwork: Pink Girl, Medium: Acrylic on board, Size: 120 x 85cm, Block framed

Fine Art Gallery

34 Sam Nujoma Ave, Swakopmund   (Email: info@art-in-namibia.com)

Opening times:

Tuesday – Friday:  10.00 – 12.00 and 16.00 – 18.00

Saturday – Sunday: 10.00 – 12.30 or by appointment

Gallery Press Release:

Valentine´s Day at Fine Art Gallery

Fine Art Gallery wants to celebrate this year´s Valentine with a special theme exhibition “ Body & Soul “ and invites all art lovers for to a champagne launch on 14th February between 10:00 – 12:30.

Many well-known and established Namibian artists have followed the call of the gallery and show their definition on the subject. “Body & Soul” shows body part naked, body language details but also the soul of an individual, his dreams, moods, fears and hopes. Among the works on display are works by Barbara Böhlke, Nicky Marais, Barbara Pirron, Imke Rust, Gerdis Stadtherr and Chris Snyman. Some new talented artists of the “New Signatures “ group are also exhibiting their works.

A versatile exhibition full of desire, sensuality and passion, in short, an explosion of expressive colours and images in oil, acrylic, mixed media and simple, touching sketches. The exhibition will be on show until 14th March 2015 in the gallery.

The drawing in favour of the Desert Lion Fund will also take place at the champagne launch.