Category Archives: Thoughts

An Artist’s Life

Many exciting new things are happening in my life and I did not have much time to write for my blog. Today I thought of sharing a few pictures from my life with you, to give you an impression of what has been happening. That is, the fun stuff, which happened between all the admin work that took up most of my time.

First, as it is becoming warmer, I decided to prepare one of the outside rooms as a temporary summer studio, so that I can paint again on bigger canvasses, be messy and not mind paint splatter on the floor and allow space for offering workshops.

Those who have followed me for a while, know that I moved to a small village close to the forest, with a garden and an outbuilding and garage, which we want to turn into a wonderful, light and spacious studio. Unfortunately we discovered that we first need to get a new roof, as the old one is leaking beyond repair. So it may take a while, for our/my dream to come true. But the temporary studio will work fine for the warmer months for a while.

I have also been lucky to have received a second-hand drawing cabinet and large drawing table as a gift, which I am so grateful for.

Studio pics:

(Click on the images to see them in full.)

Yes, there was also time for making art. And I have noticed something odd happening in my life, kind of like a deja vu, just different. Similar kind of circumstances, situations or images appearing two or three times in a short period, without any relations between them. Only that I see them connected because they are so similar and unique in a way. I am feeling, wow, I just saw the exact same situation in a different way yesterday. I guess this means something, just not sure what. Let me explain it with an example concerning my art.

Recently I saw an image on the Internet of an adult woman sitting on a small children’s rocking horse. I liked it for its weirdness, and saved it as inspiration to draw from later. During the open studio event, I met the wood-carving artist Bodo Henke. One of his small sculptures was really adorable, so I decided to buy it – a horse with a rider, who is much too large for the horse…

When I came home, I realised the similarity to the image I had found in the internet. So I decided to actually start drawing my version of the lady on her rocking-horse. To me my painting looked more like a horse on a carousel. I decided to add white stripes and turn the horse into a Zebra, to express my connection to Africa and it just looked more exciting.

Yesterday, at the harbour festival, I saw an exquisite, antique, mini carousel for children. To my amazement, the riding figures on it actually were Zebras!

(Click on the images to see them in full.)

 

In between admin and other work, I also really take great pleasure in experiencing the spring for the first time in our own garden. I love to watch all the sprouting and blooming, and revel in the shapes and colours. Here are some impressions:

(Click on the images to see them in full.)

 

With the spring weather and more sun, I have also felt much more like getting out and do things. We have been to visit several artists in the region during an open studio day, watched the aeroplanes land and take-off from the side of a highway during sun-downers (a Namibian habit of celebrating the sun going down with a drink and good company) and briefly visited the harbour festival in Oranienburg. Here are some pics:

I wish you an awesome, happy and creative week ahead!

PS. if you missed my previous post, please have a look for the exciting announcements of our up-coming film debut in Berlin.

 

 

Feeling the Drought in Me

'I am Desert' by Imke Rust

‘I am Desert I’ by Imke Rust (Photography, Digital print on Alu-Dibond)

There is a blurring, hot tension in the air. Even though I am not there, I am so familiar with this situation that my body physically reacts to it every time I think about it or remember the many years of experiencing this same intense and ominous collective fear of an upcoming drought.

I feel how this fear increases with every day in which the sun burns from the bluest skies with no cloud in sight. I feel the heat and the dust and the lack.

The lack of everything…

lack of aliveness and lack of hope.

I can taste the dryness.

But mostly I feel the silent terror and doom hanging in the air like an invisible monster.

I have experienced the impact of a serious drought. And I have experienced the fear oozing out of every wretched discussion, which repeatedly circled around the drought and the rain like a starving dog tied to a tree sniffing some fresh meat in the distance.

The elderly compared and remembered the many droughts they have experienced and seemed to revel in reciting their horrors. The younger, who could not rely on memories that much, were more likely to speculate according to the weather forecasts, the dreaded El-Niño phenomena or any other scientific statistics or findings. I remember these discussions as mostly negative, fearful and resigned, sometimes angry and usually interrupted only with long heavy pauses, knowing glances and deep sighs. For one or other reason, everybody seemed to know that we would be doomed with another great drought, as if by stating the worst that can happen, we are bracing ourselves for it. The few hopeful voices in between quickly got lost or talked into submission.

This fear and the helplessness have crept into my bones. As a child I listened to all these discussions in the hope that somewhere some one would have a solution or know for sure what is going to happen. Will it rain?

Hoping to find somebody who could say: it is going to be okay, even if it doesn’t. Even as a child I knew, that no matter what people said, the rains are not always forthcoming, that is just part of living in a desert country. So I hoped to find some way of creating hope and faith that the natural order of things are okay…

The older I became, the more resigned I became. I had accumulated more experience with dry years, with droughts and the impact it had on our life.

Yes, I fear the droughts. Deeply. But I came to fear one thing even more: the continuous doom saying and negative speculating that happens throughout the year, but increasingly in the rainy-season, when this seems to be the only topic on everybody’s minds. And the feeling of helplessness.

Sure, when the rains come and when they are good, we all are grateful for a moment, only to easily and quickly forget our moaning and return to life as we know and want it.

When the rains do not come, or let us wait too long, we are spiralling down into an ever darker abyss of fear, lack and death. I came to think of this as natural, but when I became more aware of physically experiencing the discomfort of cringing cells in my body whenever I think about this, I started to question what is happening. Even more so, when I realised that even far away from home, in Germany, I am not immune to this.

What is natural is that we are living in a very dry country – in Namibia, named after one of the oldest deserts, with unpredictable and variable rainfall. What (according to me) is not natural is how we deal with it.

I understand the fear, because I feel it too. But I refuse to believe that this deep fear and immense sense of being helpless at the hands of the weather is necessary, natural or useful. I also feel that the relentless doom-mongering and negativity is the worst way of expressing this fear or avoiding the situation.

This constant distress is killing our souls and we have let the drought creep into our hearts and veins.

I started thinking about the ancient San people in Namibia and then also about so many different ancient cultures, maybe the most well-known being the American Indians. All people throughout history were exposed to the unpredictability of the weather and to extreme conditions, droughts, floods, raging storms and endless freezing winters. Maybe it is idealistic of me to assume that the people long ago had a better relationship to the woes of the climate and nature, but from the stories that we have from that time, I am sure they knew something, which we have lost.

I guess the core difference is that they lived with deep respect and reverence towards nature and understood the importance of a healthy give-and-take relationship with everything around them. They understood themselves as a small part or children of this much larger Mother Earth.

We on the other hand have come to view ourselves as masters of the earth. We believe it is our birth-right to exploit any natural resources, to take without giving and separate and put us above the rest of nature.

We have made man the centre of the universe and profit our highest and only purpose.

Every time a drought looms, we are uncomfortably reminded, that we are not the masters of this universe. Our presumed intelligence, scientific and technological advancements and our arrogance all are futile, when the environment stops supporting us. When earth stops to produce new resources. When earth dries up and shrivels under our endless and greedy exploitation.

We are at the mercy of a benevolent environment and we are part of everything that happens. The old people understood that, we don’t.

With every drought we get angrier and more fearful. People like farmers who live closer to nature feel it first and the most intense, while others can ignore it for longer, as they have already distanced themselves so much from nature. Their money can still buy food, when the animals and plants on the farm already starve, but eventually their money also will have nothing left to buy.

What if we all would be willing and open to rethink the possibility living more in tune with nature again? Before nature forces us to. What if we would stop investing our energy in complaining and doomsaying and instead find better ways of prepare and deal with reality?

'I am desert II' by Imke Rust

‘I am desert’ by Imke Rust
Photography, Digital print on Alu-Dibond

I refuse to believe that we are separate or above nature. And I refuse to believe that we are powerless. Not only should we honour and respect mother earth, but we should accept the responsibility that comes with it. If we understand that we are but a small part of the whole, yet we are an important and powerful part.

If we would see us as the hand of a person, we would understand that the hand is subjected to what the body does, but at the same time, it also has an important purpose and function. It is powerful in its own right, but not of its own. It needs the body. And the body needs the hand. The hand cannot complain that it is starving, if it refuses to act in its power and pick the fruit and bring it to the mouth.

My research and exploration into old rainmaking traditions have shown me, that we have the answers and the power of our destiny within us. Yes, there are forces larger than us, but we are part of those, and thus we also can have an impact.

Rainmaking has become synonymous to me with actively co-creating our reality, to become conscious of our part in this grand oneness and act accordingly.

We can choose how we want to act out this role. We might not be able to change Namibia into a rainforest, but we can learn to accept that we are living in an arid country, we can take responsibility for living within the means of what is available and the courage to act as blessings to our surroundings.

We can honour and respect what we have, and express our joy and gratitude in a thousand ways.

We can use our power to change our ways and find ways to better serve our earth-body.

Yes, I believe we can make rain and we should!

Is it easy? No, but it is definitely more constructive and fun, than being prophets of misfortune and disaster and clinging to our fears.

Do you fear being at the receiving end of the weather and climate around you? In what ways do you deal with that fear? And what is your solution? Do you save water? Have you ever performed a raindance? Or have you consciously prayed for rain? I would love to hear your thoughts and ideas!

If you want to read more about my thoughts and actions on rainmaking, please click HERE to see a list of all blog posts on this subject.

( I started writing this as a short introduction to one of my rainmaking experiments which I wanted to share with you, but then it turned out to be a loooooong introduction and I decided to rather let you digest this first, and share the experiment with you in the next post.)

Facing the Creative Mess

I have not been feeling well these past days. But I tried to paint anyhow - it was a long, painful and frustrating process, cause nothing wanted to go the way I hoped... actually I do not even know what I really want to express with my art anymore... I feel lost. Although I enjoy her (the painting) I could happily do without the struggle.

‘Born of Frustration’ Mixed Media on Watercolour paper, 200g/m2, 32x24cm. I have not been feeling well these past days. But I tried to paint anyhow – it was a long, painful and frustrating process, cause nothing wanted to go the way I hoped… actually I do not even know what I really want to express with my art anymore… I feel lost. Although I enjoy her (the painting) I could happily do without the struggle.

I went a whole month without writing a blog. I miss sharing my thoughts with you, but it felt as if my thoughts and feelings were on a roller-coaster ride (and still are). I just could not focus on any single thing and write about it.

On the positive side it also means that I have been working more on my art and facing all the gremlins that come with that. You know, stuff like fear of failure, insecurity, questioning the sense of it all and wondering if what I do really makes a difference to the world?

“Anyone can slay a dragon, she told me, but try waking up every morning & loving the world all over again. That’s what takes a real hero.”

(Brian Andreas of Story People)

I often return to this piece of wisdom when I get fearful of life. And in my personal way it means facing an empty piece of paper or canvas all over again, not knowing the outcome and not knowing if it will make any difference to the world. Or if it will touch anybody in a meaningful way? Will it nourish my soul? And will it support my survival financially. Will I mess it up? Will my insecurities get the better of me and let me abandon it?

Creating art is messy. Not only in a paint-splatter way.

It messes with your soul in a weird way. I cannot tell you all the emotions that I am going through when I create art. It teaches me that I never really can control the outcome, that I need to trust the process and myself and it teaches me, that often what seems like destruction or failure is the biggest blessing to the creative process. All difficult lessons and challenges for me, but I am trying to bravely ‘face the dragon’ every day, even when I feel lost and unsure of which direction to take.

It is strange how my passion for making art can also be so uncomfortable, challenging and forcing me to face my deepest fears and insecurities. But, oh the bliss, of finishing an artwork and thinking: wow, I struggled through that and something beautiful came out of it!

Today I thought of giving you a glimpse into my studio, so that you can see what I am up to and why I have been so quiet.

I also would like to show you the wonderful packaging that my Teabag Totems now come in and the perfect frame, which I found for them. You can buy any of these existing unique little artworks as shown here or I can create one with your favourite or totem animal. If you missed reading about my Teabag Totems and want to find out more, click here. (Cost: €20 plus postage).

Please click on the images to get a larger view.

I just love these frames and how the Teabag Totems look in them! So I have decided that I will offer the option to buy the frame with the artwork. Just ask me about it.

It feels vulnerable to share with you my working space and creative mess, but hey, this is me and how I work and I know that every now and then everything gets cleared and tidied up again. 🙂

View of my working space and creative mess...

View of my working space and creative mess…

And here some views of the artworks which are partly in progress or just finished or waiting to be decided upon. When I am not 100% happy with a work, I love to see it regularly until I either change something again, or I start accepting (and loving) it for what it is.

Small drawings on watercolour paper

Small drawings on watercolour paper

The larger drawing below, started of as a black ink drawing and I expected it to stay that way. Instead it surprised me with this outcome. I love the feeling of lightness and softness, despite the tension and a bit of dreamy sadness that I feel in the figure.

Mixed media on paper and board

Mixed media on paper and board

And hey, look who appeared again! The kudu…

This painting started of with a female figure in black and white, then the kudu appeared and stole her show, so she got painted over. I am not sure if this will be the final version though…

Acrylic on canvas (detail)

Acrylic on canvas (detail)

Ok, that’s it for today. Now I have to start cleaning up the mess, because this weekend I am celebrating my 40th birthday with a few friends and need the space. Currently I am working from our living room until we get the out-building turned into a non-leaking, warm and light space – hopefully in the next few months.

My New Year’s Resolution and a Gift for You

The Muse - by Imke Rust

The Muse – a self-portrait I have done this time a year ago while at home in Namibia.

The end of a year is the time when most of us take stock and plan ahead for the new year. Many friends are sharing their intentions, hopes and dreams on social media.

I, too, really want the next year to be awesome, but find it so difficult to put my desires into concrete shapes and words. My inner need to get more focussed has built up pressure in the past few days and my inability to focus has filled me with fear.

Today I decided to at least look through the things I have done in the past year and came upon the following text which I have written in September. It reminded me of a valuable lesson by which I have lived most of the past year, and probably should just continue to use as my motto in the next one, till I can fully embrace it.

I am sharing this with you, in the hope that it might inspire you too. Here it goes:

Sometime in 2013 when I felt really sick and depressed, and that already for a few months, I had this talk – with myself, or my higher self or God, well, that thing which sometimes answers you, by putting brand new and outrageous thoughts into your mind.

It went something like this:

Me: I finally want to be happy! And healthy!

It: Well, then just be happy and healthy.

Me: But I cannot. Cause I am depressed and my body is aching. Did you forget that I have a broken back, and ten other health issues on my plate on top of it?! Are you saying that it is my thinking and believes causing this?! It can’t be, because I have been trying to do all the right spiritual stuff and be positive and all that shit… and still here I am, feeling miserable, wanting to give up, but even too scared for that…. So?

It:      Just be.

Me (getting agitated): Grmpfff – I just told you, I am not. And it would be lying if I said that I am happy and healthy. And I will not lie. It is of no use.

It: No, just be. Breathe.

Me: Hä? (That is German for WTF?)

It: You know, how the world and you are trying to live by the Nike slogan: Just do it! ? That is ok, sometimes that is a real great advice, but right now I am giving you a new slogan, and yes, it sounds outrageous, but try it: Just be.

Me: Hey – hmmm, an improvement on the Nike slogan? Great, I like that! And it is even shorter than the Nike slogan, and less is more, so this is quiet cool.               I will try it.

And so I did.

Whenever I felt stressed, insecure or anxious, I stopped myself, took a deep breath and told myself: just be.

The beauty is, that in that moment I realise I am. I am everything, I am stressed or insecure, but I am also Imke, a human being, a woman, a creative spirit, a lover, a daughter, a friend… And I am part of this universe, I am love and I am kindness.

I (we?) often forget to firstly ‘just be’. Being is all we need to do.

There is nothing I need to do to be better or more accepted. We often put doing before being. When we remember to be and let our doing flow naturally out of our being, we start to live a more honest and happy life. We gain more strength and confidence in our actions, because they are fuelled by our true being and not by what we are told or tell ourselves we need to do.

Try it. For me it helps taking a deep breath, sometimes closing my eyes and then feeling into being. Consciously feel how I am being. Alive. Present. Aware.

It immediately calms me and gives me new strength. And it puts my fears of not doing enough or being perfect enough into perspective. I hope it might be the same for you.

And as a special gift I have created the image below and would love to send it to you in high-resolution so that you can either print it or use it as a screen-saver to remind you of this simple New Year’s resolution.

Just email me at imkerust(a)iway.na (Note: Please replace the (a) with an @ sign.) or leave a comment below and I will hurry to get it to you asap.

 

Wishing you a blessed and amazing 2015 filled with joy, love, health and abundance!

Just be.

Season’s Greetings

Season's GreetingsTo all my friends, followers of my blog and art lovers,

thank you for another year of your support and appreciation! I am so grateful for being able to share my art with all you lovely people and to receive so much love and valuable feedback in return!

Thank you for your interest, your comments, your likes and your purchases. It means so much to me and keeps me going and growing in my art.

I wish you all a wonderful festive season and a great start to the New Year!

Imke

Cats Raising Money for Cats

Everyday, when I switch on my computer, I look at this adorable fluff-ball:

The adorable fluff-ball Princess Clarissa

The adorable fluff-ball Princess Clarissa

She is my cat and she is a real princess.

She even has her own throne, on wheels, decorated with the insignia crown of her royal highness…

Princess Clarissa on her very own thrown.

Princess Clarissa on her very own throne.

She’s got attitude, she is goofy and does not care the least what you think about her odd lying positions and her aloof behaviour.

But, do not call her fat. Her sensitive heart is deeply hurt when somebody dares to call her fat – she will never honour you with another glance, never mind a purr….

And to rescue the situation her servant (ie me) has to explain, that she is not fat, it is just that her pretty head is a bit too small, and she has a lot of fluffy fur.

And no – nobody is allowed to touch her silky soft fur! That is just not on with royalty!

Her name is Clarissa.

Named after the great author Clarissa Pinkola Estes.

And Clarissa hails from the SPCA in Windhoek.

I am so grateful to have this little princess in my life and always try to support the SPCA. I believe that they are doing such important work and play a huge role in animal welfare.

Being an artist with a minimal and ad-hoc income I often was not able to support their work as much as I wanted to. But I have found ways and means to support the SPCA and Cat Protection Society of Namibia, for instance, by donating paintings of dogs for their fund-raising auction.

Recently I made a fun painting of a cat and shared it on Facebook. This painting reminded Ms Susanne Jaspert of her own cat, another cat hailing from the lands of SPCA, and she decided to buy this painting.

I was so excited that my pink cat painting found a loving home, as cats and paintings all need loving homes!

SOLD. Untitled, Ink & Acrylic on acidfree paper 170g/m2 29,7 x21cm

SOLD. Untitled, Ink & Acrylic on acidfree paper 170g/m2
29,7 x21cm

What better excuse to donate the proceeds to the SPCA? A cat painting helping the cats and dogs of the SPCA and supporting the work of the people who care for them.

Why am I telling you all this?

Because, I often felt helpless and too poor to help and yet there are so many ways to help out. It does not need to be in big ways. But maybe something you love doing can be donated or used in order to support a cause close to your heart? I hope that this might inspire you to find a way how you can help and remind you to go out and just do it.

Or to adopt your own princess or prince from the SPCA and let them sneak into your heart and soul.

And as I was preparing this post I searched through my photos to decide which pictures to use and as you can imagine, it is not easy if you have the cutest and goofy-est SPCA cat in the world. So here is a small selection which I just have to add, as they also give you a glimpse into how important this cat is in my art making.

Mixed Media Artworks from my Land Art Project

I realised that I have never put up my mixed media artworks from my land art project on my webpage…

So let me share some of the works and the thoughts behind them with you today!

 

This artwork is called ‘What will be left’

All currently awarded mining licences were cut out from a tourist map, to make the actual impact visible. Not all licenses will be used immediately or at all, but companies would not pay for such licenses if they did not have the intention of using it sooner or later. Also many of the areas are awarded more than once, for instance for diamonds and for nuclear fuels at the same time.

(This information can be found on the webpage of the Ministry of Mines & Energy of Namibia).

Open Pit Near You Photo of the Namib Desert, acrylic, cardboard (Recycled), wood glue 14,7 x 19,7 x 1,7cm

Open Pit Near You
Photo of the Namib Desert, acrylic, cardboard (Recycled), wood glue
14,7 x 19,7 x 1,7cm

From photographs which I took of the Namib desert I cut out an ‘open-pit mine’.

Concessions Areas 2 Digitally manipulated photo of the Namib Desert Digital print on photo paper 15 x 20cm Numbered Edition

Concessions Areas 2
Digitally manipulated photo of the Namib Desert
Digital print on photo paper
15 x 20cm
Numbered Edition

Concessions Areas 1 Digitally manipulated photo of the Namib Desert Digital print on photo paper 15 x 20cm Numbered Edition

Concessions Areas 1
Digitally manipulated photo of the Namib Desert
Digital print on photo paper
15 x 20cm
Numbered Edition

Most of the Namib desert is sliced up into different concession areas for mining purposes, awarded by the government to interested parties, very often foreign companies. Once again I used my photographs and imagined what it would look like, if we could see these areas while we are in the desert.

Repeating History (Maharero & Leutwein) Ball-point pen on magazine image 27,5 x 43cm

Repeating History
(Maharero & Leutwein)
Ball-point pen on magazine image
27,5 x 43cm

There is a pretty famous old photograph of the Herero Chief Samuel Maharero and Governor Leutwein. Samuel Maharero has sold off much of the land of his people to the Germans for very cheap in return for being helped to fight the Herero people who did not accept him as chief.

I used this photograph as a reference and drew the people into a modern-day setting (an interior from a magazine) as I imagine similar dubious and far-reaching deals are happening still today, especially in awarding mining concessions.

The problem with selling off our countries resources in such a big way, is that we will never be able to get them back. Once they are depleted, they are gone forever and we are left with big scars in the earth and probably a lot of pollution.

Fata Morgana Welwitschia Acrylic and pencil on canvas 15 x 20cm

Fata Morgana Welwitschia
Acrylic and pencil on canvas
15 x 20cm

Or: Not everything that shines is gold…

I guess only Namibians will understand this work immediately. The Welwitschia is a unique plant found in the Namib desert. An abstract representation has been used as decoration for the statehouse’s fence. The golden Welwitschia decoration is made by North-Koreans and it is not cast in metal, but in plastic.  The statehouse has been the source of much dispute, since it was build mostly by foreigners and at a huge cost to the nation. The lavishness and pomp and huge expense feels like a laugh in the face of all the Namibian people who are living in real poverty with no roofs over their head.

Also, the Welwitschia is a special ancient, protected plant found in the desert and just like the minerals, metals and nuclear fuels which can be found here, I feel that our government would sell it off to some foreign investor without further thought, if they were offered the faintest promise of getting rich quick.

If you would like to see some more works from this project, please visit this LINK.

Permission to Play

Please click on images to see a larger version.

Recently I have allowed myself to make some abstract paintings for the first time in my life.

Do I need permission, you might wonder? Yes, because most of my life I thought it is too easy and superficial and thus not becoming for a ‘serious and deep’ artist like me. So I just did not allow myself to go down that route.

I had so much fun playing with my new colours and I loved the results! I posted some of these abstract paintings on Facebook and got a lot of positive response and my heart just warmed up and I felt happy and satisfied.

Those of you, who follow my musings here regularly, know that I have had my struggles with fitting into the art world and making sense of it all. I had serious doubts about just about everything. Always questioning if what I am doing is purposeful, important, serious enough, good enough, likeable and sellable and so much more.

This used to drive me crazy and kind of paralyse my creative flow for most of the time. It took so much effort to do things anyway. To get up and paint or draw or create despite all my doubts and insecurities… To make art, even though I have already so much art piling up, that will probably never find a way out into a gallery or somebody else’s home.

To deal with depression and try to not to loose hope…

Somewhere along the way things turned so bad, that I decided to take a break, even though that thought seriously freaked me out. But I knew I had no real choice. Being depressed and creatively paralysed was anyway not really supportive of producing any good art or make me feel happy and excited.

Sea Turtle by Imke Rust (Water-colour pencils, Acrylic and gel pens on acid-free 170m/g2 paper, 29 x 21cm

Sea Turtle by Imke Rust
(Water-colour pencils, Acrylic and gel pens on acid-free 170m/g2 paper, 29 x 21cm)

So I quit going to the studio. I quit pressurising myself to produce any serious art. I stopped writing proposals for stipends, grants or exhibitions. I even stopped going to see other art exhibitions, as I realised that every time I see other art, I start comparing myself: either thinking that everything great has already been done by people who are much better or feeling I have so much more to offer than the artist I see, yet they have a show and sales in a fancy gallery and I don’t.

It took a lot of courage, but I decided to start doing only things I really want to do, things that are fun or make me happy. Even if that meant sleeping most of the day – if I felt like it, I did it. Yes, my mind was racing and blaming and I was feeling so guilty and lazy, but on the other hand, my body gratefully accepted and turned around for just another few minutes of rest.

The struggle between my critical mind and my soul’s desires was huge. Mostly I could not even remember what my soul wanted and my mind was loud and full with ‘should’s and should not’s and trying to know and understand it all from a rational perspective. And very often I ended up wasting time in front of the computer, because that at least felt like I was doing something productive.

Ever since I can remember, I was very aware of other people’s needs, expectations and emotions. My survival instinct as a child quickly realised this could be a valuable gift that I hoped would help me to fit in perfectly and make everybody around me happy. I was good at that – always being thoughtful, kind and pleasing.

I am sure in many ways this unconscious strategy really ensured my sanity and survival. But it was not always successful. The more people I had around me that needed pleasing at the same time and the more complicated things became, the more I felt like failing and was failing. And the more confused I got and ultimately depressed. Especially because there was this deep, throbbing feeling that there was more to my life, than pleasing others and being socially acceptable. Just how could I ensure my survival if it depends so much on others? On a more practical level: people have to like my art in order to buy it, so that I can pay my rent.

Rhino Angels, Pencil on  grey paper 110g/m2 29,7 x21cm, © Imke Rust

Rhino Angels, Pencil on grey paper 110g/m2 29,7 x21cm, © Imke Rust

 

Anyway, I promised myself to follow my heart and listen to my soul and was adamant to push through on that. Until I figured out that I have absolutely no clue who I really am and what my own desires are – I was so good at soaking up other people’s desires, that I never gave much attention to my own. So, I tried to remember. I just could not. And every time my heart or soul nudged me with a little idea or urged me to just draw a cute little picture, my mind was racing and shouting again, finding hundreds of reasons why I should not.

I tried to compromise. I told my mind, that it is ok to play, I have a few more savings and one small alternative source of income and for right now, my survival will not be jeopardised (one of my greatest fears). I told my mind, that I will spend ‘just a tiny little snipped of time’ playing with paint or resting or enjoying watching the clouds pass by –surely that would be ok? This little time will make me happy and give me more energy to one day show up for the big work with all new enthusiasm and creativity.

The negotiations were tough and endless, but somehow, I guess out of pure desperation I nudged out more and more time and space to just be, to play, to muse and to not worry.

And I decided to ignore the inner critic as best I can and give myself permission to at least try to follow up on some crazy or fun ideas I have. To try out different things, so that I can finally figure out my own true inner desires again and express them.

 

Neon Butterfly, Acrylic on acidfree paper 170g/m2 29,7 x21cm, © Imke Rust

Neon Butterfly, Acrylic on acidfree paper 170g/m2 29,7 x21cm, © Imke Rust

The struggle has not ended, but I have a feeling I have come a far way. Being brutally honest with myself has helped a lot. And being kind and understanding with myself – wow, I did not realise how difficult that is!

It has also helped me to share my experiences and thoughts in this blog. Even though I have only allowed small glimpses every now and then, I feel that I have so many thoughts and experiences swirling around in my mind, that it would help me to just express them. And I hope it might help others reading it, to find some inspiration, help or just a feeling of not being alone with your troubles.

Much of the time I spent on the computer, trying to be busy and avoid looking deep into my own soul, has been spend on the Internet. I have read a gazillion motivational, self-help, inspiring blog posts. And yes, many of them were helpful and inspiring and I am so grateful for the access to all this information we have.

It struck me how so many people who can be viewed as successful and happy from the outside, are or have been struggling with many of the same issues that I struggle with. When such people are willing to share and expose their most vulnerable parts, their fears or mistakes, it gives me hope, as I realise we are not alone, nobody is born ‘perfect’ and if they can find answers and solutions, so can I. And I can learn from such a great pool of wonderful teachers, who probably never even see themselves as teachers.

That is the reason, why I feel that I want to share more of my inner world and thoughts in this blog, even if they are not directly related to my art. And I hope in some small way it might be an inspiration or helpful to some of you too.

Please click on the images below to see a larger version.

Imke Rust – Wieviel Namibia steckt in ihrer Kunst?

Imke Rust – How much Namibia can be found in her art?

Last Tuesday was one of those nervously exciting days… I have been invited for an hour-long interview on Deutschlandradio Kultur. The interview forms part of a series called ‘Im Gespräch’  – I would translate it as ‘In Conversation’. Interesting and inspiring people from many different backgrounds are invited to share their thoughts and experiences during these interviews.

Imke Rust busy making the SubRosa Artwork. Photo by Steffen Holzkamp (c)

Imke Rust busy making the SubRosa Artwork. Photo by Steffen Holzkamp (c)

I felt so honoured and grateful that they have invited me! And at the same time, I realised how big this is, and how much I want to make it count and how scared I am of me messing it up.

Even though I have talked publicly before and believe that I am usually faring quite well, nevertheless I still get nervous as hell. Fortunately the preparations team was super and the interviewer, Britta Bürger, was awesome and I felt safe and welcome.

Once my nervous coughing subsided and we were on-air the time passed so quickly. Before I knew it we were done. It felt as if I woke up from a dream, but have totally forgotten what it was about, except for a faint, very vague memory.

I only arrived home late that evening after a busy day in town. When I switched on my computer, I was overwhelmed to see so many emails of friends and strangers congratulating me and commenting on the interview. I was even more overwhelmed to see that almost 400 people have visited my webpage and clicked through many different pages. Wow – this was an absolute sky-rocketing record for me.

I am so grateful that people have listened to my interview and felt it was interesting enough to find out more on my webpage. Thank you!

For everybody who missed it, if you are curious to hear me talking about my background, Namibia and my art, you can still listen to it on the archive page of Deutschlandradio Kultur, by clicking on the link below. Sorry, once again this is only in German without any translation.

I have had several requests to have my webpage and blog in German. Strangely my German writing is not as fluent, even though it is my mother-tongue. And as much as I wish I could share everything in German too, I just do not have the time to translate it myself or the money to pay for somebody to do it for me. Maybe one day I can change that!

Ok, here is the intro to the interview.

Die Namibierin Imke Rust steckt schwarze Rosen in die Wüste, klebt Regenwolken auf Felsen und lässt Plastik-Goldfische in Eis-Bächen schwimmen. Häufig sind es symbolische Kunstprojekte, mit denen die Künstlerin vor der massiven Umweltzerstörung warnt, die Namibia durch Uran- und Phosphatabbau droht. Sie ist die Nachfahrin einer weißen Missionarsfamilie, die in das damalige Deutsch-Südwestafrika auswanderte.

Click here to read more and listen to the interview.

Klick hier um weiterzulesen und das Interview zu hören.

We are talking more about this artwork: Coat of Arms by Imke Rust

We are talking more about this artwork during the interview: Coat of Arms by Imke Rust

Blindfolded

I love it when I get strange visitors, like this one. I paint and suddenly they appear…. not sure where they come from or who they are.

And yes, sometimes they freak me out. This one did and I almost kept her hidden.

Untitled, Ink and acrylic on 170m/g2 acidfree paper, 29x21cm by Imke Rust

Untitled, Ink and acrylic on 170m/g2 acid-free paper, 29 x 21cm by Imke Rust

Some time ago I took a deep breath and released her into the world by posting the artwork on Facebook. I was intrigued and delighted to see that this artwork inspired Bard Judith to write a poem about it and share it on my wall.

The poem again helped me to understand so much about the artwork, as if she has glimpsed deep underneath the paint and found and translated its meaning for me and others.

With Bard Judith’s permission I love to share what she wrote with you here:

Bard Judith said: My own personal response to this powerful ‘visitor’ of yours:

She was blindfolded
for so long the dye of the cloth
stained the skin around her eyes.
She was labeled
with contempt that streaked between
both sides of her brain,
branded the remnant,
the end of the roll.
One day
the gag finally wore through
between her grinding teeth
and her song spilled out
golden,
golden.

Thank you so much for sharing your insights and this lovely poem, Bard Judith!

It is the third time a virtual stranger has written a poem inspired by my art. Isn’t that just so something to be so grateful for?

You can find more of Bard Judith’s inspirational awesomeness on her blog: The Bardic Circle

Copyright of the poem belongs to Bard Judith.