Tag Archives: imke rust

Starting of by Looking Back

All the best wishes to my blog followers for the New Year! Thank you for your support in the past and I am looking forward to sharing my art and thoughts with you again in 2013.

Happy New Year Namib © Imke Rust

Happy New Year Namib © Imke Rust

Wow, 2012 has been a busy and exciting year! My latest solo-exhibition has just ended and I had such a great response to it, that I am deeply grateful and humbled. Thank you all who came, commented, sent good wishes or supported me in any other way. I am busy getting ready for another fabulous new year and preparing to soon update my webpage with new pictures and information on the past exhibition and other news. Till then, I leave you with a brief review of my most viewed blogs of the last year.

I love feedback and was excited to get some nice statistics about my webpage and blog from WordPress (where my page is hosted), and would like to share some of the highlights with you:

My webpage received about 8700 views in the past year. Visitors came from 99 countries!
Most visitors came from Namibia. Germany & The United States were not far behind.

You might want to re-read my three top blogs from the past year – the ones which have received the most views are:

 

Cat & thorn circle

Cat and thorn circle

1. Tokoloshe Trap (or How to Catch Creatures of the Night) This blog tells you more about the origins of one of the works (Tokoloshe Trap) on my latest exhibition “…and I sensed an infinite scream passing through the Namib”.

 

 

 

 

Clay Foot front view (IRust)

Clay Sculpture by Imke Rust (c) front view

2. The shoes you wear… and how they are connected to my art  This one is a fun post about a very old work of mine, but seems if you put the word ‘shoes’ in the header, you might get more hits… (This blog got 184 views in 2012)

 

 

 

 

 

Tate Kuru, a Tree and a Road

Tate Kuru, a Tree and a Road

3. Tate Kuru, a tree and a road – a story of courage and doing the right thing This post is an inspirational post and explains a bit of my thinking and background to the art project I worked on for most of the year which resulted in my solo exhibition “…and I sensed an infinite scream passing through the Namib” which was shown in December 2012  in Swakopmund to great acclaim.

 

 

 

I would love to hear which was your personal favourite blog post, story or artwork of mine of the past year? And is there anything that you really would love to read or see more about this year?  Please let me know!

Pictures from the Opening

IRust_Ausstellung_O_sFinally I have time to share some pictures of the opening of my latest solo-exhibition. It opened to great many people on Sunday the 9th of December in Swakopmund on the premises of “The Last Resort Well/ness Centre” (Yes, that is how it is written for a good reason). I did not count, but the newspaper said there were at least 150 people for the opening. And I got so much wonderful comments and feedback! Wow! Thank you to everybody who came! And those of you who have missed the opening, you still have time to see the exhibition (without the pushing and shoving of so many people) every afternoon between 14h00 and 18h00, except Sundays, till the 29th of December. I am at the exhibition all the time, if you would like to meet me. I would sure love to hear your thoughts, meet old and new friends and share my art with you!

IRust_Ausstellung_F_s

 

 

 

IRust_Ausstellung_D_s

IRust_Ausstellung_L_sIRust_Ausstellung_G_sIRust_Ausstellung_I_s

 

 

All photographs taken by Steffen Holzkamp. (Copyright)

The opening speech, with Clinton Lang from "The Last Resort Well/ness Centre" in the middle.

The opening speech, with Clinton Lang from “The Last Resort Well/ness Centre” in the middle.

An Infinite Scream – Press-Release

 

SubRosa
Temporary site-specific art installation by Imke Rust

 

What do you do, when an arts association cancels your exhibition because they find it too political? And when a cultural centre asks you to change your exhibition proposal to hide the true message so that it might stand a chance of being shown?  You make sure it gets shown anyway, in an unbiased space.

And so Imke Rust’s latest solo exhibition, entitled ‘… and I sensed an infinite scream passing through the Namib’  will open at “The Last Resort Wellness Centre” in Libertina Amathila Ave 5, Swakopmund (opposite of Hotel Pension A la Mer) on the 9th of December at 17h00. It can be viewed thereafter till the 29th of December, between 14h00 and 18h00, Mondays till Saturdays.

In this environmental art exhibition Imke Rust, who grew up in Swakopmund and is still closely connected to it, addresses the current debates and happenings concerning the plans for increased mining and industrial activities in the coastal area. In her work she uses a variety of media and approaches to highlight the concerns of the general public and to search for alternative solutions in the environmental conflict. While she is painting a gloomy picture of possible disastrous long-term effects of the current developments, she also reminds people of their responsibility to look after their land and that they have the power to make changes towards a better future.

Once more, Imke Rust has produced a powerful body of work, exploring and openly questioning social and political controversial issues. Central to the exhibition are temporary land art works that the artist has installed in the Namib Desert.  At the exhibition these installations and interventions will be presented through photographic and video documentation. She evocatively combines natural and man-made materials such as thorns, salt, dung, rubbish bags, barbed wire and videos in her captivating artworks.  She even got complete strangers involved in a documented art action for the environment on the jetty.

The artist neither preaches nor dictates what the viewer’s stance should be. Instead the exhibition draws you in and compels you to engage and consider the complexities of the debate. It is an empowering experience and should definitely not be missed. 

A small part of the exhibition has already been shown in Berlin earlier this year, where it was received with great interest. Intriguingly the Swakopmund Arts Association has cancelled Rust’s booking of the Woermann Gallery on the premises that the “impertinent and unscientific public debate against the economically important uranium mining industry […] is politically charged“. 

For more information please contact me via this blog and webpage or find my artist page on Facebook (and like it, if you are also on Facebook 🙂 ) or go directly to the Event’s page, also on Facebook.

Looking forward to seeing many of you at the opening or afterwards!

The Last Resort Well/ness Centre – Swakopmund
Libertina Amathila Ave 5

Save the date!

Poster

You are invited!

“…and I sensed an infinite scream passing through the Namib”

An environmental art exhibition by Imke Rust

From the 9th till the 29th of December Imke Rust will show her latest body of work in Swakopmund. The exhibition addresses the current debates concerning the plans for increased mining and industrial activities in the coastal area. Through her diverse artworks she invites the viewer to engage in and consider the complexities of the controversial issues. The artist will be present at the opening.

Opening: 9th of December at 17h00

Venue: The Last Resort Well/ness Centre, Libertina Amathila Str. 5, Swakopmund.

Duration of exhibition: 10th – 29th of December 2012

Opening Times: 14h00 – 18h00, Mondays till Saturdays

Works sold in aid of the SPCA and Cat Protection Society

Two of my older works about the human-canine relationship as a metaphor for power relations on a personal, social and political level, have been sold as part of an auction to raise money for the local SPCA and Cat Protection Society.

I am excited to be able to help in a small way and support the great work these organizations are doing. And we are working on another idea of selling some more of my works depicting dogs and cats via Facebook. So soon you could hopefully become the owner of one of my works and at the same time doing something good for all the homeless pets out in Windhoek. I will keep you posted.
Till then you can see the two works which were sold already:

My Best Friend ©Imke Rust

My Best Friend ©Imke Rust
Digital Print on Paper, A2, Edition of 5

 

Lonely Dog in Blue ©Imke Rust

Lonely Dog in Blue ©Imke Rust
Acrylic and digital print on paper
60x60cm
2002

 

Wishing you and your best friend a happy day!

 

 

 

Art Clubs – what a brilliant idea!

Sold! This lady will be traveling to her new home(s) in Denmark.

Untitled © Imke Rust
Untitled, 59 x 42cm, Ink, Acrylic on paper. © Imke Rust

I have just sold this drawing on paper from my current figurative series to the  Danish art club “C67” (from the town of Hjørring) after they visited me in my studio. Their visit to galleries and artists’ studios in Berlin was organized by the Danish artist Mads Dahl Pedersen, who’s studio is in the same building as mine. (Go and check out his artworks by clicking on his name, once you are finished here).

Besides being happy about another sale of my art, I also got to know about art clubs for the first time. Here is what I learned about them:

Art clubs are very popular in Denmark and it sounds like such a cool idea: Each member pays a small monthly fee and the money gets used to buy art. The members of the art club can then hang the work in their own houses for a month, after that time the work goes on to the next member, so that everybody gets a chance to live with the artwork. Once a year they hold an auction, where the members can bid on the works they really like and want, and the highest bidder gets to be the final owner of the work. What a cool idea to stimulate the interest in art and keep it fun and interesting, while at the same time building up a good collection of art!

This particular club has eleven members. I think that is an average number so that each member can have each artwork for one month in the year. And each member pays about 60 Euros per month. I guess the amount payable is made up by the group and depends on their income. So that starting an art club is not a matter of being well-off, but rather of putting your money together to buy great art. And you meet once a month, go to galleries together, talk about art and exchange ideas and views.

Maybe this idea can take root in Namibia (or wherever you are living)? What do you think, is this a brilliant idea or what?

A rare chance to view my older works in Windhoek

IRust_UNAM exhibition invite

 

If you are in Windhoek and would like to see some of my artworks (older ones – but some I am sure you have not seen yet) try to make a turn at the University of Namibia Campus – Visual Arts Department, where a selection is currently on view!

It is not an official exhibition, so there has not been a special opening function etc. but was meant to introduce the UNAM students to my work. Fortunately the exhibition is open during normal university hours for the public, too.

Should you be interested in buying any of the works, please contact me, so that I can give you the prices and details. (Not all works are for sale, but most of them).

I hope you enjoy seeing this exciting mix of my older work!

Venue: UNAM Visual Arts Department
Dates: 3 September to 12 October 2012
Opening Times: 8h30 – 16h30
Monday to Friday

Curled-up Woman

IRust_Curled Up Woman

Curled Up Woman (Ink on paper, A2) (c) Imke Rust

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Today I am sharing a new drawing of mine with you. I am busy with writing of applications and organizing to have an exhibition at the end of the year in Namibia, so I do not have time to write a long blog. Hope you enjoy the picture instead 🙂

Can art do more?

Imke Rust Saltcircles

Photographing the first day’s work of the ‘Saltcircles’ during a misty sunset. (photograph by Steffen Holzkamp)

Art can be thought-provoking, inspiring and make the world more beautiful. But can it do more?

Part of my being is that I question everything. I love understanding the relations between things, the ‘why?’ of everything. I also love to find alternative solutions to problems or do things other people think cannot be done.

Often I ask myself, why am I doing art? What ‘real’ purpose does it serve? And can it do more than just look pretty, be a clever idea or make people think? Somehow all these things have not yet completely satisfied me. Yes, they all have merit and even a purely decorative painting has its purpose, but I believe there is more to life and more to art.

This has led my search, amongst others, to old, shamanic traditions. Somewhere during my art history studies I came across a reference to Ethiopian healing scrolls. If a person was sick, the priest would make scrolls according to specific rules (for instance the scroll needed to be as long as the person’s height, if I remember correctly), on which they painted symbols and wrote prayers. These scrolls were then taken home by the sick person and were viewed every day till the illness was cured. Interesting – art made to heal somebody?

Again and again I stumbled onto references where art is used for protection, fertility, health, initiation or to manifest a desired state. I became more aware that in olden days the shamans and priests made use of what we today call art (dance, painting, sculpture, music, etc.) to do their work of healing, blessing and manifesting. Since I read about the healing scrolls, I have been looking at the link between art and spiritual and mythical traditions and beliefs more closely. I do believe that under certain circumstances, art has more power and effect than what we normally imagine, and so I decided to try and be much more conscious about what kind of art I am making and why and how…

Working in the Moon valley, Namib Desert

Working in the Moon Valley, Namib Desert (Photograph by Steffen Holzkamp)

Be the change that you want to see in the world

In 2007 I made my first conscious work into this direction. I developed a personal Yin & Yang symbol to harmonize and balance the male and female energies in my life (Click here if you are curious). In 2010, I hoped for rain and made a work entitled ‘Rainmaker’ (read more about it here) – this was the start of becoming more interested in working directly in nature. Towards the end of last year the general concern about the environmental threats posed to the Namib desert by increased mining and industrial activities and proposed plans for off-shore mining of phosphate on the Namibian coast, started growing. Having grown up in Swakopmund and still considering it one of my homes, I, too, am concerned and decided to find ways in which I can do my part “to make the world a better place” and protecting the environment.

I realized that protesting or being against what I consider to be a threat is not the way to change things – or at least not my way. Instead I looked at ways of putting energy into the reality I would like to experience: a balanced, healthy and protected environment, in which all beings co-exist in a harmonious way, without destroying each other. This is based on the spiritual idea of ‘what you sow is what you reap’.

Planting black 'roses' in the Namib Desert

Planting black ‘roses’ in the Namib Desert (Photograph by Steffen Holzkamp)

The works had to fulfill at least one of two different purposes:

  1. to protect, bless and heal the land
  2. to make the threats visible and conscious, because if you have looked into the eyes of the danger, you understand it better and loose the fear and can act from a stronger base.

Loosely based on different aspects of old shamanic and spiritual traditions from all over the world, I tried to find my own formal approach, use of form, symbols, rituals and materials according to my intentions to produce my art or healing works.

Click here to be taken to see a small selection of the resulting artworks and brief descriptions.

I appeared back to back with Madonna in Berlin

Yes, it is true. This weekend I appeared back to back with Madonna right here in Berlin. You are right, my musical talent sucks, but my art is getting more and more famous.

Ok, I did not appear on stage, but while the superstar Madonna got the front page of the cultural supplement of the German magazine “Der Tagesspiegel” this past weekend, my artwork appeared on the very next page – basically back to back.

I have to admit that I am not a fan of her music, but I do really admire how she has made it from a small unknown girl to become one of the most famous female musicians in the world, with pure guts, hard work and determination.

And I am just overly excited that I, a ‘small Namibian girl’, am having a solo exhibition in Berlin and getting a prominent mention in a leading newspaper… I hope that this is another small big step towards making my mark in Germany and get some more recognition (and sales) for my art. It would be wonderful if my artwork caught the eyes and attention of a small percentage of their 350 000 readers.

The more attention my art gets the more attention the subject and cause behind the exhibition will get:  Raising the consciousness about our Namibian environment, especially the coastal area and Namib desert and the possible threats from the mining and other industries and pollution.

Here is a cut-out from the newspaper:

Tagesspiegel 30 June 2012

Tagesspiegel 30 June 2012 Cultural pages with a picture of my work SubRosa.

The caption says:

Black barbed wire roses in the Namib. Today the exploitation  looks differently than in the times of the German colonial power. The landscapes of Namibia are threatened by the mining of natural resources and pollution. The artist Imke Rust lives in Windhoek and Berlin. She protests with her ‘land art’ – here the installation “SubRosa” – against the destruction of the nature. “Goldgräberstimmung”: Photos and videos by Imke Rust can be viewed up to the 16th of July in the Berlin Grafik Studio Galerie Neumann (Rigaer Str 62). “

If you are interested, you can read the online version of the “Tagesspiegel” here.

Info about the work:

SubRosa (Under the Rose) by Imke Rust

 Temporary installation in the Namib Desert Dune belt south of Swakopmund.
22° 43’ 01” S – 14° 33’ 47” E
Original dimensions: 90 x 270 x270cm
99 roses made of black rubbish bags, barbed wire, wire
April 2012