Tag Archives: art

Starting of by Looking Back

All the best wishes to my blog followers for the New Year! Thank you for your support in the past and I am looking forward to sharing my art and thoughts with you again in 2013.

Happy New Year Namib © Imke Rust

Happy New Year Namib © Imke Rust

Wow, 2012 has been a busy and exciting year! My latest solo-exhibition has just ended and I had such a great response to it, that I am deeply grateful and humbled. Thank you all who came, commented, sent good wishes or supported me in any other way. I am busy getting ready for another fabulous new year and preparing to soon update my webpage with new pictures and information on the past exhibition and other news. Till then, I leave you with a brief review of my most viewed blogs of the last year.

I love feedback and was excited to get some nice statistics about my webpage and blog from WordPress (where my page is hosted), and would like to share some of the highlights with you:

My webpage received about 8700 views in the past year. Visitors came from 99 countries!
Most visitors came from Namibia. Germany & The United States were not far behind.

You might want to re-read my three top blogs from the past year – the ones which have received the most views are:

 

Cat & thorn circle

Cat and thorn circle

1. Tokoloshe Trap (or How to Catch Creatures of the Night) This blog tells you more about the origins of one of the works (Tokoloshe Trap) on my latest exhibition “…and I sensed an infinite scream passing through the Namib”.

 

 

 

 

Clay Foot front view (IRust)

Clay Sculpture by Imke Rust (c) front view

2. The shoes you wear… and how they are connected to my art  This one is a fun post about a very old work of mine, but seems if you put the word ‘shoes’ in the header, you might get more hits… (This blog got 184 views in 2012)

 

 

 

 

 

Tate Kuru, a Tree and a Road

Tate Kuru, a Tree and a Road

3. Tate Kuru, a tree and a road – a story of courage and doing the right thing This post is an inspirational post and explains a bit of my thinking and background to the art project I worked on for most of the year which resulted in my solo exhibition “…and I sensed an infinite scream passing through the Namib” which was shown in December 2012  in Swakopmund to great acclaim.

 

 

 

I would love to hear which was your personal favourite blog post, story or artwork of mine of the past year? And is there anything that you really would love to read or see more about this year?  Please let me know!

Save the date!

Poster

You are invited!

“…and I sensed an infinite scream passing through the Namib”

An environmental art exhibition by Imke Rust

From the 9th till the 29th of December Imke Rust will show her latest body of work in Swakopmund. The exhibition addresses the current debates concerning the plans for increased mining and industrial activities in the coastal area. Through her diverse artworks she invites the viewer to engage in and consider the complexities of the controversial issues. The artist will be present at the opening.

Opening: 9th of December at 17h00

Venue: The Last Resort Well/ness Centre, Libertina Amathila Str. 5, Swakopmund.

Duration of exhibition: 10th – 29th of December 2012

Opening Times: 14h00 – 18h00, Mondays till Saturdays

Works sold in aid of the SPCA and Cat Protection Society

Two of my older works about the human-canine relationship as a metaphor for power relations on a personal, social and political level, have been sold as part of an auction to raise money for the local SPCA and Cat Protection Society.

I am excited to be able to help in a small way and support the great work these organizations are doing. And we are working on another idea of selling some more of my works depicting dogs and cats via Facebook. So soon you could hopefully become the owner of one of my works and at the same time doing something good for all the homeless pets out in Windhoek. I will keep you posted.
Till then you can see the two works which were sold already:

My Best Friend ©Imke Rust

My Best Friend ©Imke Rust
Digital Print on Paper, A2, Edition of 5

 

Lonely Dog in Blue ©Imke Rust

Lonely Dog in Blue ©Imke Rust
Acrylic and digital print on paper
60x60cm
2002

 

Wishing you and your best friend a happy day!

 

 

 

A rare chance to view my older works in Windhoek

IRust_UNAM exhibition invite

 

If you are in Windhoek and would like to see some of my artworks (older ones – but some I am sure you have not seen yet) try to make a turn at the University of Namibia Campus – Visual Arts Department, where a selection is currently on view!

It is not an official exhibition, so there has not been a special opening function etc. but was meant to introduce the UNAM students to my work. Fortunately the exhibition is open during normal university hours for the public, too.

Should you be interested in buying any of the works, please contact me, so that I can give you the prices and details. (Not all works are for sale, but most of them).

I hope you enjoy seeing this exciting mix of my older work!

Venue: UNAM Visual Arts Department
Dates: 3 September to 12 October 2012
Opening Times: 8h30 – 16h30
Monday to Friday

Curled-up Woman

IRust_Curled Up Woman

Curled Up Woman (Ink on paper, A2) (c) Imke Rust

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Today I am sharing a new drawing of mine with you. I am busy with writing of applications and organizing to have an exhibition at the end of the year in Namibia, so I do not have time to write a long blog. Hope you enjoy the picture instead 🙂

Can art do more?

Imke Rust Saltcircles

Photographing the first day’s work of the ‘Saltcircles’ during a misty sunset. (photograph by Steffen Holzkamp)

Art can be thought-provoking, inspiring and make the world more beautiful. But can it do more?

Part of my being is that I question everything. I love understanding the relations between things, the ‘why?’ of everything. I also love to find alternative solutions to problems or do things other people think cannot be done.

Often I ask myself, why am I doing art? What ‘real’ purpose does it serve? And can it do more than just look pretty, be a clever idea or make people think? Somehow all these things have not yet completely satisfied me. Yes, they all have merit and even a purely decorative painting has its purpose, but I believe there is more to life and more to art.

This has led my search, amongst others, to old, shamanic traditions. Somewhere during my art history studies I came across a reference to Ethiopian healing scrolls. If a person was sick, the priest would make scrolls according to specific rules (for instance the scroll needed to be as long as the person’s height, if I remember correctly), on which they painted symbols and wrote prayers. These scrolls were then taken home by the sick person and were viewed every day till the illness was cured. Interesting – art made to heal somebody?

Again and again I stumbled onto references where art is used for protection, fertility, health, initiation or to manifest a desired state. I became more aware that in olden days the shamans and priests made use of what we today call art (dance, painting, sculpture, music, etc.) to do their work of healing, blessing and manifesting. Since I read about the healing scrolls, I have been looking at the link between art and spiritual and mythical traditions and beliefs more closely. I do believe that under certain circumstances, art has more power and effect than what we normally imagine, and so I decided to try and be much more conscious about what kind of art I am making and why and how…

Working in the Moon valley, Namib Desert

Working in the Moon Valley, Namib Desert (Photograph by Steffen Holzkamp)

Be the change that you want to see in the world

In 2007 I made my first conscious work into this direction. I developed a personal Yin & Yang symbol to harmonize and balance the male and female energies in my life (Click here if you are curious). In 2010, I hoped for rain and made a work entitled ‘Rainmaker’ (read more about it here) – this was the start of becoming more interested in working directly in nature. Towards the end of last year the general concern about the environmental threats posed to the Namib desert by increased mining and industrial activities and proposed plans for off-shore mining of phosphate on the Namibian coast, started growing. Having grown up in Swakopmund and still considering it one of my homes, I, too, am concerned and decided to find ways in which I can do my part “to make the world a better place” and protecting the environment.

I realized that protesting or being against what I consider to be a threat is not the way to change things – or at least not my way. Instead I looked at ways of putting energy into the reality I would like to experience: a balanced, healthy and protected environment, in which all beings co-exist in a harmonious way, without destroying each other. This is based on the spiritual idea of ‘what you sow is what you reap’.

Planting black 'roses' in the Namib Desert

Planting black ‘roses’ in the Namib Desert (Photograph by Steffen Holzkamp)

The works had to fulfill at least one of two different purposes:

  1. to protect, bless and heal the land
  2. to make the threats visible and conscious, because if you have looked into the eyes of the danger, you understand it better and loose the fear and can act from a stronger base.

Loosely based on different aspects of old shamanic and spiritual traditions from all over the world, I tried to find my own formal approach, use of form, symbols, rituals and materials according to my intentions to produce my art or healing works.

Click here to be taken to see a small selection of the resulting artworks and brief descriptions.

Relationships, Art & Healing

Relationships

As long as I can remember I have been intrigued by the underlying patterns and relationships between people, things and events.

Waffen kaufen wir in den USA © IRust

Waffen kaufen wir in den USA © IRust (Tippex on magazine page) (Translation of the title: We buy our weapons in the USA)

I have always been trying to get a better understanding of what life is all about, as the normal explanations, which our society has to offer, seldom seem convincing or desirable to me. Since childhood I have been convinced that there must be better ways for us to do things (all kinds of things). Surely there must be a better life out there for all of us?

If something does not feel right and makes me really happy, I just do not want to accept that this is how it is supposed to be, just because people say so. I do not care if their arguments are based on religion, social rules, scientific research or other dogmas. I have been called stubborn and insubordinate, but at least nobody can accuse me of being a sheep, and it felt good to go ahead and do something which I was told I could not do or find my own better or more efficient way to do things.

I believe that there is more to life and living than what we commonly accept to be true. The world is not flat, no matter how many scientists have said it is. It is not OK to kill somebody, no matter how many religions supposedly tell us that we have to fight wars in the name of some god. It is not acceptable to place the profits of a few over the health and well-being of a whole community. I refuse to accept that millions of people live in great poverty and hunger.

Art

I guess that is why I have become an artist. Artist in the widest possible sense of our understanding of art.

Art as a creative tool – creating a new or better reality. A tool that can access the world of the soul. A tool that is rooted in imagination and vision. A tool that is based on colours, forms and materials just as much as it is on ideas, hope and dreams.
Art, which shows us something, which we have not seen before.
Art that opens us up to possibilities and new thoughts.
Art, which reminds us of who we are.

Preperation sketch for a painting

Preparation sketch for a painting

Healing

And I guess, that is the reason that I am interested in alternative healing and living methods. Once again, I talk of healing in a much wider sense, in the sense of wholeness. This wholeness is not limited to being whole (or healthy) in our physical body, but also in our spirits, our ways, our actions, basically in our whole being. Being whole also means to be part of the whole – of everything there is. Understanding that we are connected to every other being on this planet, including ‘things’ we do not consider to be alive, like water, soil, rocks or energies.

The bottom line…

Unfortunately, I do not know the answers or have a no-fail solution, or am able to live my life in the perfect harmony which I wish for, but what I can say, is that I will continue to ask the questions and keep on searching and keep on using my art as a vehicle to express my questions and thoughts, explore the possibilities and try to find a better way.

I have shared these thoughts with you, as I believe that they are fundamental for understanding my approach to my art and my life. I think it might be a good introduction to the next few articles, which I will be posting about my current work. And another selfish reason I do this for:  sometimes it is good for me to take stock and get back to the basics, in times when I am facing obstacles and frustrations and need to remind myself why I am doing what I am doing, so that I find the courage to continue and do not give up.

The exhibition is officially declared open…

The opening of my solo exhibition “Goldgräberstimmung” (Goldrush Mood) on Saturday has drawn people from all over Berlin to Rigaer Street 62 in Friedrichshain, Berlin – some even came all the way from Bremen and Leipzig. There were enough art-loving people and special friends to fill and keep the small space continuously bubbling for more than three hours.

What would art be, if nobody sees or experiences it?

So thank you to everybody who made the time and effort to be there and share the fruits of my work, thoughts and passion with me. For those who could not attend the opening, you still have a chance to see the works throughout the next four weeks (please see my previous blog-post for more details on the gallery’s opening times etc.)

Another big Thank You goes to Jens Garling who opened the exhibition for me, with a lively and wonderful speech, to the Neumann Galerie for hosting the exhibition and to Steffen Holzkamp for all the support before and during the opening.

I would love to post pictures of the artworks on my blog, but am not sure if it will spoil the interest for the people who would like to see the artworks in real? Please let me know what is your opinion: to show or not to show?

Till I have come to a decision, here are a few pictures of the opening:

With Jens Garling and Ms Gisela Neumann

Opening speech by Jens Garling (with Ms Gisela Neumann)

Interested guests viewing the video

Interested guests viewing the video

Goldgraeberstimmung Ausstellung

Goldgraeberstimmung Ausstellung

 

 

 

Goldgräberstimmung (Gold-rush Mood) Upcoming Exhibition

Whoohoo – It’s exhibition time… please save the date! Book a ticket and come to Berlin!

My next solo exhibition “Goldgräberstimmung” will be on show in Germany’s capital, Berlin, on Saturday, the 16th of June (17h30) at the Grafik Studio Galerie Neumann. Jens Garling will give a brief introduction to the works.

On show will be a small selection of land art works and public art actions (in form of photographic and video documentation) which I have created in April12 in the Namib Desert and some mixed media works.

Goldgräberstimmung/Gold-rush Mood by Imke Rust

Goldgräberstimmung/Gold-rush Mood – an exhibition by Imke Rust

About the works: “Imke Rust uses her art to draw attention to the human exploitation and destruction of the Namib desert. The works are loosely based on ancient shamanic traditions and symbols, while the artist worked in and with nature, in order to establish a more direct connection between humans, nature, art and the spiritual world. The Namibian-German artist will show video, photography and mixed media works.”

The exhibition can be viewed until the 16th of July.

Opening times of the gallery:
Mon – Tues: 10h00 – 17h00, Wed: 9h00 – 14h00,
Thur 12h00 – 18h00 and Fri 9h00 – 13h00
If you would like to view the exhibition after hours or on weekends you can make an appointment with me via email:  imkerust(at)iway.na

Please feel free to invite your friends along and also to purchase some of my works.

I hope to see you there!

Artworks shown on the invitation:

SubRosa (Under the Rose)
Temporary installation in the Namib Desert Dune belt south of Swakopmund.
22° 43’ 01” S – 14° 33’ 47” E
Original dimensions: 90 x 270 x270cm
99 roses made of black rubbish bags, barbed wire, wire
April 2012 ©Imke Rust

and

Toxic Rocks
Temporary installation at the “Black Rocks” close to Wlotzkasbaken, Namib Desert.
22° 25’ 55” S – 14° 27’ 42” E
Approximate original dimensions: 200 x 2500 x 2000 cm
Rocks wrapped in neo colored tulle
April 2012 ©Imke Rust

If you like my art, please  join my Facebook Artist Page .

Berlin Biennale – and what I assumed was art

Sometimes real life is more fascinating than art…

I have been visiting two of the five Berlin Biennale 2012 venues so far (and hope to see the rest in the next few days). From what I read about it, it sounded interesting with a big hype around its political agenda etc. . Honestly, I do hope the rest of the show is more exiting than what I have seen up to now (please note, that is just my very personal impression, based on my likes and preferences).

When searching for the Biennale display in the Akademie der Künste we got a bit lost and ended up on the wrong level. Not realising this, I got really excited when I peeked around one corner and saw, what I thought was the most brilliant political statement art installation at the Biennale so far:

Sleeping MP © Imke Rust

Sleeping MP © Imke Rust (Berlin Biennale 2012 / Akademie der Künste)

When I walked closer to get a full view, I realized that it was NOT an art installation, but a very tired Military Police guy… and his artful statement made the visit worth our while.