Category Archives: Installations

Secret ingredients for making rain…

Ok, I have decided to share my secret list of ingredients for making rain with you .

When we wish to manifest a different reality in our lives, we must firstly set a clear intention. Then we need to put the energy closest linked to that state into a creative act – such as art, music, dance or a ritual. Add a huge bucket of trust and stir in hands-full of patience. Regularly add generous amounts of gratitude and sprinkle with as much fun and creativity as you can find. Decorate with light-heartedness and celebration.

As you might have guessed, this is an update on my last post “Waiting for rain” and you are probably curious to hear if my little rainmaker was successful.

After I made my ‘little rainmaker’ and writing about it in my last post, nothing much happened for a few days. And I started to get doubts. Maybe the rainmaker was too small? Or maybe the stone which I selected, was wrong – after all, it came from the Namib desert, a place which seldom sees rain. Maybe it just had forgotten the feeling of rain? So just to be absolutely sure, I decided to remind the stone and myself of the feeling of water, by making it stand in water, and refilling the water every day, saying my thanks to nature.

There was some rain on the 4th of February, but not much. Just enough that I decided to re-draw the cloud image and rain drops on the stone, as the image has been washed away a little bit. Through doing so, I reaffirmed my gratitude for every little drop of rain that we are getting.

All the time I regularly thought about our believes and superstitions surrounding rain. As kids we were told that eating up your food would allow it to rain and I still say that to friends when they are over for dinner. In Namibia we also say that you must not run to take down the washing from the line, when the first drops fall, as this will surely chase away the rain…

So when the first drops appeared I rather took a picture of my washing and the drops, happy about every little bit of moisture and not worry about it getting wet. Quietly celebrating each one of the few drops which our sky managed to squeeze out of the promising clouds. Even if once again, the drops stopped coming soon after they started… (Note to self: the washing believe does not seem to hold water in either a literal or figurative way. )

Raindrops on my washing

First raindrops on the new rainmaker (7 Feb)

On my birthday, the 7th of February, maybe as a special birthday gift, we had the first real rain. (Another note to self: it really takes a lot of patience, trust and many little prayers of thanks to get it to rain, but eventually it will rain.)

Ok, I acknowledge that I hoped the little rainmaker would bring lots of rain within two or three days. But maybe I just need more practice and more faith. And at least making and nurturing the little rainmaker gave me a sense of being proactive and positive in a time, when many people are starting to be talking about the imminent drought that we might be facing this year with a doomsday face and spreading the fear.

I learned that even if we can (and should be able to) influence reality with the right intentions and actions a little bit nature still has a way of following its own rhythms, but it might also be reminding us of some valuable lessons. We have been blessed with several really good rainy seasons and we have started to take water for granted again. We have wasted water, used it without being conscious about our actions or without remembering how very blessed we are and saying thanks.

And even if my little rainmaker has not yet brought Namibia or my garden the wonderful rains which I hoped for, I still have faith that we will also survive this year and this season.And that the rain might still come…

Last, but not least the little rainmaker provided me with regular joy watching the wild animals coming to drink from my installation. In the very first picture is a wild yellow mongoose and below is a red-eyed bird. I do not know the scientific name of the bird, but I happen to know this bird personally, as I had the pleasure to share its life for the past few months. She and her husband have nested in my garden and I could watch them raise their young chick, teaching it to fly and celebrate life.

Red-eyed bird drinking from the rainmaker installation

Waiting for Rain

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It is very hot and dry. All Namibians are yearning for the rain to come. So am I.

I have decided to make another, small ‘rainmaker’ work and place it in my garden in hope to set the right energies free to let there be rain. I have made my first “Rainmaker” artwork in 2010. You can click here to be taken to pictures and information on that .

For some time now I have been experimenting with the idea that combining creative energy and ritual with the right intentions should be able to influence the ‘reality’. In simple terms: I am trying to figure out, if a rain dance can really produce rain.

And if so, what ingredients are needed? Are there specific magical forms, rhythms, sounds or actions that are needed? Do we really need to dance to get rain, or could it be another creative expression? (Since I am not a dancer, this question is actually quite on top of my list…)

While I am still hoping to one day stumble on a copy of “Rain Dancing for Dummies”, I have settled to do a lot of reading in related matters, from traditional beliefs and cultures from all over the world to artists who have explored similar concepts, like Joseph Beuys.

And while I am at it, I thought, it will not harm to start experimenting with it already. So here are some pictures of my drawing of a raining cloud made to focus the intention on the reality which I would like to see and feel.

I have made it a few days ago and yesterday there were some promising clouds but no rain. Today there are some more clouds, so I am keeping my fingers crossed… and my intentions focused on the cool refreshing wetness of rain…

Rainmaker on my stoep (local word for verandah)

Rainmaker on my stoep (that is what Namibians call a verandah)

20cm high flat stone, sepcially collected for this purpose from the Namib. I made the drawing with white Chalk drawing.

+-20cm high flat stone, specially collected for this purpose from the Namib. I made the drawing with white Chalk, so that it can wash off with the first rain…

Some clouds in the sky in the day I have made the drawing.

Some clouds in the sky on the day I have made the drawing.

Interview on the German radio

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Do you understand German and would like to listen to an interview about my latest art exhibition?
Then I invite you to please tune in to the NBC German Radio Station on Sunday, 13 January 13 at 18h00 (Namibian time).For those of you who are not living in Namibia, you can listen to the interview on NBC’s livestream via the internet @ http://96.31.83.87:8110/ . If you have missed that one or cannot make it, don’t worry, there will be a re-broadcast on THURSDAY at 22h00 (17 January).

The program’s name is Kaleidoskop and it will feature a 30min interview with me, hosted by Annemarie Brell. The interview will give you an insight into my views on environmental art, we are talking about my works that have been exhibited recently in Swakopmund at my solo exhibition “…and I sensed an infinite scream passing through the Namib” and I share information how the works originated and what my intentions are.

Many people have commented that they have really enjoyed my earlier brief interview done in the beginning of December, just after the opening of the exhibition, so I hope this will be equally interesting.

You can find more information on the radio station’s Facebook page: https://www.facebook.com/germanradio

Me busy installing the 99 black roses (made out of barbed wire and rubbish bags) in the Namib desert for a temporary site-specific installation.

Pictures from the Opening

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Finally I have time to share some pictures of the opening of my latest solo-exhibition. It opened to great many people on Sunday the 9th of December in Swakopmund on the premises of “The Last Resort Well/ness Centre” (Yes, that is how it is written for a good reason). I did not count, but the newspaper said there were at least 150 people for the opening. And I got so much wonderful comments and feedback! Wow! Thank you to everybody who came! And those of you who have missed the opening, you still have time to see the exhibition (without the pushing and shoving of so many people) every afternoon between 14h00 and 18h00, except Sundays, till the 29th of December. I am at the exhibition all the time, if you would like to meet me. I would sure love to hear your thoughts, meet old and new friends and share my art with you!

All photographs taken by Steffen Holzkamp. (Copyright)

The opening speech, with Clinton Lang from “The Last Resort Well/ness Centre” in the middle.

An Infinite Scream – Press-Release

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SubRosa
Temporary site-specific art installation by Imke Rust

What do you do, when an arts association cancels your exhibition because they find it too political? And when a cultural centre asks you to change your exhibition proposal to hide the true message so that it might stand a chance of being shown? You make sure it gets shown anyway, in an unbiased space.

And so Imke Rust’s latest solo exhibition, entitled ‘… and I sensed an infinite scream passing through the Namib’ will open at “The Last Resort Wellness Centre” in Libertina Amathila Ave 5, Swakopmund (opposite of Hotel Pension A la Mer) on the 9^th of December at 17h00. It can be viewed thereafter till the 29^th of December, between 14h00 and 18h00, Mondays till Saturdays.

In this environmental art exhibition Imke Rust, who grew up in Swakopmund and is still closely connected to it, addresses the current debates and happenings concerning the plans for increased mining and industrial activities in the coastal area. In her work she uses a variety of media and approaches to highlight the concerns of the general public and to search for alternative solutions in the environmental conflict. While she is painting a gloomy picture of possible disastrous long-term effects of the current developments, she also reminds people of their responsibility to look after their land and that they have the power to make changes towards a better future.

Once more, Imke Rust has produced a powerful body of work, exploring and openly questioning social and political controversial issues. Central to the exhibition are temporary land art works that the artist has installed in the Namib Desert. At the exhibition these installations and interventions will be presented through photographic and video documentation. She evocatively combines natural and man-made materials such as thorns, salt, dung, rubbish bags, barbed wire and videos in her captivating artworks. She even got complete strangers involved in a documented art action for the environment on the jetty.

The artist neither preaches nor dictates what the viewer’s stance should be. Instead the exhibition draws you in and compels you to engage and consider the complexities of the debate. It is an empowering experience and should definitely not be missed.

A small part of the exhibition has already been shown in Berlin earlier this year, where it was received with great interest. Intriguingly the Swakopmund Arts Association has cancelled Rust’s booking of the Woermann Gallery on the premises that the “impertinent and unscientific public debate against the economically important uranium mining industry [...] is politically charged“.

For more information please contact me via this blog and webpage or find my artist page on Facebook (and like it, if you are also on Facebook ) or go directly to the Event’s page, also on Facebook.

Looking forward to seeing many of you at the opening or afterwards!

The Last Resort Well/ness Centre – Swakopmund
Libertina Amathila Ave 5

Can art do more?

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Photographing the first day’s work of the ‘Saltcircles’ during a misty sunset. (photograph by Steffen Holzkamp)

Art can be thought-provoking, inspiring and make the world more beautiful. But can it do more?

Part of my being is that I question everything. I love understanding the relations between things, the ‘why?’ of everything. I also love to find alternative solutions to problems or do things other people think cannot be done.

Often I ask myself, why am I doing art? What ‘real’ purpose does it serve? And can it do more than just look pretty, be a clever idea or make people think? Somehow all these things have not yet completely satisfied me. Yes, they all have merit and even a purely decorative painting has its purpose, but I believe there is more to life and more to art.

This has led my search, amongst others, to old, shamanic traditions. Somewhere during my art history studies I came across a reference to Ethiopian healing scrolls. If a person was sick, the priest would make scrolls according to specific rules (for instance the scroll needed to be as long as the person’s height, if I remember correctly), on which they painted symbols and wrote prayers. These scrolls were then taken home by the sick person and were viewed every day till the illness was cured. Interesting – art made to heal somebody?

Again and again I stumbled onto references where art is used for protection, fertility, health, initiation or to manifest a desired state. I became more aware that in olden days the shamans and priests made use of what we today call art (dance, painting, sculpture, music, etc.) to do their work of healing, blessing and manifesting. Since I read about the healing scrolls, I have been looking at the link between art and spiritual and mythical traditions and beliefs more closely. I do believe that under certain circumstances, art has more power and effect than what we normally imagine, and so I decided to try and be much more conscious about what kind of art I am making and why and how…

Working in the Moon Valley, Namib Desert (Photograph by Steffen Holzkamp)

Be the change that you want to see in the world

In 2007 I made my first conscious work into this direction. I developed a personal Yin & Yang symbol to harmonize and balance the male and female energies in my life (Click here if you are curious). In 2010, I hoped for rain and made a work entitled ‘Rainmaker’ (read more about it here) – this was the start of becoming more interested in working directly in nature. Towards the end of last year the general concern about the environmental threats posed to the Namib desert by increased mining and industrial activities and proposed plans for off-shore mining of phosphate on the Namibian coast, started growing. Having grown up in Swakopmund and still considering it one of my homes, I, too, am concerned and decided to find ways in which I can do my part “to make the world a better place” and protecting the environment.

I realized that protesting or being against what I consider to be a threat is not the way to change things – or at least not my way. Instead I looked at ways of putting energy into the reality I would like to experience: a balanced, healthy and protected environment, in which all beings co-exist in a harmonious way, without destroying each other. This is based on the spiritual idea of ‘what you sow is what you reap’.

Planting black ‘roses’ in the Namib Desert (Photograph by Steffen Holzkamp)

The works had to fulfill at least one of two different purposes:

to protect, bless and heal the land
to make the threats visible and conscious, because if you have looked into the eyes of the danger, you understand it better and loose the fear and can act from a stronger base.

Loosely based on different aspects of old shamanic and spiritual traditions from all over the world, I tried to find my own formal approach, use of form, symbols, rituals and materials according to my intentions to produce my art or healing works.

Click here to be taken to see a small selection of the resulting artworks and brief descriptions.

I appeared back to back with Madonna in Berlin

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Yes, it is true. This weekend I appeared back to back with Madonna right here in Berlin. You are right, my musical talent sucks, but my art is getting more and more famous.

Ok, I did not appear on stage, but while the superstar Madonna got the front page of the cultural supplement of the German magazine “Der Tagesspiegel” this past weekend, my artwork appeared on the very next page – basically back to back.

I have to admit that I am not a fan of her music, but I do really admire how she has made it from a small unknown girl to become one of the most famous female musicians in the world, with pure guts, hard work and determination.

And I am just overly excited that I, a ‘small Namibian girl’, am having a solo exhibition in Berlin and getting a prominent mention in a leading newspaper… I hope that this is another ~~small~~ big step towards making my mark in Germany and get some more recognition (and sales) for my art. It would be wonderful if my artwork caught the eyes and attention of a small percentage of their 350 000 readers.

The more attention my art gets the more attention the subject and cause behind the exhibition will get: Raising the consciousness about our Namibian environment, especially the coastal area and Namib desert and the possible threats from the mining and other industries and pollution.

Here is a cut-out from the newspaper:

Tagesspiegel 30 June 2012 Cultural pages with a picture of my work SubRosa.

The caption says:

” Black barbed wire roses in the Namib. Today the exploitation looks differently than in the times of the German colonial power. The landscapes of Namibia are threatened by the mining of natural resources and pollution. The artist Imke Rust lives in Windhoek and Berlin. She protests with her ‘land art’ – here the installation “SubRosa” – against the destruction of the nature. “Goldgräberstimmung”: Photos and videos by Imke Rust can be viewed up to the 16^th of July in the Berlin Grafik Studio Galerie Neumann (Rigaer Str 62). “

If you are interested, you can read the online version of the “Tagesspiegel” here.

Info about the work:

SubRosa (Under the Rose) by Imke Rust

Temporary installation in the Namib Desert Dune belt south of Swakopmund.
22° 43’ 01” S – 14° 33’ 47” E
Original dimensions: 90 x 270 x270cm
99 roses made of black rubbish bags, barbed wire, wire
April 2012

Goldgräberstimmung (Gold-rush Mood) Upcoming Exhibition

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Whoohoo – It’s exhibition time… please save the date! Book a ticket and come to Berlin!

My next solo exhibition “Goldgräberstimmung” will be on show in Germany’s capital, Berlin, on Saturday, the 16th of June (17h30) at the Grafik Studio Galerie Neumann. Jens Garling will give a brief introduction to the works.

On show will be a small selection of land art works and public art actions (in form of photographic and video documentation) which I have created in April12 in the Namib Desert and some mixed media works.

Goldgräberstimmung/Gold-rush Mood by Imke Rust

Goldgräberstimmung/Gold-rush Mood – an exhibition by Imke Rust

About the works: “Imke Rust uses her art to draw attention to the human exploitation and destruction of the Namib desert. The works are loosely based on ancient shamanic traditions and symbols, while the artist worked in and with nature, in order to establish a more direct connection between humans, nature, art and the spiritual world. The Namibian-German artist will show video, photography and mixed media works.”

The exhibition can be viewed until the 16^th of July.

Opening times of the gallery:
Mon – Tues: 10h00 – 17h00, Wed: 9h00 – 14h00,
Thur 12h00 – 18h00 and Fri 9h00 – 13h00
If you would like to view the exhibition after hours or on weekends you can make an appointment with me via email: imkerust(at)iway.na

Please feel free to invite your friends along and also to purchase some of my works.

I hope to see you there!

Artworks shown on the invitation:

SubRosa (Under the Rose)
Temporary installation in the Namib Desert Dune belt south of Swakopmund.
22° 43’ 01” S – 14° 33’ 47” E
Original dimensions: 90 x 270 x270cm
99 roses made of black rubbish bags, barbed wire, wire
April 2012 ©Imke Rust

and

Toxic Rocks
Temporary installation at the “Black Rocks” close to Wlotzkasbaken, Namib Desert.
22° 25’ 55” S – 14° 27’ 42” E
Approximate original dimensions: 200 x 2500 x 2000 cm
Rocks wrapped in neo colored tulle
April 2012 ©Imke Rust

If you like my art, please join my Facebook Artist Page .

Tokoloshe Trap (or How to Catch Creatures of the Night)

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(Update 21 March 2013: To see pictures and a description of the final artwork, please click here.)

I am hard at work preparing for a land art project which I am planning to do at the coast soon, and have been spending much time finding and cutting white thorns. These long, straight, white thorns, growing in pairs at an about 90degree angle to each other, are something I typically relate with Namibia. Different kinds of trees and bushes grow them and they look stunning, but are also really painful if you step into one.

I plan to use many (as in thousands) of these thorns, so I have been spending my past few days cutting these thorns off their branches. To get a break from this tedious task, I decided to arrange some of the cut thorns in my garden to see what it looks like. I decided on a simple circle shape. And this is what it looked like.

My cat is in the second picture, since she took great interest in my arranging the thorns and continuously interfered, thinking it is great to bite the thorns, rub her chin on them or walk straight through them. All of which was not very helpful and after I have pushed her away too often, she gave me the cold shoulder. (This picture also serves to give you an idea of the size of the thorns, and these one’s are medium-sized!)

Since it was late in the afternoon, I decided to leave the thorns in the garden and wait till the morning to get some of the morning sun for some extra pictures. When I came back to it early in the morning, I realized that some animal walked into the thorns. The circle was damaged and it was surrounded with tracks.

First I thought it might have been my cat, but the strangest thing is that judging by the size of the scratch marks and spoors, the animal must have been huge, something like a big dog. I know that a mongoose often comes to visit at night and stalk around my compost heap, but other than that, there is no large enough entry into my yard, for anything bigger than a cat. Unless it can fly…

Festus, who sometimes helps me in the garden and whom I called to ask if he could identify the spoor, was not sure what it could be either. But for some reason he thought it might be the perfect time to ask me what the word “Tokoloshe” means.

Wikipedia describes it as follows:

“In Zulu mythology, Tikoloshe, Tokoloshe or Hili (from the Xhosa word utyreeci ukujamaal) is a dwarf-like water sprite. It is considered a mischievous and evil spirit that can become invisible by swallowing a pebble. Tokoloshes are called upon by malevolent people to cause trouble for others. At its least harmful a tokoloshe can be used to scare children, but its power extends to causing illness and even death upon the victim. The way to get rid of him is to call in the n’anga (witch doctor), who has the power to banish him from the area.”

So, maybe it was a Tokoloshe?

Hmm, I am still puzzled by what it could have been, but at least I know one thing for sure: whatever it was, it stepped right into the thorns and will surely remember the pain and not come back soon.

And if I ever should need an additional income to my art, maybe I can patent this as a form of Tokoloshe Trap and catch some evil spirits roaming the land.

Waiting in an ashtray…

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Everyday waiting for the bus or the S-Bahn I witness one of the most intriguing phenomena: the careless-flipping-away-of-cigarette-buds.

In most smokers minds’ cigarette buds do not seem to be classified as litter. No, I do not hate smokers, I just do not understand this part of their actions (and yes, I do feel a bit offended by it). Has it ever occurred to you that cigarette buds are litter and belong into a bin or ashtray and not on the public floor?

It is not as if the person looks around for a rubbish bin, then cannot find one or thinks it’s too far to walk to, and then decides to rather drop it on the floor. It seems to be a totally unconscious act. Maybe somebody can explain this to me? It is a mystery to me. I assume, you do not just drop the buds on your floor at home – or do you?

I salute the few smokers who carry a portable ashtray and use it to store their ash and buds or those who are conscious enough to make use of public rubbish bins.

As I found this so intriguing, I thought I have a bit of my own fun:

Smoke Victims

Drawing

Smoke Victims (close up)