Category Archives: Painting

Exhibiting in Swakopmund

Two of my paintings will be on show in Swakopmund at the Fine Art Gallery from the 14th of February till the 14th of March 2015, along with works by other well-known Namibian artists, such as Barbara Böhlke, Nicky Marais, Barbara Pirron,Gerdis Stadtherr und Chris Snyman.

The exhibition, entitled ‘Body & Soul’ will be opened on Saturday 14th of February between 10:00 – 12:30.

I would like to invite all my Namibian friends and fans to come and see the exhibition during this time. This is one of the rare opportunities to view and to purchase my art in Namibia.

Here is a photo of me with one of my paintings which will be on show. This is the first public appearance of this shy lady. Don’t miss it!

Me, shortly after completion of the painting: Title: Pink Girl Medium: Acrylic on board,  Size: 120 x 85cm Block framed

Title of the artwork: Pink Girl, Medium: Acrylic on board, Size: 120 x 85cm, Block framed

Fine Art Gallery

34 Sam Nujoma Ave, Swakopmund   (Email: info@art-in-namibia.com)

Opening times:

Tuesday – Friday:  10.00 – 12.00 and 16.00 – 18.00

Saturday – Sunday: 10.00 – 12.30 or by appointment

Gallery Press Release:

Valentine´s Day at Fine Art Gallery

Fine Art Gallery wants to celebrate this year´s Valentine with a special theme exhibition “ Body & Soul “ and invites all art lovers for to a champagne launch on 14th February between 10:00 – 12:30.

Many well-known and established Namibian artists have followed the call of the gallery and show their definition on the subject. “Body & Soul” shows body part naked, body language details but also the soul of an individual, his dreams, moods, fears and hopes. Among the works on display are works by Barbara Böhlke, Nicky Marais, Barbara Pirron, Imke Rust, Gerdis Stadtherr and Chris Snyman. Some new talented artists of the “New Signatures “ group are also exhibiting their works.

A versatile exhibition full of desire, sensuality and passion, in short, an explosion of expressive colours and images in oil, acrylic, mixed media and simple, touching sketches. The exhibition will be on show until 14th March 2015 in the gallery.

The drawing in favour of the Desert Lion Fund will also take place at the champagne launch.

Facing the Creative Mess

I have not been feeling well these past days. But I tried to paint anyhow - it was a long, painful and frustrating process, cause nothing wanted to go the way I hoped... actually I do not even know what I really want to express with my art anymore... I feel lost. Although I enjoy her (the painting) I could happily do without the struggle.

‘Born of Frustration’ Mixed Media on Watercolour paper, 200g/m2, 32x24cm. I have not been feeling well these past days. But I tried to paint anyhow – it was a long, painful and frustrating process, cause nothing wanted to go the way I hoped… actually I do not even know what I really want to express with my art anymore… I feel lost. Although I enjoy her (the painting) I could happily do without the struggle.

I went a whole month without writing a blog. I miss sharing my thoughts with you, but it felt as if my thoughts and feelings were on a roller-coaster ride (and still are). I just could not focus on any single thing and write about it.

On the positive side it also means that I have been working more on my art and facing all the gremlins that come with that. You know, stuff like fear of failure, insecurity, questioning the sense of it all and wondering if what I do really makes a difference to the world?

“Anyone can slay a dragon, she told me, but try waking up every morning & loving the world all over again. That’s what takes a real hero.”

(Brian Andreas of Story People)

I often return to this piece of wisdom when I get fearful of life. And in my personal way it means facing an empty piece of paper or canvas all over again, not knowing the outcome and not knowing if it will make any difference to the world. Or if it will touch anybody in a meaningful way? Will it nourish my soul? And will it support my survival financially. Will I mess it up? Will my insecurities get the better of me and let me abandon it?

Creating art is messy. Not only in a paint-splatter way.

It messes with your soul in a weird way. I cannot tell you all the emotions that I am going through when I create art. It teaches me that I never really can control the outcome, that I need to trust the process and myself and it teaches me, that often what seems like destruction or failure is the biggest blessing to the creative process. All difficult lessons and challenges for me, but I am trying to bravely ‘face the dragon’ every day, even when I feel lost and unsure of which direction to take.

It is strange how my passion for making art can also be so uncomfortable, challenging and forcing me to face my deepest fears and insecurities. But, oh the bliss, of finishing an artwork and thinking: wow, I struggled through that and something beautiful came out of it!

Today I thought of giving you a glimpse into my studio, so that you can see what I am up to and why I have been so quiet.

I also would like to show you the wonderful packaging that my Teabag Totems now come in and the perfect frame, which I found for them. You can buy any of these existing unique little artworks as shown here or I can create one with your favourite or totem animal. If you missed reading about my Teabag Totems and want to find out more, click here. (Cost: €20 plus postage).

Please click on the images to get a larger view.

I just love these frames and how the Teabag Totems look in them! So I have decided that I will offer the option to buy the frame with the artwork. Just ask me about it.

It feels vulnerable to share with you my working space and creative mess, but hey, this is me and how I work and I know that every now and then everything gets cleared and tidied up again. 🙂

View of my working space and creative mess...

View of my working space and creative mess…

And here some views of the artworks which are partly in progress or just finished or waiting to be decided upon. When I am not 100% happy with a work, I love to see it regularly until I either change something again, or I start accepting (and loving) it for what it is.

Small drawings on watercolour paper

Small drawings on watercolour paper

The larger drawing below, started of as a black ink drawing and I expected it to stay that way. Instead it surprised me with this outcome. I love the feeling of lightness and softness, despite the tension and a bit of dreamy sadness that I feel in the figure.

Mixed media on paper and board

Mixed media on paper and board

And hey, look who appeared again! The kudu…

This painting started of with a female figure in black and white, then the kudu appeared and stole her show, so she got painted over. I am not sure if this will be the final version though…

Acrylic on canvas (detail)

Acrylic on canvas (detail)

Ok, that’s it for today. Now I have to start cleaning up the mess, because this weekend I am celebrating my 40th birthday with a few friends and need the space. Currently I am working from our living room until we get the out-building turned into a non-leaking, warm and light space – hopefully in the next few months.

My New Year’s Resolution and a Gift for You

The Muse - by Imke Rust

The Muse – a self-portrait I have done this time a year ago while at home in Namibia.

The end of a year is the time when most of us take stock and plan ahead for the new year. Many friends are sharing their intentions, hopes and dreams on social media.

I, too, really want the next year to be awesome, but find it so difficult to put my desires into concrete shapes and words. My inner need to get more focussed has built up pressure in the past few days and my inability to focus has filled me with fear.

Today I decided to at least look through the things I have done in the past year and came upon the following text which I have written in September. It reminded me of a valuable lesson by which I have lived most of the past year, and probably should just continue to use as my motto in the next one, till I can fully embrace it.

I am sharing this with you, in the hope that it might inspire you too. Here it goes:

Sometime in 2013 when I felt really sick and depressed, and that already for a few months, I had this talk – with myself, or my higher self or God, well, that thing which sometimes answers you, by putting brand new and outrageous thoughts into your mind.

It went something like this:

Me: I finally want to be happy! And healthy!

It: Well, then just be happy and healthy.

Me: But I cannot. Cause I am depressed and my body is aching. Did you forget that I have a broken back, and ten other health issues on my plate on top of it?! Are you saying that it is my thinking and believes causing this?! It can’t be, because I have been trying to do all the right spiritual stuff and be positive and all that shit… and still here I am, feeling miserable, wanting to give up, but even too scared for that…. So?

It:      Just be.

Me (getting agitated): Grmpfff – I just told you, I am not. And it would be lying if I said that I am happy and healthy. And I will not lie. It is of no use.

It: No, just be. Breathe.

Me: Hä? (That is German for WTF?)

It: You know, how the world and you are trying to live by the Nike slogan: Just do it! ? That is ok, sometimes that is a real great advice, but right now I am giving you a new slogan, and yes, it sounds outrageous, but try it: Just be.

Me: Hey – hmmm, an improvement on the Nike slogan? Great, I like that! And it is even shorter than the Nike slogan, and less is more, so this is quiet cool.               I will try it.

And so I did.

Whenever I felt stressed, insecure or anxious, I stopped myself, took a deep breath and told myself: just be.

The beauty is, that in that moment I realise I am. I am everything, I am stressed or insecure, but I am also Imke, a human being, a woman, a creative spirit, a lover, a daughter, a friend… And I am part of this universe, I am love and I am kindness.

I (we?) often forget to firstly ‘just be’. Being is all we need to do.

There is nothing I need to do to be better or more accepted. We often put doing before being. When we remember to be and let our doing flow naturally out of our being, we start to live a more honest and happy life. We gain more strength and confidence in our actions, because they are fuelled by our true being and not by what we are told or tell ourselves we need to do.

Try it. For me it helps taking a deep breath, sometimes closing my eyes and then feeling into being. Consciously feel how I am being. Alive. Present. Aware.

It immediately calms me and gives me new strength. And it puts my fears of not doing enough or being perfect enough into perspective. I hope it might be the same for you.

And as a special gift I have created the image below and would love to send it to you in high-resolution so that you can either print it or use it as a screen-saver to remind you of this simple New Year’s resolution.

Just email me at imkerust(a)iway.na (Note: Please replace the (a) with an @ sign.) or leave a comment below and I will hurry to get it to you asap.

 

Wishing you a blessed and amazing 2015 filled with joy, love, health and abundance!

Just be.

Teabag Totems

I love the alchemy, which happens when you take something insignificant and useless which is about to be discarded and turn it into something special and exquisite.

For a long time I have been saving my used teabags, as they are very helpful when you want to light a fire. Now it has become winter and we will not make a fire outside for a while, and my husband urged me to rather get rid of the teabags we are now using…

He is right. But I cannot help it, that once I get pressurised into discarding something, my mind will switch into alarm mode to check if there are not any other ways to recycle or reuse it.

And so the Teabag Totems were born. A series of animal portraits painted onto used teabags.

It is not so easy to paint such tiny portraits on crumbled teabags, but it is lots of fun and I enjoy the different animal characters surfacing in the portraits. Everybody who has held one of these Teabag Totems in their hands loves them.

Their fragility, the softness of the teabag and their unique personality turn these tiny works of art into something truly precious and special.

If you are interested to have your favourite animal or totem animal painted on a teabag and delivered to you or a friend, then just contact me in the contact form below. You can also select one of the finished little teabag artworks shown below. The portraits are painted with high-quality gouache paint and fineliner onto 6 x 4cm used teabags.

Please contact me if you would like to purchase your own Teabag Totem. It comes in a see-through plastic box, which is also suited as a temporary display stand. After I received your order, I will send you an invoice. Only once I have received your payment, your Teabag Totem will be sent to you.

(Please click on the images to see a larger view.)

View more Teabag Totems by clicking here.

And here is my framing suggestion:

Cute is the new black.

It feels as if I have not posted a new blog for ages… Even though I have promised myself to just write and share things when I really feel called to it, I do also feel a bit guilty, when I neglect my blog and all you wonderful followers.

And the longer I do not get to write, the more difficult it is to decide what to write about. There are so many things I dream of sharing with you, so much art just waiting to be seen and ideas I would love to let out of the cage of my skull.

(Click on the images to see a larger version of the artwork.)

Today’s choice has been influenced by a dream I had in the night. I almost never had repeating dreams, but it was the fourth time I dreamed about a similar situation: A little colourful bird comes flying up to me, right up to my face. Without any fear, instead with full intention, trust and love. It then kind of snuggles up to my face, always on the left side, and I can feel its soft feathers, the lightness of their touch and a mix between the warmth of such a small body and the coolness of the stirred air around their wings. Every time I am surprized by this unusual behaviour and feel so honoured and happy to experience it. I wish I knew what this means!

So, in honour of the little dream birds, I will share with you a series of works on paper depicting small birds. I started painting them in a whimsical mood two weeks ago.

I shared them on my Facebook page and while some people really liked them I also got a remark by a fellow artist (whom I do not know personally) saying: Kitsch as kitsch goes…

Well, yes. It took me a lot of time to be okay with such comments. And still I get a tiny bit insecure, as I have been filled up with all these preconceived ideas of where I should fit into the art world, and kitsch was/is generally frowned upon.

But I have to admit, I have found that there is a part of me, which just feels as happy as a little playful and carefree girl, when I create or see cute, pretty sweetness, adorable animals or some gooey fairy tale magic. Yes, sometimes that gives me the warm and fuzzy feeling, which I need to submerge in every now and then, to feel complete.

I love what Amanda Palmer had to say about creating art:

“People working in the arts engage in street combat with The Fraud Police on a daily basis, because much of our work is new and not readily or conventionally categorized. When you’re an artist, nobody ever tells you or hits you with the magic wand of legitimacy. You have to hit your own head with your own handmade wand. And you feel stupid doing it.

There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.”

I am getting better and better at just listening inward to who I am and what my needs are and follow them. Not caring too much about the opinion or reaction of others. I am proud of that! And I love that I can do it all in my creative expression: serious art, political art, big, small, land art, installations, drawings, prints and warm and fuzzy sweetness. After all, there are no rules. Really.

And maybe you can also use a bit of adorable cuteness and lightness in your life today?

(Click on the images to see a larger version of the artwork. Oh, and in case you do not know: all my work is for sale, unless stated otherwise. And I happily ship to anywhere in the world. )

Cats Raising Money for Cats

Everyday, when I switch on my computer, I look at this adorable fluff-ball:

The adorable fluff-ball Princess Clarissa

The adorable fluff-ball Princess Clarissa

She is my cat and she is a real princess.

She even has her own throne, on wheels, decorated with the insignia crown of her royal highness…

Princess Clarissa on her very own thrown.

Princess Clarissa on her very own throne.

She’s got attitude, she is goofy and does not care the least what you think about her odd lying positions and her aloof behaviour.

But, do not call her fat. Her sensitive heart is deeply hurt when somebody dares to call her fat – she will never honour you with another glance, never mind a purr….

And to rescue the situation her servant (ie me) has to explain, that she is not fat, it is just that her pretty head is a bit too small, and she has a lot of fluffy fur.

And no – nobody is allowed to touch her silky soft fur! That is just not on with royalty!

Her name is Clarissa.

Named after the great author Clarissa Pinkola Estes.

And Clarissa hails from the SPCA in Windhoek.

I am so grateful to have this little princess in my life and always try to support the SPCA. I believe that they are doing such important work and play a huge role in animal welfare.

Being an artist with a minimal and ad-hoc income I often was not able to support their work as much as I wanted to. But I have found ways and means to support the SPCA and Cat Protection Society of Namibia, for instance, by donating paintings of dogs for their fund-raising auction.

Recently I made a fun painting of a cat and shared it on Facebook. This painting reminded Ms Susanne Jaspert of her own cat, another cat hailing from the lands of SPCA, and she decided to buy this painting.

I was so excited that my pink cat painting found a loving home, as cats and paintings all need loving homes!

SOLD. Untitled, Ink & Acrylic on acidfree paper 170g/m2 29,7 x21cm

SOLD. Untitled, Ink & Acrylic on acidfree paper 170g/m2
29,7 x21cm

What better excuse to donate the proceeds to the SPCA? A cat painting helping the cats and dogs of the SPCA and supporting the work of the people who care for them.

Why am I telling you all this?

Because, I often felt helpless and too poor to help and yet there are so many ways to help out. It does not need to be in big ways. But maybe something you love doing can be donated or used in order to support a cause close to your heart? I hope that this might inspire you to find a way how you can help and remind you to go out and just do it.

Or to adopt your own princess or prince from the SPCA and let them sneak into your heart and soul.

And as I was preparing this post I searched through my photos to decide which pictures to use and as you can imagine, it is not easy if you have the cutest and goofy-est SPCA cat in the world. So here is a small selection which I just have to add, as they also give you a glimpse into how important this cat is in my art making.

Permission to Play

Please click on images to see a larger version.

Recently I have allowed myself to make some abstract paintings for the first time in my life.

Do I need permission, you might wonder? Yes, because most of my life I thought it is too easy and superficial and thus not becoming for a ‘serious and deep’ artist like me. So I just did not allow myself to go down that route.

I had so much fun playing with my new colours and I loved the results! I posted some of these abstract paintings on Facebook and got a lot of positive response and my heart just warmed up and I felt happy and satisfied.

Those of you, who follow my musings here regularly, know that I have had my struggles with fitting into the art world and making sense of it all. I had serious doubts about just about everything. Always questioning if what I am doing is purposeful, important, serious enough, good enough, likeable and sellable and so much more.

This used to drive me crazy and kind of paralyse my creative flow for most of the time. It took so much effort to do things anyway. To get up and paint or draw or create despite all my doubts and insecurities… To make art, even though I have already so much art piling up, that will probably never find a way out into a gallery or somebody else’s home.

To deal with depression and try to not to loose hope…

Somewhere along the way things turned so bad, that I decided to take a break, even though that thought seriously freaked me out. But I knew I had no real choice. Being depressed and creatively paralysed was anyway not really supportive of producing any good art or make me feel happy and excited.

Sea Turtle by Imke Rust (Water-colour pencils, Acrylic and gel pens on acid-free 170m/g2 paper, 29 x 21cm

Sea Turtle by Imke Rust
(Water-colour pencils, Acrylic and gel pens on acid-free 170m/g2 paper, 29 x 21cm)

So I quit going to the studio. I quit pressurising myself to produce any serious art. I stopped writing proposals for stipends, grants or exhibitions. I even stopped going to see other art exhibitions, as I realised that every time I see other art, I start comparing myself: either thinking that everything great has already been done by people who are much better or feeling I have so much more to offer than the artist I see, yet they have a show and sales in a fancy gallery and I don’t.

It took a lot of courage, but I decided to start doing only things I really want to do, things that are fun or make me happy. Even if that meant sleeping most of the day – if I felt like it, I did it. Yes, my mind was racing and blaming and I was feeling so guilty and lazy, but on the other hand, my body gratefully accepted and turned around for just another few minutes of rest.

The struggle between my critical mind and my soul’s desires was huge. Mostly I could not even remember what my soul wanted and my mind was loud and full with ‘should’s and should not’s and trying to know and understand it all from a rational perspective. And very often I ended up wasting time in front of the computer, because that at least felt like I was doing something productive.

Ever since I can remember, I was very aware of other people’s needs, expectations and emotions. My survival instinct as a child quickly realised this could be a valuable gift that I hoped would help me to fit in perfectly and make everybody around me happy. I was good at that – always being thoughtful, kind and pleasing.

I am sure in many ways this unconscious strategy really ensured my sanity and survival. But it was not always successful. The more people I had around me that needed pleasing at the same time and the more complicated things became, the more I felt like failing and was failing. And the more confused I got and ultimately depressed. Especially because there was this deep, throbbing feeling that there was more to my life, than pleasing others and being socially acceptable. Just how could I ensure my survival if it depends so much on others? On a more practical level: people have to like my art in order to buy it, so that I can pay my rent.

Rhino Angels, Pencil on  grey paper 110g/m2 29,7 x21cm, © Imke Rust

Rhino Angels, Pencil on grey paper 110g/m2 29,7 x21cm, © Imke Rust

 

Anyway, I promised myself to follow my heart and listen to my soul and was adamant to push through on that. Until I figured out that I have absolutely no clue who I really am and what my own desires are – I was so good at soaking up other people’s desires, that I never gave much attention to my own. So, I tried to remember. I just could not. And every time my heart or soul nudged me with a little idea or urged me to just draw a cute little picture, my mind was racing and shouting again, finding hundreds of reasons why I should not.

I tried to compromise. I told my mind, that it is ok to play, I have a few more savings and one small alternative source of income and for right now, my survival will not be jeopardised (one of my greatest fears). I told my mind, that I will spend ‘just a tiny little snipped of time’ playing with paint or resting or enjoying watching the clouds pass by –surely that would be ok? This little time will make me happy and give me more energy to one day show up for the big work with all new enthusiasm and creativity.

The negotiations were tough and endless, but somehow, I guess out of pure desperation I nudged out more and more time and space to just be, to play, to muse and to not worry.

And I decided to ignore the inner critic as best I can and give myself permission to at least try to follow up on some crazy or fun ideas I have. To try out different things, so that I can finally figure out my own true inner desires again and express them.

 

Neon Butterfly, Acrylic on acidfree paper 170g/m2 29,7 x21cm, © Imke Rust

Neon Butterfly, Acrylic on acidfree paper 170g/m2 29,7 x21cm, © Imke Rust

The struggle has not ended, but I have a feeling I have come a far way. Being brutally honest with myself has helped a lot. And being kind and understanding with myself – wow, I did not realise how difficult that is!

It has also helped me to share my experiences and thoughts in this blog. Even though I have only allowed small glimpses every now and then, I feel that I have so many thoughts and experiences swirling around in my mind, that it would help me to just express them. And I hope it might help others reading it, to find some inspiration, help or just a feeling of not being alone with your troubles.

Much of the time I spent on the computer, trying to be busy and avoid looking deep into my own soul, has been spend on the Internet. I have read a gazillion motivational, self-help, inspiring blog posts. And yes, many of them were helpful and inspiring and I am so grateful for the access to all this information we have.

It struck me how so many people who can be viewed as successful and happy from the outside, are or have been struggling with many of the same issues that I struggle with. When such people are willing to share and expose their most vulnerable parts, their fears or mistakes, it gives me hope, as I realise we are not alone, nobody is born ‘perfect’ and if they can find answers and solutions, so can I. And I can learn from such a great pool of wonderful teachers, who probably never even see themselves as teachers.

That is the reason, why I feel that I want to share more of my inner world and thoughts in this blog, even if they are not directly related to my art. And I hope in some small way it might be an inspiration or helpful to some of you too.

Please click on the images below to see a larger version.

Imke Rust – Wieviel Namibia steckt in ihrer Kunst?

Imke Rust – How much Namibia can be found in her art?

Last Tuesday was one of those nervously exciting days… I have been invited for an hour-long interview on Deutschlandradio Kultur. The interview forms part of a series called ‘Im Gespräch’  – I would translate it as ‘In Conversation’. Interesting and inspiring people from many different backgrounds are invited to share their thoughts and experiences during these interviews.

Imke Rust busy making the SubRosa Artwork. Photo by Steffen Holzkamp (c)

Imke Rust busy making the SubRosa Artwork. Photo by Steffen Holzkamp (c)

I felt so honoured and grateful that they have invited me! And at the same time, I realised how big this is, and how much I want to make it count and how scared I am of me messing it up.

Even though I have talked publicly before and believe that I am usually faring quite well, nevertheless I still get nervous as hell. Fortunately the preparations team was super and the interviewer, Britta Bürger, was awesome and I felt safe and welcome.

Once my nervous coughing subsided and we were on-air the time passed so quickly. Before I knew it we were done. It felt as if I woke up from a dream, but have totally forgotten what it was about, except for a faint, very vague memory.

I only arrived home late that evening after a busy day in town. When I switched on my computer, I was overwhelmed to see so many emails of friends and strangers congratulating me and commenting on the interview. I was even more overwhelmed to see that almost 400 people have visited my webpage and clicked through many different pages. Wow – this was an absolute sky-rocketing record for me.

I am so grateful that people have listened to my interview and felt it was interesting enough to find out more on my webpage. Thank you!

For everybody who missed it, if you are curious to hear me talking about my background, Namibia and my art, you can still listen to it on the archive page of Deutschlandradio Kultur, by clicking on the link below. Sorry, once again this is only in German without any translation.

I have had several requests to have my webpage and blog in German. Strangely my German writing is not as fluent, even though it is my mother-tongue. And as much as I wish I could share everything in German too, I just do not have the time to translate it myself or the money to pay for somebody to do it for me. Maybe one day I can change that!

Ok, here is the intro to the interview.

Die Namibierin Imke Rust steckt schwarze Rosen in die Wüste, klebt Regenwolken auf Felsen und lässt Plastik-Goldfische in Eis-Bächen schwimmen. Häufig sind es symbolische Kunstprojekte, mit denen die Künstlerin vor der massiven Umweltzerstörung warnt, die Namibia durch Uran- und Phosphatabbau droht. Sie ist die Nachfahrin einer weißen Missionarsfamilie, die in das damalige Deutsch-Südwestafrika auswanderte.

Click here to read more and listen to the interview.

Klick hier um weiterzulesen und das Interview zu hören.

We are talking more about this artwork: Coat of Arms by Imke Rust

We are talking more about this artwork during the interview: Coat of Arms by Imke Rust

Blindfolded

I love it when I get strange visitors, like this one. I paint and suddenly they appear…. not sure where they come from or who they are.

And yes, sometimes they freak me out. This one did and I almost kept her hidden.

Untitled, Ink and acrylic on 170m/g2 acidfree paper, 29x21cm by Imke Rust

Untitled, Ink and acrylic on 170m/g2 acid-free paper, 29 x 21cm by Imke Rust

Some time ago I took a deep breath and released her into the world by posting the artwork on Facebook. I was intrigued and delighted to see that this artwork inspired Bard Judith to write a poem about it and share it on my wall.

The poem again helped me to understand so much about the artwork, as if she has glimpsed deep underneath the paint and found and translated its meaning for me and others.

With Bard Judith’s permission I love to share what she wrote with you here:

Bard Judith said: My own personal response to this powerful ‘visitor’ of yours:

She was blindfolded
for so long the dye of the cloth
stained the skin around her eyes.
She was labeled
with contempt that streaked between
both sides of her brain,
branded the remnant,
the end of the roll.
One day
the gag finally wore through
between her grinding teeth
and her song spilled out
golden,
golden.

Thank you so much for sharing your insights and this lovely poem, Bard Judith!

It is the third time a virtual stranger has written a poem inspired by my art. Isn’t that just so something to be so grateful for?

You can find more of Bard Judith’s inspirational awesomeness on her blog: The Bardic Circle

Copyright of the poem belongs to Bard Judith.

Learning From the Ancient Rainmakers

The world is in upheaval.

Do you also feel a sense of helplessness and anxiety, when you turn on the internet, radio or television, only to be bombarded with daily increase of violence, war, terror, poverty, sickness and disaster all over the world? And in addition to the world news, do you feel a rise of death, tragedy, disease and problems within your personal circle of friends, family or acquaintances?

Crying Oryx (Acrylic & charcoal on canvas) ©Imke Rust

Crying Oryx – an artwork I painted last year in despair over the lack of proper social care in Namibia. (Acrylic & charcoal on canvas) ©Imke Rust

I do. And I have started to avoid the news as much as I can, in an effort to prevent myself from becoming depressed and sad. To escape the feeling of being so powerless about what is happening in the world, far away and sometimes really close-by. But I keep wondering if blocking out what is happening is the answer? Is it right to try to ignore what is happening in Syria, the Ukraine, Irak, Central Africa etc. ect.? And how can I possibly help somebody, even closer to home who is struggling with cancer, with depression, lack, fear and so much more?

The answer is probably different for everybody, but I have come to this:

We are all one

That is my believe. And that means, if something happens to any being, it happens to me. So yes, what is happening on the other side of the world IS affecting me (if I watch the news or not).

But turning that thought around, it also means, that what I am doing, feeling or thinking, is also affecting the rest of the world. So maybe, if I focus less on the negative and instead try to increase the positive vibe, inspiration and love, it can help everybody everywhere. If more and more people will do that, it will spread… Remember how it only took one best friend or one great teacher at school, to turn your life around? And once you felt empowered or loved, suddenly you could be a blessing to others around you, too?

Where can I (can you) be that one special person that makes a difference in another’s life?

Live in the here and now

What can I do right here and right now to help? I realised that I might not be in a position to stop the Ebola virus or the wars raging in the world. And I most likely cannot heal a sick friend or bring back a lost loved one, but I can give a smile to the person on the street, support my friends and family with some practical stuff, emotionally or spiritually and approach everybody I meet with respect and kindness. I can be the rainbow in somebody’s cloud and a sunbeam in somebody’s dark day. I can offer some inspiration, some light-heartedness and some alternative perspectives. There are many small (and bigger) things I can do to improve somebody’s life in the here and now. That is what I want to focus on, because I believe that is the most effective and useful, which I know I can do. And for those who are not here, I can offer a prayer and beam over some positive energy and love.

Mostly, let us help where we can and not worry about the stuff that is out of our reach. While we pray for peace in the world, let us remember to act peacefully and lovingly towards our neighbour, the cashier and the beggar you are passing in the street.

The outer reality is shaped by my inner reality.

Yes I do believe that, and even if it is often difficult to grasp, I feel its truth in my life more and more with increased awareness and time.

I would love to share a little story which I found doing research on the old practice of rainmaking. It made me think and remember that this is probably one of the deepest secrets to understand when making rain or trying to change the world (or your life).

Cloud experiments by Imke Rust (Acrylic on Paper)

For a long time I have been experimenting with different aspects of ‘making rain’ as a way to understand reality, spirituality and how and if we can influence what is happening around us. Here are drawings of raining clouds.  ( ©Imke Rust, Acrylic on Paper, each 29 x 21cm)

There was great concern in a small village as the rains were not coming. Without the rain in due time there would be no harvest and they would not survive the harsh winter. The rainmakers they sent for created elaborate ceremonies, but without success.

Finally they remembered an old man living on his own high up in the mountains, who could possibly make rain. The sent for him and he came. He was asked what he needed to make rain and he asked for a small hut outside of the village and that the villagers would bring him a bowl of rice everyday and place it outside of the hut. ‘That’s all?’ they asked and he affirmed: ‘Yes, that is all.’ He walked through the village and then left. It took three or four days and then it finally rained.

When the man was asked, how he managed to create the rain, he answered:

‘When I came into the village, I saw that you were not in harmony with each other and with nature. So I have asked myself where there is disharmony in myself. I sat quietly with this question and returned myself to order and harmony. Through this (my) harmony, nature could remember its own harmony again, and it could rain.’

The original story, in German, was written by Harald Jordan, Orte der Kraft, and found at http://www.news.ita-est.de/der-regenmacher/ .

 

So, I am trying to live a harmonious life, to be in peace with my immediate surroundings and myself and to help where and if I can. And trust that the rest will have to take care of itself somehow, especially if there are more and more people who are willing to spread good energy through their own lives in their own ways and means.