Tag Archives: land art

‘Urban Nature Art’ GNAP Germany 2017

Once again nature artists are coming together as part of the Global Nomadic Art Project 2017. This time in Germany, where we will be working in Darmstadt and surrounding area. The theme for this event is ‘Urban Nature Art’.

After participating in last year’s GNAP project in South Africa (Stories of Rain), I am really looking forward to this continuation.

If you are anywhere close, you might want to join us for some of the public events.

Mittwochsform – on the 23rd and the 30th of August respectively. Different artists will present their work. I will be do my presentation on the 23rd of August.
Time: 20h00
Where: Internationales Waldkunstzentrum, 64285 Darmstadt, Ludwigshöhstraße 137

 Yatoo trifft Dreieich Exhibition at the Städtische Galerie Dreireich
Opening: 31. August 2017, 19h00

“Urban Nature Art” Exhibition at the Internationalen Waldkunstzentrum
Opening: 2. September 2017, 15h00

Please find more information about these events and the GNAP Project in the following flyer or by following the links.

Find more information about the project, participating artists and experts, sponsors and organisers at Global Nomadic Art Project Germany 2017 – Urban Nature Art

I am looking forward to meeting you at any of these public events.

Wuppertal, Munich and Travelling Back in Time

Do you also have the feeling that your life has become so busy, that you have no time for all the stuff you want to do? Or to read all the blogs you are subscribed to?

The first quarter of the year is almost passed and somehow I have neglected my blog. Well, many things are happening and keeping me busy – which is mostly good news. Another reason is that with so many things, which are happening on all fronts (personal, family, political, career etc), I am left with so many impressions, thoughts, ideas, questions… It feels as if I have so much to say and to share, and yet I do not know where to start. It feels as if I would need another lifetime to sort all ideas and find the right way to share them. Or a personal assistant… Or a way to magically write down all that is in my mind within a few hours.

So I am trying to navigate these times, which feel chaotic and alive, terrifying and promising at the same time, as best and honestly as I can. To live each moment more consciously and deliberately waiting to find clarity, allowing life to unfold its plan at its own pace. I am considering writing shorter, but more frequent blogs… let’s see if that is a better way to deal with my and your busy life and still stay in touch.

A quick update:

My exhibition in Munich has just finished. It was very well visited and the highlight was, that a friend has organised for me to fly to Munich and talk about my art to interested guests in a guided tour of my exhibition. I really enjoy that direct contact with the people who are interested my art. Most of my art is filled with layers of meaning and thoughts, and people have commented how enriching they find to look at the art, and then additionally hear me talk about it.

Here are a few impressions from the exhibition and the guided tour (Click on the images for a larger view and description):

The event has been organized by Carola von Maltzahn from http://www.vonmaltzahn.net/ and Christian Bräuer from Art Dine & Table – Die Kunstpatrouille (www.christian-braeuer.de) Photos: Carola von Maltzahn.

I had another exhibition opening in March, at the Museum auf der Hardt, Wuppertal.

The exhibition and screening of the documentary film about my land art project ‘An Infinite Scream’ was part of a Symposium organized by the Vereinte Evangelische Mission.

Here are some images from the exhibition, opening and film screening. Photos by Ramona Hedtmann, VEM and myself.

Only shortly before the event, I realised that I have a much deeper connection to this museum and place than I could have imagined. My Great-Great-Grandfather Eduard Dannert and Great-Grandfather August Kuhlmann were both missionaries in Namibia and were sent by this very same institution to Africa. Needless to say, the museum and archives have lots of information, documentation and objects from these ancestors of mine, like for instance the sewing machine of my Great-Grandmother… and this sewing machine, together with a letter which August Kuhlmann wrote to General von Trotha trying to convince him to treat the Herero people more humanly were exhibited in the same space, next to my political works. What an honour and humbling experience.

If you happen to be in Wuppertal, you are welcome to view the exhibition. It is still on till the 4th of April. More information, directions and opening times: http://www.vemission.org/museumarchive.html

I am so excited that spring seems to have finally arrived! After so much political art and talk, I felt like painting something light and colourful, to welcome spring.

Upcoming Exhibition in Munich

PRESSEMITTEILUNG / PRESS RELEASE
(For information in German, please scroll down)

If you are in Munich, you soon have a chance to view a large series of my work under the title: The Horse is a Problem. The Horse Must Go. It will be exhibited in the Pasinger Fabrik, as part of a large event organized by the German- Namibian Association (DNG). They will also show their documentative traveling exhibition about the work they are doing and landscape photography by Helmuth Gries. The program entails even more, such as a podiumdiscussion with the Namibian Ambassador to Germany and Namibian movie nights. The exhibition will be opened on the 9th of February and will run till the 26th of March.

If you would like more information in English, please contact me.

Event poster. Artwork by Imke Rust

Event poster. Artwork by Imke Rust

Pressemitteilung in Deutsch:

Namibia

Dokumentation – Fotografie – Malerei – Objekte
10.02. – 26.03.2017

Vernissage: 09.02.2017, 19.00 Uhr
Eröffnung durch den Botschafter der Republik Namibia Andreas Guibeb

10.02.2017 19.00 Uhr Podiumsdiskussion mit dem Botschafter der Republik Namibia Andreas Guibeb und Andreas Herbig, Vertreter der Deutsch-Namibischen Gesellschaft

26.03.2017, 18.00 Uhr Kuratorenführung mit  Andreas Herbig, Vertreter der Deutsch-Namibischen Gesellschaft

Namibianisches Filmprogramm siehe Flyer

Galerie, tägl. außer Mo. 16.00-20.00 Uhr, Eintritt 4,–/2,– €

 Imke Rust: The Horse is a Problem. The Horse Must Go.

Imke Rusts Arbeiten zeigen kein gewöhnliches Namibiabild. Die gebürtige deutsch-Namibierin drückt durch ihre vielseitige und eigenwillige Bildsprache ihre eigene komplexe Beziehung zu ihrem Heimatland aus. Sie kratzt an der oberflächlichen ‚Postkarten’ Wahrnehmung und hinterfragt und kommentiert auf ihre individuelle Weise die Vergangenheit und Gegenwart Namibias. In ihren Arbeiten sind das Persönliche, das Politische und Existentielle untrennbar miteinander verknüpft. So unterschiedlich wie ihre Beobachtungen ist auch ihre Ausdrucksweise: mal leicht, mal kräftig. Humorvoll und dann wieder aufschreckend ernst führt sie uns durch ihre Welt.

Die Land Art und multimediale Künstlerin Imke Rust pendelt seit sechs Jahren zwischen ihrer Heimat Namibia und Deutschland, zwischen Wüste und Wald. An der Universität von Südafrika absolvierte sie ihr BA-Degree in Visual Art und ist zweimalige Gewinnerin des wichtigsten Kunstpreises Namibias, der Standard Bank Namibia Biennale. In zahlreichen Solo- und Gruppenausstellungen wurden ihre Arbeiten weltweit ausgestellt. Über ein Stipendium des Deutschen Akademischen Austauschdienstes (DAAD) kam sie 2006 das erste Mal nach Berlin.

Namibia und Deutschland – Aktuelle Aspekte einer besonderen Beziehung

Namibia – ein Land, das nicht nur auf Grund seiner atemberaubenden Landschaften und Tierwelt, sondern auch wegen seiner politischen Stabilität ein sehr beliebtes Reiseziel der Deutschen ist. Seit der Unabhängigkeit im März 1990 festigen Beschlüsse des Deutschen Bundestages das Sonderverhältnis beider Länder. Die bilateralen Beziehungen werden an Beispielen aus Politik, Gesellschaft, Wissenschaft, Kultur und Tourismus in dieser Ausstellung veranschaulicht.
Die Wanderausstellung ist ein Projekt der Deutsch-Namibischen Gesellschaft (DNG), die auf eine fast 40-jährige Arbeit im Zusammenspiel Namibias und Deutschland zurück blicken kann. Die DNG unterstützt Projekte in Namibia und fördert den Jugend- und Kulturaustausch.
In der gezeigten Wanderausstellung werden das Land Namibia und seine engen vielfältigen Beziehungen zu Deutschland gezeigt.
Der Betrachter erfährt in der Ausstellung Wissenswertes über die Geographie, die faszinierende Geologie, Flora und Fauna, die Bevölkerung, die Gesellschaft und die aktuellen politischen Gegebenheiten. In einem kleinen historischen Teil wird der Werdegang vom deutschen Schutzgebiet zum heutigen Staat Namibia gezeigt, in dem Deutsch unter anderen immer noch eine anerkannte Sprache ist.
http://www.dngev.de

Namibia – Fotografien von Helmut Gries

Helmut Gries, geb. 1955 in Deutschland und Fotograf vor allem für Naturbilder,  hat  vor 20 Jahren Namibia für sich entdeckt und für die Ausstellung in der Pasinger Fabrik eine Auswahl mit unterschiedlichsten Aspekten des Landes zusammengestellt.

Fasziniert von Land, Leuten und Natur bereist er den „Diamanten Afrikas“ inzwischen regelmäßig. Auf 36 Reisen hat er inzwischen mehr als 100.000 km mit dem Auto zurückgelegt, viele Flugkilometer in entlegene Regionen mit Kleinflugzeugen absolviert, die zentrale Bergwelt auf dem Rücken eines Dromedars erkundet und die wasserreichen Gebiete entlang der Grenzen zu Angola und Botswana in Booten durchstreift. Ausgedehnte Wanderungen haben ihn mehrfach in den Fish River Canyon und in die Weiten der Wüste Namib geführt, die er 2015 zu Fuß vom Sossusvlei bis zum Atlantischen Ozean durchquert hat.

Sein Fotoarchiv über Landschaften, Tiere und Menschen umfasst Zehntausende von Aufnahmen. Die Motive lichtet er mit digitalen Spiegelreflexkameras von Nikon und Objektiven von Nikon und Sigma mit Brennweiten zwischen 10 mm und 600 mm ab. Seine eindrucksvollen Fotografien werden neben einem seit 2001 jährlich erscheinenden Fotokalender, in Magazinen und Reisekatalogen sowie auf Postkarten und Websites veröffentlicht. Inzwischen sind auch zwei Bildbände über den Süden und den Norden Namibias erschienen. Im Rahmen seiner Aktivitäten in der Deutsch-Namibischen Gesellschaft e.V. stellt Helmut Gries das faszinierende Land im Südwesten Afrikas regelmäßig in Audiovisionsshows vor.

http://www.namibia-kalender.de
http://www.namibiorama.de

Weitere Informationen:
Thomas Linsmayer
Ausstellungsleitung/Verwaltung

Pasinger Fabrik Kultur- und Bürgerzentrum GmbH
Eine Einrichtung der Landeshauptstadt München
August-Exter-Straße 1
D 81245 München
Tel +49 (0)89 829290 -13
Fax +49 (0)89 829290 -99
t.linsmayer@pasinger-fabrik.com

Click here to see or download the event flyer with all information.

Becoming a Creative Nomad and Rainmaker

I am busy packing. Nervous and excited. In a few days I will be leaving to South Africa, where I am taking part in the

Global Nomadic Art Project 2016
‘Stories of Rain’

Calling the Rainbird by Imke Rust,  Mixed Media on paper, 62x87cm

Calling the Rainbird by Imke Rust, Mixed Media on paper, 62x87cm

I am so thrilled to be invited to participate alongside so many other wonderful artists from all over the world and South Africa.

This project is especially close to my heart, as it will give me the opportunity to further my creative rainmaking research and projects, share with and learn from very interesting fellow artists and do all this very close to home. I have so many ideas and researched material, which I want to explore further and put to use now.

Typed Rain (on photograph) by Imke Rust

Typed Rain (on photograph) by Imke Rust

As soon as I can, I will share a blog post about my experience for all you lovely people who follow me on here! I also plan to post regular pictures and updates on Instagram (This is like an instant photoalbum and I just love it. Bonus: you do not need to have an account to see my page) and Facebook (for shorter, more regular posts and pictures). You can also see previews of both these pages in the right-hand column >> .

So, if you are curious, you are welcome to follow my adventures there too. We will not have regular internet connection, but when we do, I hope to share impressions and updates.

Here is some more information about the event compiled by the organizers:

Stories of Rain - Map

Stories of Rain – Map

#GNAP2016 #StoriesOfRain #SouthAfrica

Stories of Rain will trace the legacy of the first nomadic peoples, creating temporary nature art in response to the varied landscapes and the World Heritage Rock Art of South Africa.

In this time of palpable climate change, we find ourselves at the cusp of profound natural and cultural transformation. The dual disciplines of creative imagination and mediated thinking practiced by artists will be extremely valuable in this transition. The Global Nomadic Art Project offers local artists the opportunity to influence contemporary cultural attitudes towards nature and to explore possibilities for understanding in an increasingly fractured paradigm.

Site_Specific Land Art Collective will invite 8 International artists to join several custom made Nature Art tours of South Africa as part of the Global Nomadic Art Project initiated by YATOO Nature Art Association of Korea. The visiting artists will travel along different routes in small groups – meeting and staying with local participating artists along the way.

To find out more and also read up on my fellow artists who will be part of this event, please visit the official page:
Webpage: SiteSpecific South Africa GNAP

And/or follow the Facebook Page for this event: Stories of Rain

Stories of Rain - South Africa

Stories of Rain – South Africa

The Rainmakeress (Imke Rust) Acrylic and graphite on paper 105x130cm

The Rainmakeress (Imke Rust)
Acrylic and graphite on paper
105x130cm

Longing to Belong

69 Strands of (be)Longing, Fake and natural hair, branch and wire. Artwork created by Imke Rust at the ILAM, May 2016

69 Strands of (be)Longing,
Fake and natural hair, branch and wire. Artwork created by Imke Rust at the ILAM, May 2016

In May I had been in Maastricht as an invited artist to the International Land Art Maastricht Symposium. I had shared some pictures from this wonderful event together with an invitation to come and see the results, but I have not had the time to tell you more about the artwork that I created there. So today I would like to share with you some thoughts and images, especially for those of you, who could not see the work in person.

Artists were asked to propose an artwork that they would create in the park of the Chateau Jerusalem. The theme of the symposium was ‘Connected’. We had five days to complete the work, which then was on exhibition for the following two weeks.

This is the concept, which I originally formulated for my plans:

“I am exploring the ‘Connected’ theme through a material that everybody connects to African women: long, black braided hair. Although they usually are made out of fake artificial material, they have come to represent a certain identity (African), but at the same time they are also an imitation of another identity (western, long, smooth hair). In so many ways they are connecting different worlds. To me they are also a strong metaphor for belonging and identity. Hair and braids can also be used as ropes to climb to another life (Rapunzel), and relate to the migration of refugees to Europe.

As a white African I am intrigued by working with this fake hair, as a form to express the duality and paradox of my own identity and belonging. The combination of synthetic and natural materials, illusions created and the process of braiding are additional aspects, which I want to explore.”

69 Strands of (be)Longing, Fake and natural hair, branch and wire. May 2016

69 Strands of (be)Longing,
Fake and natural hair, branch and wire. Artwork created by Imke Rust at the ILAM, May 2016

I had some vague ideas of how I wanted to proceed, but since I have not seen the park and have never worked in this material before, I decided to stay open and flexible and just trust the process.

When I arrived there and saw all the grand and impressive plans from the other artists, my heart sunk. Maybe my work was too timid, too small, too unspectacular? And what if it does not work out in any way I had imagined? I had no chance to try it out before, so either it worked or it would fail… What could I do, besides just start and hope for the best? I started and was flooded with even more doubts. Am I allowed, as a white woman to make art with this kind of hair, which usually is only used by black women? Could I even dream of braiding as neatly and perfectly as those hairdressers back home in Namibia do? Aren’t they the real artists who can make the most stunning patterns and styles for their customers? Who am I to now want to use this method and material to create my art?

Well, I had a lot of time to think, while I braided. And every time the doubts and insecurities became too strong, I heard the inner voice saying: Just trust the process.

I remembered that one of the reasons why I initially wanted to work with braiding, was the repetitive process itself. Somehow it is a process that is fairly easy, but demands just enough concentration and focus, that you have to stay in the here and now, but also leaves enough space for your mind to relax and wander off into thoughts that you usually are too busy for.

This work quickly became much more about that process and the inner dialogue that happened, than the final physical artwork. For five days I just sat there, under a beautiful tree, in the middle of the park and braided. I got to understand how this synthetic material reacted to humidity, dryness, wind and weather. How it sometimes could be so stubborn and putting up a real fight to get under control, and other times it just flowed through my fingers as if it was the most natural thing to happen. I became calm and looked forward to my work and every next strand.

My thoughts turned to my first memories of braiding. When I was a young girl, it was my father who braided my hair every day. And it was also he, who taught me how to braid. And I was so proud, that I even knew (from him) how to braid with more than 3 strands. While everybody looked at braiding as a typical female activity, I connected it to my father. And yet, it was my mother who had to go and buy the fake hair in Namibia (yes, these hairs were made in Namibia and sent all the way to Germany), so it was kind of a family effort that ensured I could sit in Maastricht in a park and braid ‘my’ hair.

Masculine and feminine… control and wildness… order and chaos… expectations and reality… appearance and authenticity… there were so many concepts that flowed into and through my being and into the braids (or did it flow out of them or the process?) while I was working.

With every next strand I had another chance of flowing. The focus changing and shifting… With every movement I moved on, the strand started, got longer and longer, and then, suddenly it reached the end.

I made a rough knot into the strand to keep it from coming undone and originally thought I will melt the ends to make a neat and proper ending. After a few strands with wild and chaotic knotted ends, I noticed the beauty, the wildness and the dynamic of these endings, the contrast to the neat braids… and decided to leave them just like that.

Through folding thin strands of hair over each other again and again… the central aspect became more obvious for me. With every movement there was a longing. A longing to come to the end, but also a longing for so much more… To belong, to understand, to control, to find the balance, to find a (my) place … to just be.

Where do I belong? To my home country, where I am too white in the eyes of many? Or to Germany, where I appear (on the first outer impression) to rather belong, but where I am a stranger? Do I ‘belong’ to be more controlled, or more wild? To fit better into the pattern of society or do my ends just come loose anyway?

Click on the images below to see a larger view and read about some further details.

Braiding, braiding, braiding… in 5 days I managed to braid 69 long strands. I managed to contain my sadness in these braids, to reassess the world and my ideas about it and to learn that I can and should just trust the process. The process of an artwork, but also the process of life…

Life is like these strands. Every day you begin with a new one, a new chance. You do your best to get as far as possible. But in the end it does not matter how far you come and how many days you get. What matters is your experience and your insights, your joy, but also your struggles and what you have learned through them.

Trust the process…

Here is a video taking you around the final artwork. In the photos one aspect gets lost, and that is how alive this work seems. How it dances and moves in the wind. The video gives you a small impression of that.

 

Invitation to Maastricht Exhibition Opening

Greetings from Holland!

I have been invited to participate in the International Land Art Maastricht 2016 Symposium along with 13 other artists from the Euregio.

For one week we are creating land art works in the park of the Chateau Jerusalem in Maastricht and we are having a lot of fun.

On Saturday (14th of May, 16:00) everybody is invited to view the results of this symposium at the official opening of the exhibition. If you are nearby I would love to see you and show you the works that have been created. More information in the flyer below. (Click on image to see a larger version).

Invitation ILAM 2016

Invitation ILAM 2016

And here you can see some images of the symposium and work in progress: (Please click on the images to see a larger view and descriptions)

Creation is about allowing… (and upcoming events)

Blue Sphere 2, carefully allowed in the branches between two trees in the forest, by Imke Rust

Blue Sphere 2, carefully allowed installation in the branches between two trees in the forest, by Imke Rust

Creation is about allowing
– not about going out and doing.

Recently I found this quote and it made me stop in my tracks. Coming from a society and background where doing is considered the highest virtue, this thought seemed so out-of-place and plain presumptuous. Yet, I could not dismiss it, as it also stirred something deep inside of me.

For one, I realised some time ago, that doing is not always the answer. I have written about this idea before HERE.

But even more importantly I was struck by the ‘allowing’ part. When we grow up, our life is filled and directed with an endless list of do’s and don’ts… In my younger years, I was convinced if I just learn this list and follow it to perfection, I would be happy, and so would be everybody around me. Because I was doing things right… Later in life, I realised that this list became more and more complicated and it was not always possible to separate clearly between the do’s and don’ts. This realisation was confusing and also depressing, because my neatly arranged roadmap to life seemed to be crumbling and I had nothing to hold on to anymore that would guide me along.

Allowing…

Wow, what a big concept.

In life. In creativity. In love. In believes.

What would happen if we allowed more and were less constricted by the do’s and don’ts?

Allowing… the creative process of the universe, of life, to happen, without the need to control it.

It is a difficult concept to grasp (at least for me). And I guess I will be allowing myself to ponder on this much more. And allowing the creative process more and more, instead of trying to go out and ‘doing’.

And as if the universe wanted to let me know that it was serious about this, it send some sunshine on Saturday and nudged me to go out and explore a new part of the forest. Allowing myself a break, with no responsibilities or work to do. I was so deeply touched by the spirit of the forest, the cold, fresh air, nature’s first slow attempts at spring coming, the sunlight playing hide and seek and the majesty of the trees…

I took some pictures. And when I arrived home and downloaded them onto the computer, I realised that without any intention or doing on my part, a special moment was created and captured. Yes, it is just the flare of sunlight hitting my camera, but it is also magical. As if a sphere of blue light has been installed perfectly between the trees… and documented.

If you just allow yourself to imagine that this was a carefully created art installation.

Blue Sphere 1 & 2, carefully allowed installation in the branches between two trees in the forest, by Imke Rust

 

Here are some upcoming events, where you can see or experience my art:

Save the date if you are in Windhoek, Namibia:

Art Inside 2016  

One of my artworks (Happy Mongoose, 2015, Mixed Media on Canvas, 112 x 145cm) has been selected for the Art Inside Project and exhibition at the National Art Gallery of Namibia. You are welcome to the opening this week Thursday! If you cannot make it then, the exhibition runs till the 23rd of April 2016.

Happy Mongoose

Happy Mongoose

OPENING DATE 24 March 2016
OPENING TIME 18:00
VIEWING 24 March – 23 April 2016
VENUE NAGN

Press information about the project and exhibition from the National Art Gallery of Namibia:

“The project Art Inside, which was first launched in 2014, is a nationwide art awareness project aimed at Namibian Government. The initiative aims at acquiring original Namibian visual art for installation in all Ministries and semi-government premises. By installing the artworks, the project aims to celebrate visual art as an important mode of creative communication, and to foster an appreciation for visual art as inherent part of government’s working environment.

In the previous editions Namibian artists from all Regions have responded positively by submitting inspiring art and craftwork of an exceptional quality for this project. From these, the best pieces were first exhibited at the NAGN and then purchased for the Government of Namibia Art Collection.

The Art inside 2016 exhibition will run from 24th March to 23rd April 2016 at the National Gallery of Namibia.”

*************

And save the date if you are in Germany and interested to participate in a special Land Art Workshop which I am offering in conjunction with the Fair Camp Berlin program:

Die Fülle in dir
Fair Camp Exkursion „Kreativ im Grünen“ mit Imke Rust am 24. April 2016

Wann: So. 24. April 2016, ca. 13 bis 18 Uhr inkl. Mittagessen, Wo: bei Oranienburg

Die FÜLLE in Dir: Raus in die Natur! Rein in die Seele. Sehnen sie sich auch nach neuem Ausdruck, Natur und kreativem Schaffen? Der Frühling ist die perfekte Zeit auch unsere Seele aufblühen zu lassen und neue Impulse in unser Leben zu bringen. Lust auf etwas Neues und eine Auszeit vom Alltag? Dann lade ich sie herzlich ein, gemeinsam mit mir die Fülle, ihre Kreativität und die Natur neu zu entdecken. Wir kreieren, gestalten und experimentieren mit und in der Natur und lernen dabei unsere eigene innere Fülle und die der Natur bewusster zu erleben und auszudrücken.

Sie brauchen keine Vorkenntnisse, nur Offenheit, Freude an der Natur und Lust sich auszuprobieren. Als deutsch-namibische multimediale Künstlerin und Regenmacherin freue mich darauf, sie dabei zu begleiten und inspirieren zu dürfen. Imke Rust

Dieser Workshop ist der Arbeit in und mit der Natur gewidmet. Aber vor allem soll er die spielerische Kreativität, den persönlichen Ausdruck und die Freude am Schaffensprozess anregen. Wir werden die meiste Zeit draußen im Wald verbringen. Falls das Wetter nicht mitspielt, arbeiten wir mit Naturmaterialien im Atelier. Alles ist in kurzer Laufentfernung.

Bei Ankunft gibt es ein Mittagsmahl, eine Spende von Wünsch Dir Mahl. Wasser, Saft und Kekse für zwischendurch stehen bereit.

Click HERE for more information.
Space is limited to 10 participants, and places are already filling up quickly…

Kreativ im Grünen_FairCamp2016

Calling the Spirit of Rain and Water

DSC01521In my research about rain making I found several interesting stories of how magic drawings on rocks would attract rain. Some of which suggested that you have to find ways to draw the water spirit’s attention and curiosity. Like this story, which made me smile every time I thought of it.

The antelope, who only arrives after it has rained, is presumed to be linked to the water spirit and its favourite animal. The water spirit likes a good party, and will presumably like to attend with their friend, or… favourite animal. So, if the rainmaker draws images of the antelope and dancing people on the cave walls and pretends that there is a good party happening (for instance through dancing, singing and holding a ceremony) she/he will attract the water spirit’s attention and interest to join. But who likes to go to a party where you do not know anybody? Right, so the water spirit, who can turn itself into rain, would like to have its favourite animal friend there too. But the antelope only comes when there is water, so being a good friend, the water spirit will let it rain.

Like, hey, if I’ll buy you a beer, will you join me at this party?

And voila – the rainmaker has made it rain.

So last Saturday we visited the farm and I decided to hold a small party, well – make some rain…

The more the merrier

I chose a nice visible spot, a straight cliff face on the top of a small koppie (hill) and asked my father, brother and husband to join me in creating a rainmaker. This is a part in my different experiments, which I always wanted to try: working together with more people instead of just creating on my own.

I believe that working together does create a more focussed and stronger energy. I guess that is also why it already says in the bible, if two or more people come together and pray, the prayer will definitely be heard.

(Please click on the images to see the full view, thank you.)

 

I stuck to my typical cloud and rain drawings, because I believe that the rain or water spirit will recognise itself and will become curious. And that

like attracts like…

Each of us drew a raining cloud with chalk on the cliff-face, my brother even drew a puddle of water where the rain collected on the ground. The cloud drawings were nicely visible towards the east, where the water spirit usually resides (where the rain usually comes from.) We all had fun drawing and imagining how we are making rain.

Shortly after we started, I remembered to take a picture of the area and blue sky, and was surprised to already see the very first faint rain clouds on the distant horizon.

If you look closely you see the very first small clouds appearing on the horizon

If you look closely you see the very first small clouds appearing on the horizon

 

Offerings – a sign of your abundance

Lastly, I wanted to implement another ‘new’ aspect into this rainmaker. The idea of making an offering… We sprinkled the rock and rain drawings with actual water. I have always thought that adding water to my rainmaker experiments would be another magnet in the sense of ‘like attracts like’, but I realised that there might be another aspect that I have overlooked.

If we are willing to offer a small bit of what we are asking for as a gift or offering in return, we are signalling that we are part of the natural flow. We will not unnecessarily hoard or obstruct the flow of the goodness which we are inviting to us. We believe that there is more of what we have just given away, we believe in our own abundance and the abundance of the water, instead of fearfully holding on to the feeling of lack and scarceness.

 

While we were busy with this, we definitely already attracted the attention of some baboons who were curious of what kind of party is happening…

Baboons are curious and try to figure out what is happening on our side...

Baboons are curious and try to figure out what is happening on our side…

Gratitude expressed

Just before we left the site, I decided to once again express my gratitude, by writing a thank you note on a piece of bone, leaving it at the foot of the koppie for the rain, once it arrives.

A little thank you note for the rain and water spirits...

A little thank you note for the rain and water spirits…

All done we left and it was amazing to watch how the clouds suddenly appeared from all directions, as if somebody had shouted:

Here is a party and there is free beer for everybody!

Anyway, I was slightly peeved that it did not rain that day, although so many clouds came up so fast…

But I also remembered that we must continue to believe in the manifestation for it to become real, no matter what. I have to give thanks again and again, and acknowledge my faith that our prayers will be heard.

I do not know if it is from pure stubbornness or something else, I have long ago started to tell myself if a wish is not immediately granted, it is just because the universe is busy preparing something bigger, better and more awesome than I could even wish for… after all, something that grand takes a bit more time.

And so it was.

Two days later, on our departure to Germany, we received the excited news from the farm that it was raining. The rivers were flowing and everybody was excited that suddenly there was so much rain after such a long drought. And in the coming days Facebook (the modern bush drum) was filled with images and videos of the massive rain received all over the country.

I am grateful and happy.

Rain on the farm and flowing rivers on 18 January 2016 – Photos kindly supplied by Amanda Koekemoer ©

Heute im Deutschen Hörfunk in Namibia…

Once again apologies to my English followers, as I am now posting an interview in German, which we had today in the German Radio in Namibia.

Heute waren Steffen und ich beim Deutschen Hörfunk der Namibian Broadcasting Cooperation (NBC) und wurden im Auftakt zu der Namibia Premiere unseres Filmes von Ralf Boll interviewt.

Wer es ‚live’ verpasst hat, kann sich hier das Interview noch einmal anhören. Es gibt eine kurze Filmkritik und dann ein recht launiges Gespräch mit dem super Moderator Ralf Boll.

Um das Interview zu hören, bitte einfach oben Start drücken.

Der Film wird morgen am 14ten Januar im Goethe Institut in Windhoek gezeigt. Wir freuen uns, wenn die Einblicke in unser Leben und Schaffen euch neugierig machen. Lasst euch diese (einzige) Filmvorführung in Namibia nicht entgehen.

Ralf Boll, Steffen Holzkamp und Imke Rust im Studio 5 der NBC, Deutscher Hörfunk Namibia. (13 Januar 2016)

Ralf Boll, Steffen Holzkamp und Imke Rust im Studio 5 der NBC, Deutscher Hörfunk Namibia. (13 Januar 2016)

Film Revue: An Infinite Scream

Source: Film Revue: An Infinite Scream

(Sorry to all English subscribers, today I reblog an Afrikaans review about our film which will be screened tomorrow, 14th January, at the Goethe Institut in Windhoek @ 19h15)

En nou vir die van julle wat Afrikaans praat, ‘n Film Revue in Afrikaans van die wonderlike Daniël Bezuidenhout a.k.a Thulana wat met haar woorde en taal kan toor.

Lees gerus ook ‘n bietjie van haar ander blog posts, so mooi geskryf met ‘n wonderlike sin vir humor en interessante stories oor haar lewe in Ghana.

Dankie Daniël!

“Elkeen van ons wat soos ‘n volstruis met sy kop in die sand staan, en vertrou die regering sal na al jou belange omsien, moet ‘n slag staan en wonder hoe goed dit uitgewerk het vir die Boesmans.

 

In ‘n aangrypende artistiese dokumentêr, “An Infinite Scream”, kry die Imke Rust jou kop uit die sand. …lees meer hier