Tag Archives: land art

Finally the rain has come to Namibia

Just a brief update, on two of my previous posts. Let me start of with a quote, which is very central to my understanding of what this is about:

Gratitude in advance is the most powerful creative force in the universe. (N.D. Walsh)

Some time ago I posted two stories about ‘calling the rain’ in Namibia, “Waiting for rain” and “Secret ingredients for making rain“. Namibia has been really dry and many people were/are afraid that this will be a year of a disastrous drought…. (you can read more of my thoughts about this at ‘Where are the clouds?‘).

Now, finally the rain has come to Namibia!!! Whoohoo…!!!

Besides being really happy about this news, I had to smile to myself, as it just proved to me, that the sending out positive intentions with the rainmakers is really working.

We just have to be patient and keep on believing. Even if it takes a bit longer. Trusting that everything is the way it should be and it is good. Just wait without fear, knowing that everything that is is a blessing. Our prayers will be heard, our needs will be taken care of! So count your blessings (really do) and praise each one of them.

Over the past few months I have made several different ‘rainmakers’ to remind myself to keep on believing in the rain and that it will come, no matter how bleak the forecast looked or how many people exclaimed their fear and worries. Each time I make one, I consciously imagine the rain falling and saying thank you to the universe that it has always provided me with everything I needed.

It does not need to be an elaborate artwork, Sometimes I even think the easier they come and the more fun they are, the better. It makes it easier to feel joy and gratitude in my heart. And I think that helps to focus the energy and my desire for rain and not on getting a ‘perfect’ piece of art out there.

Here are some of my rainmakers:

Another ‘Rainmaker’ which I have made in January in Namibia ©ImkeRust

‘Seeing the Clouds’ – a digital artwork of superimposing a raining cloud onto a satellite view of southern Africa/Namibia by Imke Rust ©

‘Cloud with the Flower of Life’ – digitally manipulated photograph by Imke Rust ©

After the first good rains we all hope and pray that it will keep on raining, till we have enough to overcome the next dry season.

Inspiration to others and their contribution

Some friends have liked my rainmaker idea so much, that they have decided to make their own rainmakers and that surely played a big role and contributed to making it rain 😉 . Here is an photo from a rainmaker, which my brother’s girlfriend Amanda has made:

Amanda’s Rainmaker ©
What she wrote about it: it has alot saying and meaning to it. If you look close.
A. Clouds bonding. B. Protection for Our Solar System, The Sun C. At Full Moon there is Poaching, so I created the Stars and Moon, with a Cross that Protect the Wild Animals, there is an Oryx. D. Grass should Grow very High. E. Flowers for the Bees. F. Enough grass for the Cattle. G. Enough Water from the Clouds, going Left to Right. And it has worked somehow.

How cool is that?
It feels great that my ideas and work keeps on inspiring others, and they come up with their own unique and beautiful artworks or rituals.

Thank you, dear universe, for all your blessings and sending rain our way! By the way, I am still eagerly awaiting spring/summer over here in Berlin… 😉 – but I am sure you have already made a plan for that too! 🙂

Hello Summer

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Hello summer – where are you?

On Friday this was the view out of my studio:

View from my studio – it is snowing…

So I decided to cut a stencil to welcome the summer… (as you can see, I am still struggling with the weather here in Berlin…)

Stencil – Hallo Sommer ©ImkeRust

Just to make sure that the welcoming note will be understood in Germany, I have used proper German, even though I liked “Hello Summer” better. Guess I am still more comfortable thinking in English…

And Sunday my boyfriend and I have planned to get out of the city and drive to a tiny forest on a tiny hill which we have discovered some time ago, the Lindenberg. I love these outings, as I can always find something fun to do, to interrupt the long walks my boyfriend loves to take. As you can gather, I am not that fond of endless walks…

So here are some photos of what happened when we were not walking:

Hallo Sommer (Dark soil on snow) © Imke Rust

I took along the stencil and decided I wanted to use eco-friendly materials. Fortunately I found some really dark earth from mole heaps close by to make this.

Hallo Sommer (Dark soil on wood) © Imke Rust

Trying out the stencil on a dead tree, which was more difficult because of the round shape…

I brought some Curcuma powder along from home, just in case I would not find any other suitable materials to use, and because of the warm yellow colour. So I had to try that out too. I was not all that happy with the result. Unfortunately the wind had picked up a lot making it difficult to pour the powder without spilling over the edges. The sieve which I used to add the dark soil in the previous pictures also did not work for this one, as the powder was to fine… and so to much powder plopped down… Anyway, I still like the warm colour 🙂

Hallo Sommer (Curcuma on snow) © Imke Rust

Hallo Sommer -Close-up(Curcuma on snow) © Imke Rust

And finally, a picture of me taking pictures of another work, which I hope to share at another time. Hint: I am the one hiding beneath all those layers of clothes…

Me, packed warmly, taking photographs © Imke Rust

Wishing you a wonderful week!

Interview on the German radio

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Do you understand German and would like to listen to an interview about my latest art exhibition?
Then I invite you to please tune in to the NBC German Radio Station on Sunday, 13 January 13 at 18h00 (Namibian time).For those of you who are not living in Namibia, you can listen to the interview on NBC’s livestream via the internet @ http://96.31.83.87:8110/ . If you have missed that one or cannot make it, don’t worry, there will be a re-broadcast on THURSDAY at 22h00 (17 January).

The program’s name is Kaleidoskop and it will feature a 30min interview with me, hosted by Annemarie Brell. The interview will give you an insight into my views on environmental art, we are talking about my works that have been exhibited recently in Swakopmund at my solo exhibition “…and I sensed an infinite scream passing through the Namib” and I share information how the works originated and what my intentions are.

Many people have commented that they have really enjoyed my earlier brief interview done in the beginning of December, just after the opening of the exhibition, so I hope this will be equally interesting. 🙂

You can find more information on the radio station’s Facebook page: https://www.facebook.com/germanradio

Me busy installing the 99 black roses (made out of barbed wire and rubbish bags) in the Namib desert for a temporary site-specific installation.

An Infinite Scream – Press-Release

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SubRosa
Temporary site-specific art installation by Imke Rust

What do you do, when an arts association cancels your exhibition because they find it too political? And when a cultural centre asks you to change your exhibition proposal to hide the true message so that it might stand a chance of being shown? You make sure it gets shown anyway, in an unbiased space.

And so Imke Rust’s latest solo exhibition, entitled ‘… and I sensed an infinite scream passing through the Namib’ will open at “The Last Resort Wellness Centre” in Libertina Amathila Ave 5, Swakopmund (opposite of Hotel Pension A la Mer) on the 9^th of December at 17h00. It can be viewed thereafter till the 29^th of December, between 14h00 and 18h00, Mondays till Saturdays.

In this environmental art exhibition Imke Rust, who grew up in Swakopmund and is still closely connected to it, addresses the current debates and happenings concerning the plans for increased mining and industrial activities in the coastal area. In her work she uses a variety of media and approaches to highlight the concerns of the general public and to search for alternative solutions in the environmental conflict. While she is painting a gloomy picture of possible disastrous long-term effects of the current developments, she also reminds people of their responsibility to look after their land and that they have the power to make changes towards a better future.

Once more, Imke Rust has produced a powerful body of work, exploring and openly questioning social and political controversial issues. Central to the exhibition are temporary land art works that the artist has installed in the Namib Desert. At the exhibition these installations and interventions will be presented through photographic and video documentation. She evocatively combines natural and man-made materials such as thorns, salt, dung, rubbish bags, barbed wire and videos in her captivating artworks. She even got complete strangers involved in a documented art action for the environment on the jetty.

The artist neither preaches nor dictates what the viewer’s stance should be. Instead the exhibition draws you in and compels you to engage and consider the complexities of the debate. It is an empowering experience and should definitely not be missed.

A small part of the exhibition has already been shown in Berlin earlier this year, where it was received with great interest. Intriguingly the Swakopmund Arts Association has cancelled Rust’s booking of the Woermann Gallery on the premises that the “impertinent and unscientific public debate against the economically important uranium mining industry […] is politically charged“.

For more information please contact me via this blog and webpage or find my artist page on Facebook (and like it, if you are also on Facebook 🙂 ) or go directly to the Event’s page, also on Facebook.

Looking forward to seeing many of you at the opening or afterwards!

The Last Resort Well/ness Centre – Swakopmund
Libertina Amathila Ave 5

Save the date!

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You are invited!

“…and I sensed an infinite scream passing through the Namib”

An environmental art exhibition by Imke Rust

From the 9^th till the 29^th of December Imke Rust will show her latest body of work in Swakopmund. The exhibition addresses the current debates concerning the plans for increased mining and industrial activities in the coastal area. Through her diverse artworks she invites the viewer to engage in and consider the complexities of the controversial issues. The artist will be present at the opening.

Opening: 9^th of December at 17h00

Venue: The Last Resort Well/ness Centre, Libertina Amathila Str. 5, Swakopmund.

Duration of exhibition: 10^th – 29^th of December 2012

Opening Times: 14h00 – 18h00, Mondays till Saturdays

Can art do more?

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Photographing the first day’s work of the ‘Saltcircles’ during a misty sunset. (photograph by Steffen Holzkamp)

Art can be thought-provoking, inspiring and make the world more beautiful. But can it do more?

Part of my being is that I question everything. I love understanding the relations between things, the ‘why?’ of everything. I also love to find alternative solutions to problems or do things other people think cannot be done.

Often I ask myself, why am I doing art? What ‘real’ purpose does it serve? And can it do more than just look pretty, be a clever idea or make people think? Somehow all these things have not yet completely satisfied me. Yes, they all have merit and even a purely decorative painting has its purpose, but I believe there is more to life and more to art.

This has led my search, amongst others, to old, shamanic traditions. Somewhere during my art history studies I came across a reference to Ethiopian healing scrolls. If a person was sick, the priest would make scrolls according to specific rules (for instance the scroll needed to be as long as the person’s height, if I remember correctly), on which they painted symbols and wrote prayers. These scrolls were then taken home by the sick person and were viewed every day till the illness was cured. Interesting – art made to heal somebody?

Again and again I stumbled onto references where art is used for protection, fertility, health, initiation or to manifest a desired state. I became more aware that in olden days the shamans and priests made use of what we today call art (dance, painting, sculpture, music, etc.) to do their work of healing, blessing and manifesting. Since I read about the healing scrolls, I have been looking at the link between art and spiritual and mythical traditions and beliefs more closely. I do believe that under certain circumstances, art has more power and effect than what we normally imagine, and so I decided to try and be much more conscious about what kind of art I am making and why and how…

Working in the Moon Valley, Namib Desert (Photograph by Steffen Holzkamp)

Be the change that you want to see in the world

In 2007 I made my first conscious work into this direction. I developed a personal Yin & Yang symbol to harmonize and balance the male and female energies in my life (Click here if you are curious). In 2010, I hoped for rain and made a work entitled ‘Rainmaker’ (read more about it here) – this was the start of becoming more interested in working directly in nature. Towards the end of last year the general concern about the environmental threats posed to the Namib desert by increased mining and industrial activities and proposed plans for off-shore mining of phosphate on the Namibian coast, started growing. Having grown up in Swakopmund and still considering it one of my homes, I, too, am concerned and decided to find ways in which I can do my part “to make the world a better place” and protecting the environment.

I realized that protesting or being against what I consider to be a threat is not the way to change things – or at least not my way. Instead I looked at ways of putting energy into the reality I would like to experience: a balanced, healthy and protected environment, in which all beings co-exist in a harmonious way, without destroying each other. This is based on the spiritual idea of ‘what you sow is what you reap’.

Planting black ‘roses’ in the Namib Desert (Photograph by Steffen Holzkamp)

The works had to fulfill at least one of two different purposes:

to protect, bless and heal the land
to make the threats visible and conscious, because if you have looked into the eyes of the danger, you understand it better and loose the fear and can act from a stronger base.

Loosely based on different aspects of old shamanic and spiritual traditions from all over the world, I tried to find my own formal approach, use of form, symbols, rituals and materials according to my intentions to produce my art or healing works.

Click here to be taken to see a small selection of the resulting artworks and brief descriptions.

I appeared back to back with Madonna in Berlin

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Yes, it is true. This weekend I appeared back to back with Madonna right here in Berlin. You are right, my musical talent sucks, but my art is getting more and more famous.

Ok, I did not appear on stage, but while the superstar Madonna got the front page of the cultural supplement of the German magazine “Der Tagesspiegel” this past weekend, my artwork appeared on the very next page – basically back to back.

I have to admit that I am not a fan of her music, but I do really admire how she has made it from a small unknown girl to become one of the most famous female musicians in the world, with pure guts, hard work and determination.

And I am just overly excited that I, a ‘small Namibian girl’, am having a solo exhibition in Berlin and getting a prominent mention in a leading newspaper… I hope that this is another ~~small~~ big step towards making my mark in Germany and get some more recognition (and sales) for my art. It would be wonderful if my artwork caught the eyes and attention of a small percentage of their 350 000 readers.

The more attention my art gets the more attention the subject and cause behind the exhibition will get: Raising the consciousness about our Namibian environment, especially the coastal area and Namib desert and the possible threats from the mining and other industries and pollution.

Here is a cut-out from the newspaper:

Tagesspiegel 30 June 2012 Cultural pages with a picture of my work SubRosa.

The caption says:

” Black barbed wire roses in the Namib. Today the exploitation looks differently than in the times of the German colonial power. The landscapes of Namibia are threatened by the mining of natural resources and pollution. The artist Imke Rust lives in Windhoek and Berlin. She protests with her ‘land art’ – here the installation “SubRosa” – against the destruction of the nature. “Goldgräberstimmung”: Photos and videos by Imke Rust can be viewed up to the 16^th of July in the Berlin Grafik Studio Galerie Neumann (Rigaer Str 62). “

If you are interested, you can read the online version of the “Tagesspiegel” here.

Info about the work:

SubRosa (Under the Rose) by Imke Rust

Temporary installation in the Namib Desert Dune belt south of Swakopmund.
22° 43’ 01” S – 14° 33’ 47” E
Original dimensions: 90 x 270 x270cm
99 roses made of black rubbish bags, barbed wire, wire
April 2012

The exhibition is officially declared open…

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The opening of my solo exhibition “Goldgräberstimmung” (Goldrush Mood) on Saturday has drawn people from all over Berlin to Rigaer Street 62 in Friedrichshain, Berlin – some even came all the way from Bremen and Leipzig. There were enough art-loving people and special friends to fill and keep the small space continuously bubbling for more than three hours.

What would art be, if nobody sees or experiences it?

So thank you to everybody who made the time and effort to be there and share the fruits of my work, thoughts and passion with me. For those who could not attend the opening, you still have a chance to see the works throughout the next four weeks (please see my previous blog-post for more details on the gallery’s opening times etc.)

Another big Thank You goes to Jens Garling who opened the exhibition for me, with a lively and wonderful speech, to the Neumann Galerie for hosting the exhibition and to Steffen Holzkamp for all the support before and during the opening.

I would love to post pictures of the artworks on my blog, but am not sure if it will spoil the interest for the people who would like to see the artworks in real? Please let me know what is your opinion: to show or not to show?

Till I have come to a decision, here are a few pictures of the opening:

Opening speech by Jens Garling (with Ms Gisela Neumann)

Interested guests viewing the video

Goldgraeberstimmung Ausstellung

Goldgräberstimmung (Gold-rush Mood) Upcoming Exhibition

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Whoohoo – It’s exhibition time… please save the date! Book a ticket and come to Berlin!

My next solo exhibition “Goldgräberstimmung” will be on show in Germany’s capital, Berlin, on Saturday, the 16th of June (17h30) at the Grafik Studio Galerie Neumann. Jens Garling will give a brief introduction to the works.

On show will be a small selection of land art works and public art actions (in form of photographic and video documentation) which I have created in April12 in the Namib Desert and some mixed media works.

Goldgräberstimmung/Gold-rush Mood by Imke Rust

Goldgräberstimmung/Gold-rush Mood – an exhibition by Imke Rust

About the works: “Imke Rust uses her art to draw attention to the human exploitation and destruction of the Namib desert. The works are loosely based on ancient shamanic traditions and symbols, while the artist worked in and with nature, in order to establish a more direct connection between humans, nature, art and the spiritual world. The Namibian-German artist will show video, photography and mixed media works.”

The exhibition can be viewed until the 16^th of July.

Opening times of the gallery:
Mon – Tues: 10h00 – 17h00, Wed: 9h00 – 14h00,
Thur 12h00 – 18h00 and Fri 9h00 – 13h00
If you would like to view the exhibition after hours or on weekends you can make an appointment with me via email: imkerust(at)iway.na

Please feel free to invite your friends along and also to purchase some of my works.

I hope to see you there!

Artworks shown on the invitation:

SubRosa (Under the Rose)
Temporary installation in the Namib Desert Dune belt south of Swakopmund.
22° 43’ 01” S – 14° 33’ 47” E
Original dimensions: 90 x 270 x270cm
99 roses made of black rubbish bags, barbed wire, wire
April 2012 ©Imke Rust

and

Toxic Rocks
Temporary installation at the “Black Rocks” close to Wlotzkasbaken, Namib Desert.
22° 25’ 55” S – 14° 27’ 42” E
Approximate original dimensions: 200 x 2500 x 2000 cm
Rocks wrapped in neo colored tulle
April 2012 ©Imke Rust

If you like my art, please join my Facebook Artist Page .

Encounters in the Namib

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A bird puzzled by my artwork in the desert © Imke Rust

I have spent eight days in the beginning of April in the desert around the coastal town of Swakopmund to make artworks in nature. It is my way to raise awareness about the threats which our environment is facing. And it is my way of taking action. I believe that art is not only an aesthetic experience, but also a powerful and spiritual one. Just like the shamans and healers of the olden days have used drawings, symbols, rituals and objects to heal and change the vibrations of the current reality, I hope that my art can have a positive and healing influence.

The Namib Desert at the Atlantic coast in Namibia is currently under much threat, with uranium mines springing up and growing like fungi, huge chemical plants proposed to be built (who plan to get rid of their toxic waste in the Atlantic ocean) and even Phosphor mining plans on our shores. Not only these big obvious projects are threatening the desert and ocean, but also the thousands of people who mindlessly use the environment as their playground without consideration or awareness of the damage they are doing.

I am happy that more and more people are standing up and making their voices heard for saving our environment and there even being signs and actions from our government which gives us hope that they are not going to sell out our desert. I thought a lot about what I can do for my part, and decided that I stick to what I do best: art. Instead of painting posters against the ‘enemy’ I decided to do things pro nature, make artworks which symbolically protect the land from harm, bless it and celebrate its beauty, while at the same time raising awareness about the threats.

I am busy preparing the documentation of the works for my upcoming exhibition in June in Berlin and want to keep the artworks a surprise till then. Instead I will share with you pictures of some of the meetings we had during the eight days, in which we worked in the desert. Just to show you how alive the desert really is with creatures we often do not even notice. All of these and many, many more depend on our choices for their survival. And our own survival depends on a healthy and alive environment.

Horned Viper taking refuge in a shaded burrow

Although I have much time of my life in the desert, it is the first time that I personally spotted this highly poisonous small snake. A good reminder for me to tread carefully for my own protection and on the other hand I felt sadness, as she was living in an area where sand is mined and I guess it is only a matter of time, before she ends up being killed by the huge machines.

A well camouflaged desert gecko

Another gecko, not as fussed with camouflaging

A lizard who has lost its tail

A very friendly and inquisitive pregnant chameleon

A desert rabbit, sitting very still, in the hope that we do not see it…

A black scorpion – very poisonous (you can tell from the large stingers and small fangs)

These are only some of the animals which we encountered while working in the desert, as I did not always have my camera ready…. I was so amazed to notice just how alive the desert really is.

Oh, and then while marveling at the horned viper, we also encountered some very noisy two-wheeled creatures:

Motorcycles and plastic bags in the desert

I wonder how many of our small new friends they noticed? And how many of them survived the encounter?

If this matter is also close to your heart and you would like to show your support for the environment of the Namib Desert, especially around Swakopmund, please join the Facebook group “Industrial Swakopmund – What Future do we Want?” and stay updated about the latest news and actions.

The art project was funded, in part, through a Grant by the National Arts Council of Namibia (NACN), the opinions, findings and conclusions or recommendations expressed herein are those of the Author(s) and do not necessarily reflect those of the NACN.