Tag Archives: SubRosa

Interview on the German radio

Do you understand German and would like to listen to an interview about my latest art exhibition?
Then I invite you to please tune in to the NBC German Radio Station on Sunday, 13 January 13 at 18h00 (Namibian time).For those of you who are not living in Namibia, you can listen to the interview on NBC’s livestream via the internet @ http://96.31.83.87:8110/ . If you have missed that one or cannot make it, don’t worry, there will be a re-broadcast on THURSDAY at 22h00 (17 January).

The program’s name is Kaleidoskop and it will feature a 30min interview with me, hosted by Annemarie Brell. The interview will give you an insight into my views on environmental art, we are talking about my works that have been exhibited recently in Swakopmund at my solo exhibition “…and I sensed an infinite scream passing through the Namib” and I share information how the works originated and what my intentions are.

Many people have commented that they have really enjoyed my earlier brief interview done in the beginning of December, just after the opening of the exhibition, so I hope this will be equally interesting. 🙂

You can find more information on the radio station’s Facebook page: https://www.facebook.com/germanradio

Me busy installing the 99 black roses (made out of barbed wire and rubbish bags) in the Namib desert for a temporary site-specific installation.

Me busy installing the 99 black roses (made out of barbed wire and rubbish bags) in the Namib desert for a temporary site-specific installation.

An Infinite Scream – Press-Release

 

SubRosa
Temporary site-specific art installation by Imke Rust

 

What do you do, when an arts association cancels your exhibition because they find it too political? And when a cultural centre asks you to change your exhibition proposal to hide the true message so that it might stand a chance of being shown?  You make sure it gets shown anyway, in an unbiased space.

And so Imke Rust’s latest solo exhibition, entitled ‘… and I sensed an infinite scream passing through the Namib’  will open at “The Last Resort Wellness Centre” in Libertina Amathila Ave 5, Swakopmund (opposite of Hotel Pension A la Mer) on the 9th of December at 17h00. It can be viewed thereafter till the 29th of December, between 14h00 and 18h00, Mondays till Saturdays.

In this environmental art exhibition Imke Rust, who grew up in Swakopmund and is still closely connected to it, addresses the current debates and happenings concerning the plans for increased mining and industrial activities in the coastal area. In her work she uses a variety of media and approaches to highlight the concerns of the general public and to search for alternative solutions in the environmental conflict. While she is painting a gloomy picture of possible disastrous long-term effects of the current developments, she also reminds people of their responsibility to look after their land and that they have the power to make changes towards a better future.

Once more, Imke Rust has produced a powerful body of work, exploring and openly questioning social and political controversial issues. Central to the exhibition are temporary land art works that the artist has installed in the Namib Desert.  At the exhibition these installations and interventions will be presented through photographic and video documentation. She evocatively combines natural and man-made materials such as thorns, salt, dung, rubbish bags, barbed wire and videos in her captivating artworks.  She even got complete strangers involved in a documented art action for the environment on the jetty.

The artist neither preaches nor dictates what the viewer’s stance should be. Instead the exhibition draws you in and compels you to engage and consider the complexities of the debate. It is an empowering experience and should definitely not be missed. 

A small part of the exhibition has already been shown in Berlin earlier this year, where it was received with great interest. Intriguingly the Swakopmund Arts Association has cancelled Rust’s booking of the Woermann Gallery on the premises that the “impertinent and unscientific public debate against the economically important uranium mining industry […] is politically charged“. 

For more information please contact me via this blog and webpage or find my artist page on Facebook (and like it, if you are also on Facebook 🙂 ) or go directly to the Event’s page, also on Facebook.

Looking forward to seeing many of you at the opening or afterwards!

The Last Resort Well/ness Centre – Swakopmund
Libertina Amathila Ave 5

Can art do more?

Imke Rust Saltcircles

Photographing the first day’s work of the ‘Saltcircles’ during a misty sunset. (photograph by Steffen Holzkamp)

Art can be thought-provoking, inspiring and make the world more beautiful. But can it do more?

Part of my being is that I question everything. I love understanding the relations between things, the ‘why?’ of everything. I also love to find alternative solutions to problems or do things other people think cannot be done.

Often I ask myself, why am I doing art? What ‘real’ purpose does it serve? And can it do more than just look pretty, be a clever idea or make people think? Somehow all these things have not yet completely satisfied me. Yes, they all have merit and even a purely decorative painting has its purpose, but I believe there is more to life and more to art.

This has led my search, amongst others, to old, shamanic traditions. Somewhere during my art history studies I came across a reference to Ethiopian healing scrolls. If a person was sick, the priest would make scrolls according to specific rules (for instance the scroll needed to be as long as the person’s height, if I remember correctly), on which they painted symbols and wrote prayers. These scrolls were then taken home by the sick person and were viewed every day till the illness was cured. Interesting – art made to heal somebody?

Again and again I stumbled onto references where art is used for protection, fertility, health, initiation or to manifest a desired state. I became more aware that in olden days the shamans and priests made use of what we today call art (dance, painting, sculpture, music, etc.) to do their work of healing, blessing and manifesting. Since I read about the healing scrolls, I have been looking at the link between art and spiritual and mythical traditions and beliefs more closely. I do believe that under certain circumstances, art has more power and effect than what we normally imagine, and so I decided to try and be much more conscious about what kind of art I am making and why and how…

Working in the Moon valley, Namib Desert

Working in the Moon Valley, Namib Desert (Photograph by Steffen Holzkamp)

Be the change that you want to see in the world

In 2007 I made my first conscious work into this direction. I developed a personal Yin & Yang symbol to harmonize and balance the male and female energies in my life (Click here if you are curious). In 2010, I hoped for rain and made a work entitled ‘Rainmaker’ (read more about it here) – this was the start of becoming more interested in working directly in nature. Towards the end of last year the general concern about the environmental threats posed to the Namib desert by increased mining and industrial activities and proposed plans for off-shore mining of phosphate on the Namibian coast, started growing. Having grown up in Swakopmund and still considering it one of my homes, I, too, am concerned and decided to find ways in which I can do my part “to make the world a better place” and protecting the environment.

I realized that protesting or being against what I consider to be a threat is not the way to change things – or at least not my way. Instead I looked at ways of putting energy into the reality I would like to experience: a balanced, healthy and protected environment, in which all beings co-exist in a harmonious way, without destroying each other. This is based on the spiritual idea of ‘what you sow is what you reap’.

Planting black 'roses' in the Namib Desert

Planting black ‘roses’ in the Namib Desert (Photograph by Steffen Holzkamp)

The works had to fulfill at least one of two different purposes:

  1. to protect, bless and heal the land
  2. to make the threats visible and conscious, because if you have looked into the eyes of the danger, you understand it better and loose the fear and can act from a stronger base.

Loosely based on different aspects of old shamanic and spiritual traditions from all over the world, I tried to find my own formal approach, use of form, symbols, rituals and materials according to my intentions to produce my art or healing works.

Click here to be taken to see a small selection of the resulting artworks and brief descriptions.

I appeared back to back with Madonna in Berlin

Yes, it is true. This weekend I appeared back to back with Madonna right here in Berlin. You are right, my musical talent sucks, but my art is getting more and more famous.

Ok, I did not appear on stage, but while the superstar Madonna got the front page of the cultural supplement of the German magazine “Der Tagesspiegel” this past weekend, my artwork appeared on the very next page – basically back to back.

I have to admit that I am not a fan of her music, but I do really admire how she has made it from a small unknown girl to become one of the most famous female musicians in the world, with pure guts, hard work and determination.

And I am just overly excited that I, a ‘small Namibian girl’, am having a solo exhibition in Berlin and getting a prominent mention in a leading newspaper… I hope that this is another small big step towards making my mark in Germany and get some more recognition (and sales) for my art. It would be wonderful if my artwork caught the eyes and attention of a small percentage of their 350 000 readers.

The more attention my art gets the more attention the subject and cause behind the exhibition will get:  Raising the consciousness about our Namibian environment, especially the coastal area and Namib desert and the possible threats from the mining and other industries and pollution.

Here is a cut-out from the newspaper:

Tagesspiegel 30 June 2012

Tagesspiegel 30 June 2012 Cultural pages with a picture of my work SubRosa.

The caption says:

Black barbed wire roses in the Namib. Today the exploitation  looks differently than in the times of the German colonial power. The landscapes of Namibia are threatened by the mining of natural resources and pollution. The artist Imke Rust lives in Windhoek and Berlin. She protests with her ‘land art’ – here the installation “SubRosa” – against the destruction of the nature. “Goldgräberstimmung”: Photos and videos by Imke Rust can be viewed up to the 16th of July in the Berlin Grafik Studio Galerie Neumann (Rigaer Str 62). “

If you are interested, you can read the online version of the “Tagesspiegel” here.

Info about the work:

SubRosa (Under the Rose) by Imke Rust

 Temporary installation in the Namib Desert Dune belt south of Swakopmund.
22° 43’ 01” S – 14° 33’ 47” E
Original dimensions: 90 x 270 x270cm
99 roses made of black rubbish bags, barbed wire, wire
April 2012

Goldgräberstimmung (Gold-rush Mood) Upcoming Exhibition

Whoohoo – It’s exhibition time… please save the date! Book a ticket and come to Berlin!

My next solo exhibition “Goldgräberstimmung” will be on show in Germany’s capital, Berlin, on Saturday, the 16th of June (17h30) at the Grafik Studio Galerie Neumann. Jens Garling will give a brief introduction to the works.

On show will be a small selection of land art works and public art actions (in form of photographic and video documentation) which I have created in April12 in the Namib Desert and some mixed media works.

Goldgräberstimmung/Gold-rush Mood by Imke Rust

Goldgräberstimmung/Gold-rush Mood – an exhibition by Imke Rust

About the works: “Imke Rust uses her art to draw attention to the human exploitation and destruction of the Namib desert. The works are loosely based on ancient shamanic traditions and symbols, while the artist worked in and with nature, in order to establish a more direct connection between humans, nature, art and the spiritual world. The Namibian-German artist will show video, photography and mixed media works.”

The exhibition can be viewed until the 16th of July.

Opening times of the gallery:
Mon – Tues: 10h00 – 17h00, Wed: 9h00 – 14h00,
Thur 12h00 – 18h00 and Fri 9h00 – 13h00
If you would like to view the exhibition after hours or on weekends you can make an appointment with me via email:  imkerust(at)iway.na

Please feel free to invite your friends along and also to purchase some of my works.

I hope to see you there!

Artworks shown on the invitation:

SubRosa (Under the Rose)
Temporary installation in the Namib Desert Dune belt south of Swakopmund.
22° 43’ 01” S – 14° 33’ 47” E
Original dimensions: 90 x 270 x270cm
99 roses made of black rubbish bags, barbed wire, wire
April 2012 ©Imke Rust

and

Toxic Rocks
Temporary installation at the “Black Rocks” close to Wlotzkasbaken, Namib Desert.
22° 25’ 55” S – 14° 27’ 42” E
Approximate original dimensions: 200 x 2500 x 2000 cm
Rocks wrapped in neo colored tulle
April 2012 ©Imke Rust

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