Unseen Dialog

When earth is thinking... Photograph, tippex and scratchmarks, 15 x 10cm

When earth is thinking…
Photograph, tippex and scratch marks, 15 x 10cm

Recently I bought a beautiful book about the artist Ana Mendieta. Most people have never heard about her. And people who have heard about her, usually only know or have access to a small portion of her art.

“Ana Mendieta (November 18, 1948 – September 8, 1985) was a Cuban American performance artist, sculptor, painter and video artist who is best known for her “earth-body” art work. Originally born in Havana, Mendieta arrived in the United States as a refugee in 1961, shortly prior to the beginning of the Cuban Revolution.”

The book is entitled Unseen Mendieta and tries to give an insight into her creative output during her short live, which came to an abrupt end when she fell from her 34th floor apartment window after a row with her husband.

Several weeks after placing the order the book arrived by snail-mail in a blue postal bag. I was so excited!

Several weeks after placing the order the book arrived by snail-mail in a blue postal bag. I was so excited!

Although she produced many ground-breaking, interesting and amazing works, most of it had never been exhibited before her death and has left her family with the huge task of researching the work and try to decide what to make available to the public and in what form. A daunting task.

I am sharing this with you, as it made me think about my own work, and how many of my artworks or creative outpourings will probably never make it into a gallery or a publication. And I am not sure if anybody will care (or have the time and nerve) to comb through my computer and other documentation and artworks, and then decide which is worth to keep and to share. It is a task that even I would find too daunting.

I had to search through my old folders for some specific works which have been requested for a publication and realised that I have accumulated so much work, that I need to find a better system of storing and finding it again. If that is possible…

When airplanes leave secret signs in the sky...

When airplanes leave secret signs in the sky… (Photograph and scratched text, 10x15cm)

Fortunately today we have the internet and can share many works without ever officially exhibiting them. And people can see art they like, at their own convenience. No need to travel to visit a gallery to see an artist’s work from another continent. No need to stick to opening times of a gallery.

And today’s world also makes it possible to share the β€˜little works’. The ones which happen in between, which are fun, creative, curious, etc. but which do not amount to a serious body of work ready for a gallery show. When I searched for my other artworks, I stumbled across some of these, and thought: they put a smile on my face every time I see them.

They make me feel alive and creative, in a different way than the more formal artworks.

Small Accidents happen and turn into tiny, fun artworks. (home printed images with water spilled onto them by accident, deliberate felt pen markings added) about 5x5cm

Small Accidents happen and turn into tiny, fun artworks. (home printed images with water spilled onto them by accident, deliberate felt pen markings added) about 5x5cm

Small Accidents happen and turn into tiny, fun artworks. (home printed images with water spilled onto them after accidentially finding out what cool effect that has) about 5x7cm

Small Accidents happen and turn into tiny, fun artworks. (home printed images with water spilled onto them after accidentally finding out what cool effect that has) about 5x7cm

I decided to share some of them with you, so that they get noticed by a few people, if only for a few seconds, possibly maybe gifting you with a smile or a short moment of curiosity before they return to their secret and forgotten virtual life.

After all, I believe art is visual communication, so it needs an observer to make it complete. I hope you enjoy this chat and turn my monologue into a dialog, even if that just takes place in your head.

Say What? Secret dialog happening between the rider statue and a bird. (Photograph with scratched text) 10x15cm

Say What?
Secret dialog happening between the rider statue and a bird. (Photograph with scratched text) 10x15cm

...and another secret dialog possibly happening between the miltary men in Istanbul.

…and another secret dialog possibly happening between the military men in Istanbul.

An Artist’s Life

Many exciting new things are happening in my life and I did not have much time to write for my blog. Today I thought of sharing a few pictures from my life with you, to give you an impression of what has been happening. That is, the fun stuff, which happened between all the admin work that took up most of my time.

First, as it is becoming warmer, I decided to prepare one of the outside rooms as a temporary summer studio, so that I can paint again on bigger canvasses, be messy and not mind paint splatter on the floor and allow space for offering workshops.

Those who have followed me for a while, know that I moved to a small village close to the forest, with a garden and an outbuilding and garage, which we want to turn into a wonderful, light and spacious studio. Unfortunately we discovered that we first need to get a new roof, as the old one is leaking beyond repair. So it may take a while, for our/my dream to come true. But the temporary studio will work fine for the warmer months for a while.

I have also been lucky to have received a second-hand drawing cabinet and large drawing table as a gift, which I am so grateful for.

Studio pics:

(Click on the images to see them in full.)

Yes, there was also time for making art. And I have noticed something odd happening in my life, kind of like a deja vu, just different. Similar kind of circumstances, situations or images appearing two or three times in a short period, without any relations between them. Only that I see them connected because they are so similar and unique in a way. I am feeling, wow, I just saw the exact same situation in a different way yesterday. I guess this means something, just not sure what. Let me explain it with an example concerning my art.

Recently I saw an image on the Internet of an adult woman sitting on a small children’s rocking horse. I liked it for its weirdness, and saved it as inspiration to draw from later. During the open studio event, I met the wood-carving artist Bodo Henke. One of his small sculptures was really adorable, so I decided to buy it – a horse with a rider, who is much too large for the horse…

When I came home, I realised the similarity to the image I had found in the internet. So I decided to actually start drawing my version of the lady on her rocking-horse. To me my painting looked more like a horse on a carousel. I decided to add white stripes and turn the horse into a Zebra, to express my connection to Africa and it just looked more exciting.

Yesterday, at the harbour festival, I saw an exquisite, antique, mini carousel for children. To my amazement, the riding figures on it actually were Zebras!

(Click on the images to see them in full.)

 

In between admin and other work, I also really take great pleasure in experiencing the spring for the first time in our own garden. I love to watch all the sprouting and blooming, and revel in the shapes and colours. Here are some impressions:

(Click on the images to see them in full.)

 

With the spring weather and more sun, I have also felt much more like getting out and do things. We have been to visit several artists in the region during an open studio day, watched the aeroplanes land and take-off from the side of a highway during sun-downers (a Namibian habit of celebrating the sun going down with a drink and good company) and briefly visited the harbour festival in Oranienburg. Here are some pics:

I wish you an awesome, happy and creative week ahead!

PS. if you missed my previous post, please have a look for the exciting announcements of our up-coming film debut in Berlin.

 

 

Berlin Premiere of β€˜An Infinite Scream’

We are very excited to announce the Berlin Premiere of the German version of our

documentary film β€˜An Infinite Scream’ at the

BrotfabrikKino in Berlin

on Saturday, May 30th (2015)

We hope we can welcome many of you for the very first public screening and a discussion with Steffen Holzkamp (director and producer) and myself, the artist. This is an exciting and intimate look behind the scene of my art making, my intentions behind it and the challenges and opportunities of the art scene in Namibia.

Please feel free to share this event widely with your friends! Thank you.

EinladungEinBild

Β Β  Die Deutsch-Namibische Gesellschaft e. V. und der Glashaus e. V.

laden Sie herzlich ein zur

Berlin-Premiere des Dokumentarfilms AN INFINITE SCREAM (Deutsche Fassung)
Β 
am Samstag, dem 30. Mai 2015

Beginn: 18:00 Uhr
Ort: BrotfabrikKino, Caligariplatz 1, 13086 Berlin-Weißensee
(Tram M2, M13, 12; s. β€žServiceβ€œ unter http://www.brotfabrik-berlin.de)

Programm:

18:00 – 18:45 UhrΒ Β Β Β Β Β Β  β€œAn Infinite Scream”
18:45 – 19:00 UhrΒ Β Β Β Β Β Β  GesprΓ€ch mit dem Filmemacher Steffen Holzkamp und der KΓΌnstlerin Imke Rust
19:00 – 19:40 UhrΒ Β Β Β Β Β Β  weiteres Filmmaterial zum Thema

Synopsis:

In der prallen Wüstensonne über 1000 Weißdornen zu Kreisen legen? Schwarze Müllsackrosen in die Sanddünen pflanzen? Oder eine halbe Tonne Salz  zu einer begehbaren Skulptur formen?

Die Landart Installationen der Namibischen KΓΌnstlerin Imke Rust folgen einem immanenten Anliegen: Der Sorge ΓΌber den zunehmenden Uranabbau in Namibia und der Verschandelung der WΓΌste. Ihre Kunstwerke sorgen fΓΌr Aufmerksamkeit, verstehen sich aber auch als ein symbolischer Schutz fΓΌr das geschundene Land.

Kann Kunst etwas bewirken? Was kann ich tun? Mit diesen Fragen beschΓ€ftigt sich Imke Rust auf eindringliche Weise.

In 2012 in Namibia und Berlin gedreht, spiegelt der Film die Β teils meditative Stimmung der Entstehung von Rust’s Landart. Ruhige Einstellungen bei der Installation der β€žSalt Circlesβ€œ oder reportagige Handkamera bei der Videoperformance β€žThe Screamβ€œ auf der SeebrΓΌcke am Atlankik: Schnitt und Montage folgen dem Tempo der Kunst.

Die Absage der gebuchten Rust-Ausstellung seitens der Kunstvereinigung bringt dem Film eine dramaturgische Wendung und verlagert den Schwerpunkt hin zu einer gesellschaftlichen und medialen Kontroverse ΓΌber die β€žFreiheit der Kunstβ€œ in Namibia.

So organisiert sich die bekannte KΓΌnstlerin mit Hilfe durch ein Netzwerk von UnterstΓΌtzern ihre Ausstellung einfach selbst.

Starke Bilder an atemberaubenden Orten, sowie Illustrationen und Musik verdichten den Film zu einem eindrucksvollen Statement fΓΌr Courage und Eigeninitiative im eher konservativen Namibia.

Die Filmarbeit in Namibia wurde teilweise vom National Arts Council of Namibia unterstΓΌtzt.

Trailer und weitere Informationen zum Film: https://aninfinitescream.wordpress.com
Β 

Das Kino hat 60 PlΓ€tze.

Vorverkauf oder Reservierung ΓΌber Tel.: 030/471 40 41 oder per E-Mail: karten@brotfabrik-berlin.de werden empfohlen.

Der Eintritt betrÀgt 7,50 Euro (normal) und 6 Euro (ermÀßigt).

Etwaige Fragen richten Sie bitte an: imkerust(a)iway.na

 
logo_brotfabrikNEU

Logo DNG (neu)

Kreativ im GrΓΌnen – Land Art Workshop

(Apologies to all my English-only readers. I am offering a land art workshop in Germany and so this post is in German. If you have any questions regarding this workshop, please use the comments option below and I will gladly answer you in English.)

webLAndArtWorkshop_ImkeRustPoster

Sehnen sie sich auch nach neuem Ausdruck, Natur und kreativem Schaffen?

Der FrΓΌhling ist die perfekte Zeit auch unsere Seele aufblΓΌhen zu lassen und neue Impulse in unser Leben zu bringen.

Lust auf etwas Neues und eine Auszeit vom Alltag? Dann lade ich sie herzlich ein, gemeinsam mit mir ihre KreativitΓ€t und die Natur neu zu entdecken.

Sie brauchen keine Vorkenntnisse, nur Offenheit, Freude an der Natur und Lust sich auszuprobieren.

webIRust_DSC02090(c)

Ziel des Workshops ist

  • zu inspirieren
  • die Freude am kreativen Schaffen und Ausdruck in und mit der Natur wieder zu entdecken.
  • Grundkenntnisse ΓΌber die MΓΆglichkeiten und Vorgehensweisen bei Land Art zu erwerben.
  • den bewussten Umgang mit der Natur, Materialien und Prozessen zu vermitteln.
  • Spaß am gemeinsamen Gedankenaustausch und kreativen Schaffen haben.

Wann: Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β  Jedes 2te Wochenende oder auf Anfrage (der nΓ€chste Termin: 9./10. Mai)Β 

Samstag 12h00 – 18h00 und Sonntag 11h00 – 18h00

Treffpunkt: Β Β Β Β Β Β Β Β Β Β Β Β Β  Atelier Imke Rust, Birkenstr. 11, OT Neu-Friedrichsthal, 16515 Oranienburg

Teilnehmer: Β Β Β Β Β Β Β Β Β Β Β Β  3 bis 6 pro Workshop (nur mit vorheriger Anmeldung)

>>> Bitte mitbringen:

  • Offenheit, Neugierde und Phantasie
  • Skizzen- oder Schreibblock oder Papier, Bleistift, Radiergummi
  • Wenn vorhanden: Fotoapparat, Taschenmesser, Korb oder Tasche zum Sammeln von Naturmaterialien
  • Wetter und naturtaugliche, bequeme Kleidung und Schuhe
  • Mittagessen – zum Teilen und gemeinsamen Essen
  • Etwas zu trinken fΓΌr unterwegs.

Tee und Kekse fΓΌr zwischendurch stehen bereit.

Wir werden Zeit draußen im Wald und auch im Atelier verbringen. Alles ist in kurzer Laufentfernung.

 

NΓ€chste Termine:

9. -10. Mai 2015 (Samstag 12h00 – 18h00 und Sonntag 11h00 – 18h00)

23. – 24. Mai 2015 (Samstag 12h00 – 18h00 und Sonntag 11h00 – 18h00)

6. – 7. Juni 2015 (Samstag 12h00 – 18h00 und Sonntag 11h00 – 18h00)

Auf Anfrage gestalte ich auch gerne Workshops zu anderen Zeiten (min. 4 Teilnehmer).

Über mich, Imke Rust:

Ich bin eine namibisch-deutsche Land Art und multimediale Künstlerin, aufgewachsen in der Wüste Namibias. Seit 5 Jahren pendele ich zwischen meiner Heimat und Deutschland, zwischen Wüste und Wald. An der UniversitÀt von Südafrika absolvierte ich mein BA Degree in Visual Art und bin zweimalige Gewinnerin des wichtigsten Kunstpreis Namibias, der Standard Bank Namibia Biennale. In zahlreichen Solo und Gruppenausstellungen wurden Arbeiten von mir weltweit ausgestellt. Über ein Stipendium des Deutschen Akademischen Austauschdienstes (DAAD) kam ich 2006 das erste Mal nach Berlin.

Als Kuratorin der National Art Gallery of Namibia konnte ich auch fundierte Kenntnisse der Business-und Managementseite der Kunstwelt erwerben. Des Weiteren habe ich ein umfangreiches Kulturaustauschprojekt zwischen Namibia und Berlin mit einem deutschen Partner initiiert und ΓΌber mehrere Jahre geleitet.

In meiner eigenen Kunst zieht es mich immer wieder raus in die Natur. Meine Freude am kreativen Schaffen teile ich gerne, unter anderem mit einem Land Art Projekt mit 8 afrikanischen Künstlern im grâßten National Park Namibias (Etosha), einigen Kunst Workshops in Namibia und Berlin, Installationen im âffentlichen Raum und über meinen Blog.

Ich freue mich darauf meine vielseitigen Erfahrungen, Tipps und Wissen mit euch zu teilen und euch bei der Entstehung eurer eigenen Land Art Arbeit zu begleiten.

Kennen sie jemanden der sich fΓΌr diese Workshops interessieren kΓΆnnte? Dann wΓ€re ich ihnen sehr dankbar, wenn sie diese Information mit ihnen teilen!

Hier noch ein paar Bilder von vorherigen Workshops und eigenen LandArt Arbeiten:

The Ghost of the White Lady

2015 Hotel Deco Busting

Intervention Against Tasteless Wall Decorations in Hotels and Holiday Apartments. (Part 11)
Intervention gegen geschmacklose Wanddekoration in Hotelzimmern und Ferienwohnungen. (Teil 11)

(Since 2010 I have secretly been slightly altering tasteless or boring hotel or holiday apartment art whenever I had the chance to.)

It is that time of the year again, when my husband and I travel to Frankfurt for the LEA (Live Entertainment Awards) and as usual we stayed in the Marriot Hotel.

They have upgraded all of their rooms 2 years ago and fitted them with new decorations. I must admit, the new canvas prints of colourful digital collages of Frankfurt buildings are pleasant to look at. They look much more modern and add a pleasant colour highlight to the rooms. Certainly the best hotel art I have seen in a long time. (And ok, I must admit, I do not often stay in hotels, especially not in upper-class hotels, so there sure is more good art out there somewhere.)

At least since my public confession many of my regular followers know about my passion for improving hotel and guesthouse dΓ©cor. I just cannot help myself and there is always β€˜room for improvement’.

Hotel room and digital canvas print as found

Hotel room and digital canvas print as found

So, although I do appreciate the tasty art in this hotel room, there was something bothering me, about Frankfurt, the hotel and the art. The inner city is dominated by imposing skyscrapers and concrete, the hotel is decorated in a very masculine, dark style and the art represents this materialistic, powerful, male atmosphere. It’s a man’s world. I missed the humanity and the female touch or balance of yin energy.

A close-up view (or the BEFORE picture)

A close-up view (or the BEFORE picture)

As usual I let myself be inspired by what I find and then determine the best approach then and there. It did not take long and I knew I just had to add some positive Yin energy to the artwork. Also something that puts people in the foreground and add something personal, to draw attention to the individuality and humanness of the guest who stays in this multi-storey hotel.

I am not sure where she came from, but without a doubt I knew clearly that the White Lady of the Brandberg wanted to make her appearance here. Like a ghost she wanted to travel the world and inspire the modern-time city dweller.

For those of you, who do not know her, let me introduce her to you. She is most widely known as a cave dweller, a rock-painting situated at the Brandberg in the Namib desert, Namibia. Her age is not known, but she is ancient, and probably has been drawn by the forefathers of the San people. She is striking, mostly for her different appearance in relation to the other drawings. She wears strange clothes, is elegant and looks powerful. She dominates the scene.

The White Lady in new surroundings...

The White Lady in new surroundings…

She is called the β€˜White Lady’ because of her white garment. Some people claim she is not female but male, but it is difficult to know for sure. Some people also assume that she was a stranger to the land and that she was honoured like a goddess or queen. There is even talk about her not being from this world. It is said that her strange headdress and suit could resemble that of an astronaut, complete with helmet and all. And if I look at her, I can very well imagine that to be true. She is also holding a strange object in her hand, I always think that it is a wine glass, but who knows, maybe it is some gadget to control her spaceship?

She definitely is full of self-confidence. She is powerful; she even has her own bow and arrow, in a time when hunting used to be the men’s job. She is a traveller. A stranger who is welcomed and honoured… She is African – at least that is where she was last seen. She is proud, elegant, and beautiful and knows where she is going. And she enjoys life… if it is indeed a wine glass in her hand. πŸ˜‰

So she, or her ghost, wanted to come to Frankfurt and inspire people here too.

Inspire us to honour the female role in the world more.

To put humanity back in the forefront.

To remind us to honour and welcome strangers in our society, especially when they possibly have fled from war-torn countries.

To remind women of their strengths and the important role we need to play in this world.

To remind us of old traditions, rituals and art which honoured our spirits and the connection to nature.

The White Lady in Frankfurt (or the AFTER picture)

The White Lady in Frankfurt (or the AFTER picture) – Acrylic on found printed canvas.

She did not come alone. She brought three female friends with her. Friendship is important and together we are more powerful and have much more fun.

More white ladies...

More white ladies…

I hope you, and the guests who will stay in this room, enjoy their presence and the fact that you/they are viewing a very unique, personalized artwork.

The room and unique, personalized art work.

The room and unique, personalized art work.

Many people have asked me how come I have all the right materials on hand to do such things. Well, I am an artist by profession, so I usually travel with some basic art making tools. I cannot plan in advance, since I usually do not know what kind of artwork I will find in the hotel, but part of my creativity is to make a plan and use what is available. Also, usually I do not have much time, so I have to work spontaneously and use what I have. I do get creative. Once I was faced with an artwork behind glass and none of my pens were permanent or working on glass and I only brought watercolours, so I had to borrow a scissor from the hotel staff and used their in-house magazine for images, begged for some double-sided tape from the people laying out the red carpet in the hall and created a collage on top of the glass. Have a look at that here.

If you want to see other similar projects, just click HERE.

New Forest Explorations

Untitled nature art by Β© Imke Rust

Untitled nature art by Β© Imke Rust

On the weekend we explored a new piece of forest close to our home. I enjoy that there is still so many interesting places we do not know all around our new home and especially so much nature. The days are slowly getting longer and occasionally the sun shows her presence. I am deeply grateful for that.

Have you ever considered how conditioned we are by the environment we grow up in, and that we are familiar with? Have you felt overwhelmed by new landscapes in a positive or negative way?

I realised that I am still feeling unfamiliar with the environment and that whenever I am outside I enjoy getting to know and experience all these unfamiliar impressions, like a tourist would do. But just like a tourist, I am still very aware of not belonging. It takes time, but slowly I am feeling a bit more familiar with the forest, the weather, the space and the animals around.

With all this nature around us, I found it strange that so far I had not felt called to make any art outside. Once I realised this, I also understood that it does take time to adjust to a new environment, especially if it is so much the opposite of what you know.

I can now already identify a few local birds and trees by name. I am getting a bit more used and comfortable with the winter weather and the wetness of this area. I have watched deer grazing, a fox walking past, studied a red kite circling above our heads and now I have also seen my first wild boars in the forest! They saw us first, so to be totally honest, I just saw three large dark backs running away from us in a split second.

All this makes me feel blessed and honoured to get to know this world.

This weekend, on our walk through a forest, I suddenly regained the spontaneous inspiration to experiencing my surroundings creatively. While my husband continued his walk I stayed behind and just started. I found some wood shavings from a freshly cut tree and nearby a small V-shaped tree who called me….

It felt really good to be creating out in nature again and becoming aware of the challenges of a winter forest landscape. So different to a sunny desert plain…

Anyway here are a few pictures of my latest land art piece and I hope it will be followed by many more soon!

(Please click on the images for a larger view. Then use the arrows on the sides to get to the next image.)

PS. Just a few meters away from this work is the Oder-Havel canal, and at some stage I turned around to this:

Nawa = Good!

Nawa = Good!

NAWA!

That moment when a ship passes you on an outing to the forest and reminds you all is well, and does so in a language you only associate with home i.e. Namibia… For the non-Namibians: Nawa means ‘good’ in Oshivambo and is used pretty wildly, even by non-Oshivambo speaking people.

Why I Believe we can Make it Rain

Rainmaking Experiment #4 by Imke Rust

 

β€žYes, I believe we can make rain and we should!

Is it easy? No, but it is definitely more constructive and fun, than being prophets of misfortune and disaster and clinging to our fears.”

That is what I wrote in my last blog.

I might have left you wondering if I am crazy. Or if there could possibly be some truth to it. Or both. I hope that at least you did consider the option that it is possible and I hope that there was a tiny little voice inside of you that wished it was true.

That little voice is in me, and even though it is little, it is very strong.

It is the voice of my inner child, my idealist, my investigator and my rebel. My mind, which is intensely tuned into the creative-solution-finder mode, loves taking up a challenge, especially when it comes to improving our experience here on earth. So together we all have a strong interest in finding out if rainmaking is indeed possible and if so, how and what we can do.

Those of you who have been following my blog for a while, or have explored my webpage, know that I have experimented with this for the past 5 years. I have read all information I could get on the subject and am always on the lookout for new understandings. I have been putting together my own ideas and insights and started a few different experiments and have planned a few more. As usual, I love to throw all my information together, stir it and see what speaks to me, what makes the most sense and what is practical. Then I weave together those aspects with my personal ideas and creativity in an intuitive process and see what happens.

Possibly the one thing most of us still easily associate with rainmaking is a rain dance. I think most people have heard of it, but very few have any idea how it works. Me included. The idea of the rain dance was the starting point for me. I assume that the fact that there is such a thing practiced in many cultures and over many generations, told me, that there must be some truth to it.

Only bummer is, that my dancing skills are pretty awkward and I do not know the steps. Dancing sounds like a suitable thing to do – just not for me.

So I tried to understand what of the dance makes it rain? Simply put, I think it is a combination of a few things:

  • People coming together with the same intention,
  • People expressing joy and gratitude, but also respect and reverence to the weather,
  • people changing the energy and vibration through their creative action or ritual
  • And since like attracts like, that vibration attracts and favours the vibration of rain.

 

Most of the time I am on my own and not with a bunch of people who would be willing to partake in my experiments, but the rest of those findings I can somehow integrate into my experiments. And add some more of my personal creative ingredients…

 

I could write forever about this, but let me rather just share my Rainmaking Experiment #4 with you:

Rainmaking Experiment #4

What:

See-through plastic bags filled with water and closed with a knot. These bags are then tied with fishing line to a branch, like a mobile. I enjoyed looking at it as often as I could. Every time I saw the drops I paused for a moment in awareness, gratitude and joy. I consciouly remembered the smell, sound and feeling of rain when I saw these oversized ‘raindrops’.

Ritual:

After having these mobile water drops hanging in my garden for a while I started to pinch a small hole into the bottom of one of the drops every day. Then I watched with gratitude how the water slowly poured out in small drops over some time. This ritual added another layer to the rainmaker, by giving it movement, real dripping water and continuity (for the duration of the dripping, but also for the daily morning ritual.)

Why:

To create rain, I guess it is helpful to remind nature of its watery and wet side. The plastic bags formed visual drops and on top of that were filled with water. Combined they looked like rain.

Once the installation was hanging for a while, I increased the sense of rain and water by releasing the water from the plastic bags in a ritual activity.

Outcome:

It started raining even before all drops were emptied and there were still more rains coming afterwards.

Please click on the images to see them enlarged and individually.

To find out more about my rainmaking experiemnts and ideas, please read my previous blogs on this subject HERE

Feeling the Drought in Me

'I am Desert' by Imke Rust

‘I am Desert I’ by Imke Rust (Photography, Digital print on Alu-Dibond)

There is a blurring, hot tension in the air. Even though I am not there, I am so familiar with this situation that my body physically reacts to it every time I think about it or remember the many years of experiencing this same intense and ominous collective fear of an upcoming drought.

I feel how this fear increases with every day in which the sun burns from the bluest skies with no cloud in sight. I feel the heat and the dust and the lack.

The lack of everything…

lack of aliveness and lack of hope.

I can taste the dryness.

But mostly I feel the silent terror and doom hanging in the air like an invisible monster.

I have experienced the impact of a serious drought. And I have experienced the fear oozing out of every wretched discussion, which repeatedly circled around the drought and the rain like a starving dog tied to a tree sniffing some fresh meat in the distance.

The elderly compared and remembered the many droughts they have experienced and seemed to revel in reciting their horrors. The younger, who could not rely on memories that much, were more likely to speculate according to the weather forecasts, the dreaded El-NiΓ±o phenomena or any other scientific statistics or findings. I remember these discussions as mostly negative, fearful and resigned, sometimes angry and usually interrupted only with long heavy pauses, knowing glances and deep sighs. For one or other reason, everybody seemed to know that we would be doomed with another great drought, as if by stating the worst that can happen, we are bracing ourselves for it. The few hopeful voices in between quickly got lost or talked into submission.

This fear and the helplessness have crept into my bones. As a child I listened to all these discussions in the hope that somewhere some one would have a solution or know for sure what is going to happen. Will it rain?

Hoping to find somebody who could say: it is going to be okay, even if it doesn’t. Even as a child I knew, that no matter what people said, the rains are not always forthcoming, that is just part of living in a desert country. So I hoped to find some way of creating hope and faith that the natural order of things are okay…

The older I became, the more resigned I became. I had accumulated more experience with dry years, with droughts and the impact it had on our life.

Yes, I fear the droughts. Deeply. But I came to fear one thing even more: the continuous doom saying and negative speculating that happens throughout the year, but increasingly in the rainy-season, when this seems to be the only topic on everybody’s minds. And the feeling of helplessness.

Sure, when the rains come and when they are good, we all are grateful for a moment, only to easily and quickly forget our moaning and return to life as we know and want it.

When the rains do not come, or let us wait too long, we are spiralling down into an ever darker abyss of fear, lack and death. I came to think of this as natural, but when I became more aware of physically experiencing the discomfort of cringing cells in my body whenever I think about this, I started to question what is happening. Even more so, when I realised that even far away from home, in Germany, I am not immune to this.

What is natural is that we are living in a very dry country – in Namibia, named after one of the oldest deserts, with unpredictable and variable rainfall. What (according to me) is not natural is how we deal with it.

I understand the fear, because I feel it too. But I refuse to believe that this deep fear and immense sense of being helpless at the hands of the weather is necessary, natural or useful. I also feel that the relentless doom-mongering and negativity is the worst way of expressing this fear or avoiding the situation.

This constant distress is killing our souls and we have let the drought creep into our hearts and veins.

I started thinking about the ancient San people in Namibia and then also about so many different ancient cultures, maybe the most well-known being the American Indians. All people throughout history were exposed to the unpredictability of the weather and to extreme conditions, droughts, floods, raging storms and endless freezing winters. Maybe it is idealistic of me to assume that the people long ago had a better relationship to the woes of the climate and nature, but from the stories that we have from that time, I am sure they knew something, which we have lost.

I guess the core difference is that they lived with deep respect and reverence towards nature and understood the importance of a healthy give-and-take relationship with everything around them. They understood themselves as a small part or children of this much larger Mother Earth.

We on the other hand have come to view ourselves as masters of the earth. We believe it is our birth-right to exploit any natural resources, to take without giving and separate and put us above the rest of nature.

We have made man the centre of the universe and profit our highest and only purpose.

Every time a drought looms, we are uncomfortably reminded, that we are not the masters of this universe. Our presumed intelligence, scientific and technological advancements and our arrogance all are futile, when the environment stops supporting us. When earth stops to produce new resources. When earth dries up and shrivels under our endless and greedy exploitation.

We are at the mercy of a benevolent environment and we are part of everything that happens. The old people understood that, we don’t.

With every drought we get angrier and more fearful. People like farmers who live closer to nature feel it first and the most intense, while others can ignore it for longer, as they have already distanced themselves so much from nature. Their money can still buy food, when the animals and plants on the farm already starve, but eventually their money also will have nothing left to buy.

What if we all would be willing and open to rethink the possibility living more in tune with nature again? Before nature forces us to. What if we would stop investing our energy in complaining and doomsaying and instead find better ways of prepare and deal with reality?

'I am desert II' by Imke Rust

‘I am desert’ by Imke Rust
Photography, Digital print on Alu-Dibond

I refuse to believe that we are separate or above nature. And I refuse to believe that we are powerless. Not only should we honour and respect mother earth, but we should accept the responsibility that comes with it. If we understand that we are but a small part of the whole, yet we are an important and powerful part.

If we would see us as the hand of a person, we would understand that the hand is subjected to what the body does, but at the same time, it also has an important purpose and function. It is powerful in its own right, but not of its own. It needs the body. And the body needs the hand. The hand cannot complain that it is starving, if it refuses to act in its power and pick the fruit and bring it to the mouth.

My research and exploration into old rainmaking traditions have shown me, that we have the answers and the power of our destiny within us. Yes, there are forces larger than us, but we are part of those, and thus we also can have an impact.

Rainmaking has become synonymous to me with actively co-creating our reality, to become conscious of our part in this grand oneness and act accordingly.

We can choose how we want to act out this role. We might not be able to change Namibia into a rainforest, but we can learn to accept that we are living in an arid country, we can take responsibility for living within the means of what is available and the courage to act as blessings to our surroundings.

We can honour and respect what we have, and express our joy and gratitude in a thousand ways.

We can use our power to change our ways and find ways to better serve our earth-body.

Yes, I believe we can make rain and we should!

Is it easy? No, but it is definitely more constructive and fun, than being prophets of misfortune and disaster and clinging to our fears.

Do you fear being at the receiving end of the weather and climate around you? In what ways do you deal with that fear? And what is your solution? Do you save water? Have you ever performed a raindance? Or have you consciously prayed for rain? I would love to hear your thoughts and ideas!

If you want to read more about my thoughts and actions on rainmaking, please click HERE to see a list of all blog posts on this subject.

( I started writing this as a short introduction to one of my rainmaking experiments which I wanted to share with you, but then it turned out to be a loooooong introduction and I decided to rather let you digest this first, and share the experiment with you in the next post.)

Exhibiting in Swakopmund

Two of my paintings will be on show in Swakopmund at the Fine Art Gallery from the 14th of February till the 14th of March 2015, along with works by other well-known Namibian artists, such as Barbara BΓΆhlke, Nicky Marais, Barbara Pirron,Gerdis Stadtherr und Chris Snyman.

The exhibition, entitled ‘Body & Soul’ will be opened on Saturday 14th of February between 10:00 – 12:30.

I would like to invite all my Namibian friends and fans to come and see the exhibition during this time. This is one of the rare opportunities to view and to purchase my art in Namibia.

Here is a photo of me with one of my paintings which will be on show. This is the first public appearance of this shy lady. Don’t miss it!

Me, shortly after completion of the painting: Title: Pink Girl Medium: Acrylic on board,  Size: 120 x 85cm Block framed

Title of the artwork: Pink Girl, Medium: Acrylic on board, Size: 120 x 85cm, Block framed

Fine Art Gallery

34 Sam Nujoma Ave, SwakopmundΒ Β  (Email: info@art-in-namibia.com)

Opening times:

Tuesday – Friday:Β  10.00 – 12.00 and 16.00 – 18.00

Saturday – Sunday: 10.00 – 12.30 or by appointment

Gallery Press Release:

ValentineΒ΄s Day at Fine Art Gallery

Fine Art Gallery wants to celebrate this yearΒ΄s Valentine with a special theme exhibition β€œ Body & Soul β€œ and invites all art lovers for to a champagne launch on 14th February between 10:00 – 12:30.

Many well-known and established Namibian artists have followed the call of the gallery and show their definition on the subject. “Body & Soul” shows body part naked, body language details but also the soul of an individual, his dreams, moods, fears and hopes. Among the works on display are works by Barbara BΓΆhlke, Nicky Marais, Barbara Pirron, Imke Rust, Gerdis Stadtherr and Chris Snyman. Some new talented artists of the β€œNew Signatures β€œ group are also exhibiting their works.

A versatile exhibition full of desire, sensuality and passion, in short, an explosion of expressive colours and images in oil, acrylic, mixed media and simple, touching sketches. The exhibition will be on show until 14th March 2015 in the gallery.

The drawing in favour of the Desert Lion Fund will also take place at the champagne launch.

Facing the Creative Mess

I have not been feeling well these past days. But I tried to paint anyhow - it was a long, painful and frustrating process, cause nothing wanted to go the way I hoped... actually I do not even know what I really want to express with my art anymore... I feel lost. Although I enjoy her (the painting) I could happily do without the struggle.

‘Born of Frustration’ Mixed Media on Watercolour paper, 200g/m2, 32x24cm. I have not been feeling well these past days. But I tried to paint anyhow – it was a long, painful and frustrating process, cause nothing wanted to go the way I hoped… actually I do not even know what I really want to express with my art anymore… I feel lost. Although I enjoy her (the painting) I could happily do without the struggle.

I went a whole month without writing a blog. I miss sharing my thoughts with you, but it felt as if my thoughts and feelings were on a roller-coaster ride (and still are). I just could not focus on any single thing and write about it.

On the positive side it also means that I have been working more on my art and facing all the gremlins that come with that. You know, stuff like fear of failure, insecurity, questioning the sense of it all and wondering if what I do really makes a difference to the world?

β€œAnyone can slay a dragon, she told me, but try waking up every morning & loving the world all over again. That’s what takes a real hero.”

(Brian Andreas of Story People)

I often return to this piece of wisdom when I get fearful of life. And in my personal way it means facing an empty piece of paper or canvas all over again, not knowing the outcome and not knowing if it will make any difference to the world. Or if it will touch anybody in a meaningful way? Will it nourish my soul? And will it support my survival financially. Will I mess it up? Will my insecurities get the better of me and let me abandon it?

Creating art is messy. Not only in a paint-splatter way.

It messes with your soul in a weird way. I cannot tell you all the emotions that I am going through when I create art. It teaches me that I never really can control the outcome, that I need to trust the process and myself and it teaches me, that often what seems like destruction or failure is the biggest blessing to the creative process. All difficult lessons and challenges for me, but I am trying to bravely β€˜face the dragon’ every day, even when I feel lost and unsure of which direction to take.

It is strange how my passion for making art can also be so uncomfortable, challenging and forcing me to face my deepest fears and insecurities. But, oh the bliss, of finishing an artwork and thinking: wow, I struggled through that and something beautiful came out of it!

Today I thought of giving you a glimpse into my studio, so that you can see what I am up to and why I have been so quiet.

I also would like to show you the wonderful packaging that my Teabag Totems now come in and the perfect frame, which I found for them. You can buy any of these existing unique little artworks as shown here or I can create one with your favourite or totem animal. If you missed reading about my Teabag Totems and want to find out more, click here. (Cost: €20 plus postage).

Please click on the images to get a larger view.

I just love these frames and how the Teabag Totems look in them! So I have decided that I will offer the option to buy the frame with the artwork. Just ask me about it.

It feels vulnerable to share with you my working space and creative mess, but hey, this is me and how I work and I know that every now and then everything gets cleared and tidied up again. πŸ™‚

View of my working space and creative mess...

View of my working space and creative mess…

And here some views of the artworks which are partly in progress or just finished or waiting to be decided upon. When I am not 100% happy with a work, I love to see it regularly until I either change something again, or I start accepting (and loving) it for what it is.

Small drawings on watercolour paper

Small drawings on watercolour paper

The larger drawing below, started of as a black ink drawing and I expected it to stay that way. Instead it surprised me with this outcome. I love the feeling of lightness and softness, despite the tension and a bit of dreamy sadness that I feel in the figure.

Mixed media on paper and board

Mixed media on paper and board

And hey, look who appeared again! The kudu…

This painting started of with a female figure in black and white, then the kudu appeared and stole her show, so she got painted over. I am not sure if this will be the final version though…

Acrylic on canvas (detail)

Acrylic on canvas (detail)

Ok, that’s it for today. Now I have to start cleaning up the mess, because this weekend I am celebrating my 40th birthday with a few friends and need the space. Currently I am working from our living room until we get the out-building turned into a non-leaking, warm and light space – hopefully in the next few months.